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New FIFO buffer for RPI/SBCs

We designed it to work with any PSU including switching ones. We filter the power plane multiple times for each : analog , digital and oscillators.

Our internal testing was done with our 5V psu...Of course a better PSU will have even less noise/ripple
 
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I have Kali+AK4490 working with Moode 3.1, but I have to resample to 24bit or else I get a blast of noise. I get loud clicks sometimes when engaging 'Play' or 'Pause'.
So I'm wondering, Pistollero/Greinedo, whether you had the 4495 working without these issues? I must say the sound is very good. I'm taking the output through UTC-A20 transformers.

John



Hi John,

I am glad you have also tried this combo. The sound is very good for me. I suppose you have connected the Master Clock of the Kali to the AK4495, wich may be one reason of the good result.

On my Kali+4495 I also experienced clicks at Play/Pause Stop/start with Moodeaudio 3.1. After some tests, it seems to me that UPnP protocol is the problem.

I installed LMS (Logitech Media Server) on one of my Linux PC + LMS UPnP plugin and activated Squeezelite renderer on Moodeaudio. Now I can choose between UPnP protocol or Squeezelite. Conclusion : LMS with Squeezelite protocol plays very nice on my Kali+AK4495 setup (no clicks, etc) while LMS whith UPnP suffers from those clicks at stream interruptions.

Moreover, I think Squeezelite renderer sound is better. LMS + Squeezelite renderer in Moodeaudio is my current setup. It integrates also a lot of plugins that are important for me like Deezer and Qobuz that Moodeaudio currently does not offer.

LMS.jpg
 
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We designed it to work with any PSU including switching ones. We filter the power plane multiple times for each : analog , digital and oscillators.

Our internal testing was done with our 5V psu...Of course a better PSU will have even less noise/ripple

I have been experimenting with PSs. The KALI/Piano sound is hugely influenced by the supply feeding it. I am surprised this is the case since there seems to be plenty of filtering on board.

The most significant improvement was changing from a toroidal transformer to an EI type. I also recommend using the centre tapped FW rectification method using two diodes, rather than the usual parallel transformer windings and a FW rectifier bridge. The seems to make more difference to the sound that the type of regulator used!
 
Sure is an exotic looking film cap on the LT3042 analog side:

And yeah! Finally separate regulator/filter on the clocks (just in general):

This hasssss to more than the Ti/BB PCM51xx deserves ;)

Need to get the drivers open-sourced & in the official linux!

...and interesting overkill supercap--
 

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Boss pics look very good. I'm very curious to hear reports on it. And even more curious to get one to play with.

Love those SMD film caps... see here:

http://www.diyaudio.com/forums/digi...ry-dac-pro-hw-mods-anybody-3.html#post4626613

here:

http://www.diyaudio.com/forums/digi...ry-dac-pro-hw-mods-anybody-2.html#post4617021

(with more details on the overall mods to the HiFiBerry DAC+ Pro here:

http://www.diyaudio.com/forums/digi...ry-dac-pro-hw-mods-anybody-2.html#post4625603 )

And here:

http://www.diyaudio.com/forums/digi...amboberry-ls-my-new-pi-hat-5.html#post4904623

I've seen them used in other commercial gear, specifically the Ayre Acoustics DACs, the K&K Audio RAKK DAC, and the Sony HAP Z1-ES.

Everywhere I've used them I've been rewarded with a sense of sweetness, transparency, and inner instrumental timbres that are beyond what I thought possible for that unit.

Then the Supercap... I first saw that suggested as a useful add-on to DAC power supplies in Joe Rasmussen's thread here:

http://www.diyaudio.com/forums/digi...entations-alternative-post-dac-filtering.html

I haven't tried it yet, but will in a few weeks on a current project. I'm glad the Allo designers tried it and liked it.

One of my more recent projects has me convinced the PCM5122 has a lot more potential than most realize. I duplicated my 14-linear supply generic digital setup for my 2nd system. 7 of the supplies are used for the LMS-computer and the various networking components, with the rest available for various DAC setups using from 2 to all 9 source/DAC supplies.

The DAC supplies are a bit better than my first iteration, using higher-current toroids and the 2-diode FW rectification scheme mentioned by Dave above.

Currently I running the modified HiFiBerry DAC+ Pro shown in the first link above, replacing the modified Sony HAP Z1-ES in that system... I described the mods to the Sony here:

http://www.diyaudio.com/forums/digi...1es-hi-res-source-new-2014-a.html#post4440620

and here:

http://www.diyaudio.com/forums/digi...1es-hi-res-source-new-2014-a.html#post4443476

With the setup's AC-powered supplies and the HFBD+P in slave mode on a well-powered Allo.com Kali, it edges out the modified Sony. BUT using 3 Uptone Audio LPS-1 floating Ultracap supplies to power the Kali and the digital and analog sides of the PCM5122 pushes the modified-beyond-recognition lowly PCM5122-based $45 retail HFBD+P decisively above the modified Sony and 2nd only to my two Soekris setups.

I never thought this lowly DAC with the down-market PCM5122 could sound so good!

So I have HIGH HOPES AND EXPECTATIONS for the BOSS!

Greg in Mississippi