How to apply separate pot for bass speaker driver

My speakers are bi-wire able.
Upper section consists 2 midrange drivers and tweeter.
Bottom section just bass driver.
I would like the bass driver to be more flexible in addition to whole speaker volume regulation from amplifier.
That means, while low level listening it can be fully engaged, when volume rises, I want to reduce its output to my liking. And I would like to do it on the way from speakers terminals of amplifier to the speaker post.
The best one volume pot for both right and left speakers. Is that possible?
Thank you

How do I start?

Forgive me if this have been asked before, a quick search didn't reveal what I was looking for.

Basically I would like to hear your ideas on how to educate myself, so that I might be able to understand what I'm doing, when I eventually dare to build a DIY amplifier.

I have no ambition of getting an engineer worthy degree of sorts, I just want to be able to follow a DIY guide for Nelson Pass designs, and be able to trouble shoot and understand what the significance of the components are.

So the baseline is pretty low, high-school level understanding of electricity, and due to my former employment I understand some of the speaker/amplifier specific terms - but not nearly enough to just go ahead and build anything yet.

I have access to O'reilly, so hopefully some of the books that might prove valuable 🙂

Beyma 15MI100 - TSP confusion

Hello,
I am building a system using Beyma 15MI100 (and some other components).
The pdf datasheet is showing VAS = 166liters and fs = 48Hz.
Loudspeakerdatabase.com is showing 264 litres / 37Hz.
Who is right? Can we trust loudspeakerdatabase.com in any way? What about their built-in "simulate this driver in a closed box" online feature (as I am going to use it in a closed box ~93liters)? Is loudspeakerdatabase any good site?
Also, in what way do the stock TSP parameters change, if the 15" has been used already ~200h at medium to high power in a BR cabinet?



(Please no comments here about the early rolloff, the low QTc and the high corner frequency. This is intended for the the midbass way. And gentle but sophisticated DSP crossover will align both 2 x 15" and 2 x 18" to have almost linear acoustic response down to 20Hz. The 2 x 18" will also be closed box, but bigger.
I will open another thread about the build as soon as I have designed the parameters right. There you can comment and critisize my calculations and intended system build. But first I need reliable TSP parameters for 15MI100.)
Thanks!

Nakamichi ta-3a turns off completely. Dead no power all of a sudden

Have ta-3a . Worked fine for years.
Now I have sudden loss of power
After listening to music for a little it shuts off completely. No power button light (neither red nor green)
I use remote with this amp. The very first time this happened it switched from green light to orange light ( orange is stand by or dc relay protection mode). I could power it back on with remote. I believe it just turned off

Second and 3rd times it just dies completely.
I can manually turn it back on it will play for a min and turns off completely (no lights at all)

I've read somewhere about 22k resistors that go bad on nakamichi ta-3a

But the symptoms of those is that an amp goes to protection mode.

Could it be those resistors or it's something else

Sansui G4700, random fault, help!

Hello people. I am repairing a Sansui G4700 receiver, only one channel has a random fault, it only amplifies the positive part of the signal, this problem appears and disappears by itself. It is not a problem with the preamplifier, only in the power stage. The funny thing is that it can be working perfectly for a week or more, and suddenly the fault appears, lasts a few minutes and then disappears. Check all the welds, solve the ones that seemed suspicious, change some components affected by glue, but the problem remains. It is not false contact. The duration of the problem, does not allow me to make many measurements, in a short time it normalizes. I suspect some transistor, for the moment, I decided to exchange a group of transistors with the channel that works well and leave it in test to see if the fault persists or moves to the other channel. Any idea or suggestion is welcome.

Satori mw16p vs Vifa NE180W

Hi friends!.
Looking opinions for my next build. It will be a slim 2.5 way floorstander.
The tweeter will be the satori ring radiator and I want to debate on the Satori mw16p vs Vifa NE180W drivers.
I know that satori is easier to work with and has better distortion profiles, but I've read many people saying that vifa ne180w actually sounds better.
Also the vifa ne180w is about 20 dollars cheaper per unit.

4P1L Filament Supply Confusion

I'm confused about the proper filament supply design for the 4P1L, or any DH tube, I suppose.

I've seen PSE schematics that show each channel (2 tubes) being heated by the same filament supply.

