Perhaps no one here has been to an audio show either. It's not unusual to hear a stereo leaning on the sound almost like candy because it's so overly strangely sweet.
Given how popular Pass FirstWatt is around here, I find it nearly impossible to believe no one has differing opinions on things they do.
Given how popular Pass FirstWatt is around here, I find it nearly impossible to believe no one has differing opinions on things they do.
Romantic is the tale-telling part of which you are contributing along with another soul, finding the path towards 'coinciding of opposites' (coined by Joseph Campbell).
Whatever the means, Prelude a l'après midi d'un faune (Debussy), or, Pavane pour un infante defunte (Ravel) will suffice in classical settings, but Nick Drake will surely invoke a whirling experience.
Considering this forum and its main participants, I'd better learn from 'the yonder shore', eager and longing, with grace and respect.
Whatever the means, Prelude a l'après midi d'un faune (Debussy), or, Pavane pour un infante defunte (Ravel) will suffice in classical settings, but Nick Drake will surely invoke a whirling experience.
Considering this forum and its main participants, I'd better learn from 'the yonder shore', eager and longing, with grace and respect.
But what is ' romantic' sound, if not the music?
If it is the music, why bother with the amp?
Jan
True. Maybe there is a technical argument to be made...must not cross over from mid to woof in the midst of a baritone's range
is in the OPS.
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