Yet, I've read posts elsewhere that claim that DH tubes always need to be heated using a separate filament supply for each individual tube, regardless of whether the topology is SE, PSE, PP or PPP.

Which is correct and does it apply under all circumstances? In other words:

Do different topologies (SE, PSE, PP, PPP) affect what is allowable?

Do different bias schemes (cathode, fixed, filament) affect what is allowable?

Pass Aleph 5c amplifier - hum on both channels

Good day peeps

I have a Pass Aleph 5c kit amplifier on the bench of a friend.

It has an unacceptable high hum on the speaker outputs.

There is virtually zero DC offset. Grounding was done according to all the tried and tested theories (including referencing to Douglas Selfs writings).

The hum is present when the inputs are shorted and also when the ground is lifted.

Any pointers...?

What makes a good pass transistor in a serie regulator

About ripple rejection what BJT parameters are important.
In a topology, i am working on, Early voltage makes a lot of différence.
I understand there à feed through effect coming from the collector dynamic resistance related to Early voltage.
I think a good pass BJT should have hight VAF.
Low collector capacitance matters too.
What do you think.

12AU7 tube amplifier powered by batteries

Hi, for some time I was playing with the idea of building a portable speaker with tubes. I normally build guitar amplifier, but this time I gave this a shot.
F9CAL4DKDX3PNKW.jpg


FWLFJPSKDX3PNKV.jpg


I posted the whole design and build process over instructables How to Build a Portable Bluetooth Tube Amplifier : 14 Steps (with Pictures) - Instructables, maybe you find it interesting.

And a picture from the interior:
FNJDETFKEJYQPBW.jpg


For a low cost tube amplifier build it turned out pretty nice.
Cheers.

Schneider TA 4000 sound issue.

Hi,


I have a problem with my Schneider TA 4000, sound still coming out of the right channel when volume is at zero. The issue is not in the balance or volmue potentiometers and I have not been able to track down the service manual. Any ideas on what is happening, is there a simple pot to tweek, thanks?


PS How do folks get the boards so clean, is there a special super small cotton bud that does fall apart?

FS: scan speak 21W8555-01

Hi
Would like to sell scan speak 21W8555-01
I have 4 of them

Thay have not been used for a while, have been laying in the closet with no use so I would like to sell them.

Two of those I have buy new and two used.

On the picture are those that I have buy new.
The other two I can post pictures in a couple days.

Thay are all working great.

I would like to get 150euro for those on picture ( 2 x 21W8555-01 ).
Or 200euro for all 4 x 21W8555-01
+ shipping costs and pay pall fee if applied...

I think that shipping inside EU is only reasonable.


Thanks

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The Northern Pikes

Thought I'd share something I completed a little while ago. This one was whipped up over a few weekend and then a few more weekends since spring, but the effort has been worth it!

The Northern Pikes were a band from my home town, they were a big deal when I was growing up. Highly recommend giving a listen if you're into 90's rock.

It's an AMT3-4 on top, a Wavecor WF120BD03 in the middle, and a Vifa M26WR09-08 on the bottom. Around back is a CSS APR-12. The result is a fantastic combination with exceptional clarity.

The baffle is African Mahogany with Maple accent, and maple veneer on the sides. It was my first time veneering, and learned some valuable lessons. There is some cracking in the veneer unfortunately, as I learned that wood glue iron on mothod is best used on paper backed only, so next time I am using contact cement instead.

The phone photo unfortunately shows a lot more red than there is in reality, the second up-close photo is more proper colour.

attachment.php

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Distortion-measurment at high levels

Hi.

I´m building a small PA-ish speaker with 2x6" and driver+horn.
(Posting here and not in PA, as I hope for relevant input here)

Crossover is 1.6Khz, 4th order, fully active. 120Vpp amp for mid-basses.

Sound is OK, at moderate levels, but at high levels it becomes "unpleasant".
Amp is not clipping as far as I can see.

The drivers are high-power units with 2"voicecoil and rating of 200/400W pr unit. 91dB/W.

I'm trying to measure distortion with my (cheap) measuring mic and and STEPS/ARTA.

What level of distortion shall I expect? at moderate levels I get around 0.5% and at high levels I get 2-5%. At very high levels I get peaks of 20% distortion at some frequencies.

I will try to capture some waveform and post here.

All inputs are welcome 🙂

Kind regards TroelsM

Latest project 100 watt biplolar amp based on 1980's Maplin disco amplifier

I have taken the 1980's Maplin 225WRMS disco amplifier and brought it up to date with modern transistors and a better circuit.
Constant current source on front end. Better front end decoupling.
Decreased power output to 100 watts RMS.
Output transistors are MJ15003/4.
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Simple way to set up active speakers??

Hey guys hows it goin? So I Purchased the Zoudio 4 channel Amp with DSP. Has eq and crossovers built in. But I am having a hell of a time getting my speakers to sound good.

Is there a super simple way to measure the output of my speakers so I can adjust levels and crossover points? then maybe start playing with EQ a little bit 🙂

I built some 2 way bookshelves. tweeters are Beston ribbon tweets. Beston RT003C Round Ribbon Tweeter

And I'm running some CDT ES-400 mids. https://www.cdtaudio.com/pdf/ES-4_07.pdf

Yamaha HS80M AMP-CN603

Hello,

I have some issues with my lovely Yamaha HS80M Speaker. When I power it on, there is no sound. The heat exchanger gets hot within minutes. When I power it off, the big woofer pops a lot. (The issue seems to be nearly identical to https://www.diyaudio.com/forums/multi-way/341630-fix-yamaha-hs80m.html)


I disassembled the speaker. I did not find any issues, besides the amplifier board. Here is an image of the amplifier board:

WeTransfer


I asked Yamaha for support, but they replied, there would be no option to buy the components, but the whole board for nearly 200$, which I find pretty annoying.

Please let me know, wheter I can repair the board and what I need to do for repair:

Which tools do I need?
Which components do I need to buy?
Where to buy them?

What do I have to do for repair?


I have very, very basic electrical and no soldering skills, but I am willing to learn.



Thank you for your time.

Anybody worked on a Wurlitzer?

I got suckered into hauling home a neglected 1963 Wurlitzer 4100bw organ for my budding jazz pianist son. 7868 Power tubes were shot, but all the others (5BC3, 9x12AX7, 29x12FQ8, 4x6EU7) test good.

This particular organ uses tube oscillators and dividers, rather than reeds or tonewheels - thus the pile of 12FQ8s. From what I've seen, it's got a great mellow tone when it's in good shape.

To get started, I swapped in some marginal 7868s and replaced the shot 40uF reservoir cap, and I was able to get some very quiet sounds, which tells me the oscillators are all working (whew!) Scope shows the signal hitting the power tube grids is tiny, so next I'm going to work backward through the preamp to determine where the signal is getting lost. I'll replace the rest of the electrolytics along the way.

The motor for the Spectratone (a Leslie-esque spinning speaker) runs continuously, by design; I'm going to add a switch for that, because it adds a lot of noise that's not always necessary. It needs a new belt too, but that's neither here nor there.

Voltages are hot, as I would expect from something designed for 110V running on my 124-125V wall voltage. It's not egregious, though. Plate voltage is 410V vs. 395V on the schematic. Screens are 380V vs. 365V. Preamp supplies are 325V vs. 310V and 295V vs. 270V. Bias is running the other way, though, at -15V when it should be -17V. I'll probably put in an adjustment pot for that.

Not sure whether I want to replace the 7868s with 7591 and new sockets, or 6P41S and a lowered screen supply.

Has anybody else ever worked on these? Any advice? Known trouble spots?

TDA1541A and CS8412 how to connect

Hi,

I have an Arcam black box with the TDA1541A chip. After doing a lot of reading I managed to removed the filter chip and works even better. Then a lot more reading and discovered a lot of people connecting a I2s board to the TDA. I purchased one and struggling to get it to work.

There is a post about removing the muting transistor to enable this which I did but no sound is coming out!

I connected WSBD - LRCK, CLBD to BCLK and DABD to DATA. Connected a 5v power source also to the board but nothing after feeding it with a 16 bit 44.1 signal.

Any help greatly appreciated!

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DIY linear PS vs Vintage Linear PS

Hi all,

I have been agonising over building an offline regulated linear PS for a preamp. AC Mains are nothing to mess with, right? So I have become obsessed with questions such as whether to use a PTC or regular fuses or both? Where to place XY Caps? What about NTC to manage inrush? Then there are transients to worry about - TVS or MOV? Not to mention a switch, snubber and on and on.

I decided eventually & sensibly, I think to get an AC/AC wall transformer and work from there (all this was because I need two rails +-12v and was hoping to use a CT transformer I have).

I also happened to have an old Sony STR 6046a on my bench and I was aware it used a similar +- V setup. so I lift the lid and have a look at the schematics and I see... a switch, a fuse, Xformer, diode bridge, filter cap, done. But what about that destructive inrush current (two 6800uf elna filtering caps rated at 50V)? What about transients? What about safety hardware!? I have described the input to the power board which takes +-27V, so 54V total. As I was scratching my head I decided to test the ESR on the big caps and they came back excellent. All were original components and at this stage of the circuitry, all were working to tolerance - we are talking 40 something year old parts here!

So this is a long winded way of asking -
1. is inrush current really something to worry about in lower power devices
(like a preamp or headphone amp etc)?
2. Are all the modern precautions simply a way of protecting lower quality modern parts?
3. Is it really irresponsible to DIY build something offline paying the same indifference to safety regulations and standards as the vintage power gear does? (I am aware laws, components etc were very different 40yrs ago and mean no disrespect to the vintage gear)

Thankyou all!

Rectifier diodes for tube circuits

I'd like some up-to-date recommendations for diodes to use for rectification in tube amps. Are there better options than UF4007, if so which?

I could do with some help on voltage ratings as well. A typical PSU for my amps would have around 300v with a load of say 160mA, but maybe 425v off load. So would a 600v rating be safe? I have a few C3D02060F which are 600v Schottkys. In fact would Schottky or other specialist diodes make any audible difference?

I've always used tube rectification but I do use hybrid/Graetz bridges. I haven't optimised the diodes for a while. I'd also like to listen again to solid state rectification to see how it sounds.

Different layouts, resonators ? Reflected sound energ

If you were choosing a sub woofer, out of these 3 layouts which might you prefer and why? I realize it’s probably a bit vague, sorry, but just assume the CSAs are similar and the camber or offset chamber and actual main qw paths are similar in size with only the direction (or reflection) being different.

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ICEpower amps with miniDSP

Hello
I need some advice on picking ICEpower amps for my build.

I am building two three-way speakers, each speaker has:

One Subwoofer with 200w rms
One Midwoofer with 100w rms
One Tweeter with 20w rms

All in 8ohm load, it has to be stereo?

What would you guys suggest as the setup, as far as i can see the smartest thing to do, when pairing it up with a miniDSP, is to have 3 amps setup.

Push push bipole..front and rear mounted....enclosure size

I have 4 off Seas 6.5" 4ohm polypropylene that I fancy doing a little project with. 1 on the front, 1 on the rear and wired in phase at 8 ohm. (So far so good ?!)
They aren't the greatest at the higher frequencies so will be doing a WAW style build crossing low to a full range of some description.
Now if I sim 1 driver in a given volume box I get the roll off at a given point. If I put 2 drivers in the same volume the roll off is earlier. I am loosing LF output.
Here is my question. Assuming winisd doesn't take into account any baffle step losses ...which we know it can't....Will I regain LF extension due to the rear driver cancelling the baffle loss.? So I actually will get (in a perfect scenario) the LF extension as winisd shows me for one driver.?
Thanks

ORION 2500D Sound like horn at speaker

Hi.. Everyone...
I have problem with orion 2500D, while power up after relay on, shown any sound like a horn high freq at speaker .
I was replace ic's at modul driver, ic TL074, ic 14060B, and i try replace ic 305 with 74hc02 but ic very hot mybe wring code because code was erase and ic 305 back to original, but problem not solving, please help..

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Soundstream Angina - Turns on without remote

I have a Soundstream Angina that I recently started to repair. It needed new power supply and output MOSFETs. After replacing them the amp was able to power on. It drew about 1 amp at idle with the remote powered. I was able to get clean output from the amplifier at low volumes but since the heat sink is not attached I am not comfortable doing much more.

My questions are:

The amp turns on when I give it power on the BATT+ terminal and no remote hookup. Is this normal for these amps? I am thinking it has something to do with the "audio sensing" it is capable of doing when using high level inputs but I am using the low level RCAs so still a bit confused. It does eventually shut off after 30s-1min. I can time it exactly if that helps.

Second, the 15v +/- regulators seem to warm up pretty quickly without the heat sink. Is this normal? Or should I be looking for another fault drawing excess current on those regulators? They seem to warm up evenly but I was expecting with no audio signal they would not become hot to the touch within a minute.

Thirdly, Perry so generously shared a schematic for the Soundstream A4 series awhile ago but the Angina seems to vary a good bit beyond the power supply. Does another schematic for this amp exist?

If pictures or other/more information would be helpful just let me know and I will do my best to get what you need!

*If you are reading this before I add my tools to my signature just know I am doing it right now 🙂

Thanks!

Rockford P1000-1BD No Output

Hello, I'm new here. And new to circuitry. So bear with me please, I don't have really any experience with circuits other than electrical (residential/commercial) circuits.

I have a Rockford Fosgate P1000-1bd that I got cheap (too good to be true). Cosmetically good shape. I opened it up and found the output capacitor with a broken leg but everything else looked fine. The cap also had burn marks on the leg of it as if it has arc'd. So I replaced it with a Panasonic ECQ-E1106JF (below is a picture of the old one and then new one installed)

The amp powers up but does not have any sound or output when feeding it a signal from my phone through the RCA. No DC on speaker terminals.

I found that Q2000 transistor seemed to read very odd, it had - 19v, -. 741, - 7xx. I replaced it, now it's reading - 22v, - 7.01v, - 7.11v.

When I measure the rectifiers (CR1004 & CR1005) from left pin to left pin I get -83.7mV DC, center to center I get 55v DC, right to right pins I get -84.7mV DC. Seems very odd.. The rest of these transistors read accordingly to this picture attached with voltages that I found in another thread.

The 75344G fets voltages all have:
6.68-6.7v DC gate to drain
12.06v DC source to drain
5.44-5.45v DC gate to source
Not exactly sure what I'm supposed to see on these?
All the fets to left of the rectifiers (IRFP3415) read in the mV range jumping around on all their pins..

Nothing is getting hot on the board either.

My test bench consists of a computer psu that puts out 12.08v

Unfortunately I do not have an oscope..
Looking for suggestions on what to check next.
PXL_20201031_183210709.jpgPXL_20201031_181735144.jpgrockfordvoltages01.jpgPXL_20201021_003259665.jpgPXL_20201031_183402825.jpg

Vitus PTC Protection Error

Hi



Recently purchased a 2nd hand Vitus RI-100. Upon delivery the rear panel had been bent inwards as the binding posts had come into contact with the ground/hard surface.


Managed to straighten the rear panel and the input board that also mounted on the rear panel appears fine. No signs of any other internal damage and after straightening the rear panel you would not know any damage occurred.


Upon firing the amplifier up for the first time I got a ***WARNING*** PTC PROTECTION error.


Obviously something else is wrong and my fingers are crossed this is not indicative of a major issue.


I can't find any service manual or information regarding repairs on Vitus equipment. Does anyone have an idea of what could possibly be wrong with the amplifier?

Build your own 100W classA power amp

Whilst downloading Audio magazines here: AUDIO - Consumer audio and music magazine from 1947 to 2000.

i chanced opun a 1995 edition about a 100w class A amp by Norman Thagart:

part 1: https://worldradiohistory.com/Archi...tu34fta2pKBdd2ikr_ZXd6U-ka40d9A3hwSVwEco2D-wM

part2: https://worldradiohistory.com/Archi...PNVytNdEr_d0W_Mwrkn8hETqCz7PtE4E0w8eMlHNeanZE

part 3: https://worldradiohistory.com/Archi...HNacs6fkqGSS6gq0XvADNChbQRnGQZpo86U3PmWvm7DY4

the 3 art article is complete with all information needed to build this amp, so i wonder if anybody here besides the author built these monoblock amp. looking for your feedback...

Fender Princeton 40 guitar amplifier crackling..

Why do my guitar amplifier crackling like a campfire whenever I plug ANYTHING into the input jack? Cable, adapter, wireless adapter.. anything. Silent when input jack is empty. Both channels, clean and overdrive. Sometime it's more prevalent in the clean channel, sometime more pronounced in the overdrive channel. Does it no matter what volume it is. Tried it at four different homes with a Furman power filter, still sound like a campfire. Any help would be appreciated. Thank you.

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Speaker buzz from AC 30

Hi All. I hope this topic fits this room. I have a custom amp based on the AC30 with 2 Celestion Alnicos. The amp has less than 10 hours use on it. It sat for a year or two without using, and I know I am supposed to use a variac to power it up, but I turned it on, loud pop, and now one of the speakers is buzzing like it's blown. When I put my hand on the cone the buzzing/grumbling stops. This amp was never cranked. Did I blow the speaker? Hold downs are all tight, and I cant see anything rattling, though I have not checked tubes yet. Thank you in advance. Also, I'm assuming that I cannot simply unhook one speaker and run it, as this will damage the transformer?
Sincerely,

toneless in Seattle

Need help with DC offset opamp circuit

Hello all. I have been having a devil of a time trying to get this circuit to work.

The upper CCS is supposed to be a power Jfet from united SIC with fixed bias working in class A and the lower device is supposed to be a CCS load.

The idea is to have the opamp bias the bottom device so that I do not have to use a bias resistor. By avoiding a bias resistor, the voltage drop across the CCS is minimized.

The issue with the circuit is that I keep getting 12.8v at the output instead of the intended 0v. I know I am doing something wrong/stupid, but I just can't seem to figure it out.

Any thoughts are appreciated.

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300B SET

Hello People! I'm new to the amp diy building world and I would like to build one with your help! I went for this 300B SET amp and I have most of the components. I really learned a lot from you all from all these threads and posts but now I think I am ready to build one of my own! I have a custom power transformer that I found and it's really close to what I need, I'm missing only one 6,3V output but I bought the Hammond 266L12B for the two 300B tubes(I'll put a picture), I'm thinking of putting maybe two 230V power cables from seperate electrical outlets? But I'm sure there is a better way of doing this. I've made a wooden box and I need some help with that too, What material to use for the top and bottom plates? And I would like to have a PCB for it. I know that the point to point construction is better but I like the clean look of an amp haha. I have all the tubes, output transformers, chokes, Capacitors etc.

DIY 300B Single-Ended-Triode (SET) Hi-Fi Amplifier Project

This is the one I'm trying to make. Have a good day!:wave:

300B-SET-Amplifier-Schematic.png

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Help interpreting aperiodic membrane test results

I'm mostly a car audio guy so please bear with my lack of knowledge on some of these topics. I've got a pair of 6" Silver Flute drivers mounted in my doors and decided to build some AP type enclosures for them to see how they'd work. There's not a lot of AP guidance available on the internet, other than one site that states that:

"..the woofer's Qts (total system Q) that determines the AP candidates! ANY WOOFER WITH A QTS OF .45 or LESS CAN WORK VERY WELL IN AP DESIGNS! I made that bold so it will stick with you guys. So, if you want to try your hand at this type of enclosure, seek the Qts spec of the woofer. If it is less than or = to .45, you have a winner. You will find that it is mainly the subs designed for ported enclosures"

The 6" Silver Flute has a published Qts of 0.24, and Zaph's testing showed 0.29. Based on the criteria above it seemed like a good candidate for an AP enclosure. There's not a lot of space in a car door, so the enclosure depth was limited, and it also had to be water resistant, so the port had to be shrouded and point down. The membrane is fiberglass matte, in layers, and clamped between two grilles. Here's what it looks like:

_c-kBvvj89yYgLjhf0EEVHPxxv60FmSOMADEe2B0f_4tw5v9fnEDBhu6rLwzqRAY1gy8crNR5Dvk3hQVOnqTnD3YdGeVTHdvDlRMrF2W1dQATMWs3C1kBxKEjUsYeFJPyq04GMJPlg=w2400


So I ran some tests using REW and my living room floor, to get a rough idea of the change in the impedance curve with varying amounts of fiberglass membrane. The tests were run in the middle of the floor with the driver in the enclosure and aimed up at the ceiling. It wasn't extremely precise, in that I was holding the test mic at approximately the same height over the driver in each test. I can see that adding more resistance to the membrane drops the low frequency impedance spike, but from what I understand that in itself isn't really critical unless using tube amps? I'm using all Class D in the car. Anyway the results of the impedance tests came out about as expected:

An externally hosted image should be here but it was not working when we last tested it.


It's also altering the frequency response of the driver, but that's not critical in my application either, as I have a DSP and can work with just about anything. Here's the amplitude plots:

An externally hosted image should be here but it was not working when we last tested it.


But the real questions come from the distortion runs. It seems that the AP membrane reduces the measured distortion levels by as much as 5 dB up to about 2000 Hz, then there's some real nastiness that wasn't in the open vent plot. Maybe that's from reflections inside the enclosure? But overall below 2000 Hz why would the distortion drop so much with an AP membrane in place?

An externally hosted image should be here but it was not working when we last tested it.


So, ultimately I'm trying to figure out what I figured out, and if I should bother applying it. Thanks -

Remus diy tube preamp

I am going to build myself a Remus preamp. Have the original magazine, Audio/Video from around 1990? Built my first version around 1992-ish?, and it did not sound very nice at all. My skills are probably better now, compared for about 30 years ago? Found a new schematic at Lencoheaven

https://www.lencoheaven.net/forum/index.php?topic=28010.0
Looking at the schematic I see that the cathode resistor on V2 are 10K, but at the original schematic from about 1990, i think it was 2,2K? I know that the tapebuffer are removed from the new schematic. But why 10k and not 2,2k?

UBC41/UBC81 tdd unused diodes

Searched and found nothing on these interesting fellas. The diagram in the datasheet seems to indicated that the diode plates lie in between the cathode and the control grid. As such how would you handle the diodes if you are not using them. I wouldn't want them to strip off electrons nor would I necessarily want to turn it into a space charge tube (although that might be interesting) yet it is generally considered bad form to have elements floating. Can one simply ground them?

Attachments

Perplexed about M2 amplifier circuit impedance: schematic vs. user manual

I've been simulating the signal currents that flow in the primary of the First Watt M2's input transformer. And this has led me to a discovery: I might be badly mistaken, but I think the circuit is discussed erroneously in the user manual. Here is the pencil and paper explanation.

The relevant piece of the M2 schematic is attached below as figure 1.

I think the user manual describes this, in the passage which is attached below as figure 2. Please have a look at the red underline. I think this is saying that the impedance looking into the primary of the transformer, is 6K ohms. That's what I drew on figure 1 above.

To analyze the impedance we treat C2 and C3 as short circuits, and we treat V+ and V- as AC-grounds. Then the transformer secondary is loaded by R6 and R7 in parallel, plus another big nasty mess caused by the Cgd's of the output MOSFETs, which I will assume is super high impedance and thus negligible.

What I get is displayed in figure 3 below. The Edcor transformer has a turns ratio of 5-to-1. {Math check: 600 = 15K / (5*5)}. So the impedance on the secondary, 23.5K, is reflected back to the primary, by a factor of 6 squared. Thus Zin = 23500/36 = 653 ohms.

But the manual says 6000 ohms. Where have I gone wrong?

If anyone happens to be wondering, "Does simulation agree with the pencil and paper explanation?" the answer is yes.

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The heatsinks in a Naim 250? What?

I have been looking at the sizes of heatsink used in domestic commercial 80-100W per channel output amplifiers to find a rule of thumb/tried and tested guide to sizing a heatsink and to consider enclosure space, venting or not and saw this Naim 250 with the covers off.
Two friends owned these amplifiers back in the late 70's and the base panel ran very hot when the volume was past 12 o'clock for a while but I never saw inside one.

The power transistors for the amplifier and regulation modules appear to have no more than a piece of U channel alloy that looks to be 4mm in thickness. The channel pieces attached to what I presume is box pan folded steel of a gauge commonly used for small enclosures.

What does anybody know about the heat dissapation in this amplifier? I googled Naim 250 overheating and there are some results but not so many as I would expect.

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best sub box type for 8" driver in small room

Hello

I have a 8" sub driver that is being repurposed from a Logitech THX system. I have a Polk 100w plate amp I will be using with it. I am setting up a 2.1 system in my office which is 12'x18'. I have some decent custom MTM mains with tang band aluminum full ranges and tweeters.

The question is which box design would give me the best compromise between transient response and good LF extension to 30hz or so.....I have looked at T lines, Labryinth, and horns. Don't want muddy sound with no definition. Primarily for music, with occasional use as a Xbox gaming sound source.

Thanks for any help!

EL509 (JJ) or PL519?

Hi all,

I decided to have a go at a design from Bob Danielak, a screen driven direct coupled EL509. Screen Driven, DC Coupled, Single-ended EL509 Amp

An externally hosted image should be here but it was not working when we last tested it.


Now old EL509's are hardly available, but Askjanfirst has the PL519. And JJ came up with something they call EL509.
What's the JJ like? I'm inclined to go for the PL519 (I like the top cap), but that would mean an extra filament transformer.

Thanks 😉

FS: Pass Zen Circuit Boards

Two original, unopened, unused circuit boards for the Pass Zen Single Ended amplifier. Purchased from Old Colony (Audio Amateur Corporations) in 1997. Stored with the full issue Two-1994 of Audio Amateur, and subsequent AA related articles.
Asking $40 shipped (CUS only)


11/3/20 Item is SOLD

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Warm cartridge for Rega P3

I recently obtained a Rega P3 and it has the Elys 2 cartridge. I feel I could get a little more out of the table with a better cart. I am prone to migraines and thus cant have anything with sharp or shrill highs. I like a nice warm sound, but still with detail. My music taste is all over, everything from rock to jazz to country to electronic to...

Anyhow, trying to find a good cart under $500 USD. Some say the 2M Bronze is bright, so Im not sure I want that one. I was thinking of a Denon DL-103r, but apparently its not the best for a lower mass tonearm like the Rega's. Others say you can add mass to the headshell. Seems Id be better off just getting something that is better suited. Also if I get an MC then I have to get a pre amp which is more money, but may be worth it. I've also looked at the Audio Technica VM750SH MM. Would that work well on the Rega? I looked at the Nagaoka MP200 or so, and at first I was very interested but then I read they recommend stylus changes at 150-200 hours. I listen to records a good bit, so that would end up being crazy expensive for me.

Any ideas?

Using an LM393 - Non Audio!

I've got a little project going on where I'm feeding an LM393 comparator with a resistive pressure transducer configured as a bridge. I connected it up in pretty much the normal way, using 10k resistors to the inputs and a 10k pullup. From the output, I connected the gate of a n channel logic level FET which in turn operates a relay.

So far so good, the circuit operates in an understandable way. Then I remove the FET connection and it just goes crazy. Turns out the fet gate capacitance is imparting some stability to the LM393 output - and I can "stabilize" it without connecting the fet by adding a 200 pf cap from its output to ground. By stable I mean it apparently goes to within some Vce sat of ground in the low state, then to +V in the high, as any open collector output should.

Without the cap, the high state is some indeterminate DC voltage that I assume my meter reads because of some MHz oscillations going on. I cant for the life of me figure out why this is needed. I'm using a regular press-in 0.1" spacing proto board with leaded components. I picked the LM393 because it's a cheap and effective solution - when it working "right".

I'd just like to understand what's happening with this thing. No spec or app note mentions the necessity of loading the output capacitively to get it stable - only mention I saw was resistors connected to the input should be at least 10k to avoid oscillations. So they're 10k - check - still oscillates without the cap.

Any insights into what's happening with this little circuit would be appreciated! I've got a couple / few hours sunk into re-arranging components, changing the chip and struggling to realize what's happening. I use the other half to compare a voltage across a cap to another voltage set by a resistor ratio - no special 10k input / 200 pf output treatment there; it simply works like a comparitor should.

Analog sometimes drives me nutz... FWIW, the little pressure sensor bridge plugs into the protoboard right next the the dual LM393, with the leads all as short as I can make them. Thanks!

Parts for a big amp.

I have some transformers and heat sinks for an amp. If someone around the Methuen area would like to pick them up I will be glad to help them.
1. Nelson set me a 2.5 KVA amp with 35 and 45 volt outputs.
2. I picked up a transformer from Jam when I was in South Carolina. 2 KVA 30 volt secondary.
3. I have a current source Zen amp. Nelson sent me the boards.

If you would like any of these send me the plans of what you are going to build, or the crossover network for you current source amp.
I can put them in the front of the house on the porch. No one will take them because they are very heavy.

WTB: Thorens TD 124 Main Bearing & Spindle

((( CLOSED ))) Thorens TD 124 Main Bearing & Spindle

Not needed anymore. My platter was warped!

I need a Thorens TD 124 Main Bearing Spindle. Mine is bent. I would consider buying the complete Main Bearing & Spindle if the price is right.
Shipping would be to my military APO address, or if you are in Europe it can be to my German address.
Michael McChesney
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