"What's your reasoning?" and not "What's your belief?".

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Re: Re: Re: 100mV Line Level

PMA said:


Michael,

this one is measured by Sound Blaster Live! 24bit/96kHz external USB. Only 16 bit resolution used. The FFT noise floor is then

6.02N + 1.76dB + 10log(M/2)

where N is a number of bits and M is a number of samples in the FFT record. For 64k samples, the theoretical noise floor is -143dB. The generator is a special low distortion one developed by a colleague of mine.

Pavel


Pavel,

Thanks for your informative answer!

Is that generator developed by your firend perhaps something you could present, with allowance from your friend of course, I would be interested in it!

You can also e-mail me direct in order to keep it outside of the threads mainissue for the moment.

Michael
 
Re: Re: Re: CFP vs CE

Ultima Thule said:
10 MHz for the CFP I guess you meant, ok?!

Sorry for asking, I am just not familiar with LTSpice, I used PSpice for 3 years ago the last time and nowdays don't have access to that SW, LTSpice would take too long time, ..at least my curiosity can't wait! Lazy..? ;)


Oops. I posted when I was in a hurry. When I said "I hate seeing stuff like that" I meant the peak in transconductance above 10 MHz for the CFP. Such things can be pretty hard to get rid of. I haven't looked at Walt's PDF yet but am looking forward to reading it. But the way I wrote it, it looks like it's come kind of commentary on what Walt did, and I didn't mean it that way at all.
 
PMA said:
FFT is a narrow band analyze, according to number of samples you analyze noise bandwith of less than 1Hz. Just read the specs of opamps to see what are the numbers related to sqrt(Hz). This is above the range of DIY forum, try to study a bit about FFT. Remember that the graph does not show the rms quantization noise level.

-120dBVrms = 1uVrms
-140dBVrms = 100nVrms

Got it. Thanks.

-120dB seems possible, still not sure about -140dB...


JF
 
Re: Re: post 606

WaltJ said:
To Rodolfo and Andy_C...

I did Andy_C's simulation with LTSpice, and plotted the results as he did originally, but also adding a plot showing the derivative of the two outputs. Ideally this would be flat over the entire transfer region.


Great job Walt, as it was to be expected.

Did you check jcx work in a side by side jbt - fet closed loop sim?

I found it intriguing and want to explore further. Will post comments as soon as I have worthwhile results.

Rodolfo
 
Mike Gergen said:
PMA
Agreed.

What I was getting at is that both inputs are supposed to equal. We know this. So, I was taught that what ever difference signal is measured between the inputs is distortion, i.e. the error signal. But, I was also taught that we could not determine what kind of distortion this is. Only that it is distortion. And that was my question. Can the distortion be classified from this error signal?


Unfortunately a frequent conceptual error.

The differential input signal (i.e. the difference between the + and - input pins) is what actually gets amplified to yield the output.
You can look at it as the desired signal plus a predistorted correction that gets (fairly) cancelled in turn by the nonperfect open loop transfer function.
The higher the open loop gain, the smaller both the input differential desired signal and the correction factor (or error if you want). In a customary aproximation, it may be considered zero, so the designation "virtual ground".

Again, the differential input should be seen as a small predistorted input to be amplified by the open loop transfer characteristic. Look at the circuit. The only thing that stands between +/- inputs and output is the naked device.

Rodolfo
 
I've done the series buffer opamp array. And I do find that NE5532 gives minimal difference to the original sound. Why I do that? Because I cannot hear clearly the difference if I only use 1 opamp. (This is the DIYer way to compare opamp sound without measurement equipment)

About NE5532 is good or bad, maybe it is given back to the user. If the user needs opamp that will be put in alot of number in series (Like in Mixer manufacturer) maybe he will say that NE5532 is the best opamp.

But if the one who use opamp is just a hobbyist with single opamp for preamp, he can choose whatever opamp that gives good sound (not knowing that it is the "coloured" sound, or very clean/non distorted sound).
 
lumanauw said:
I've done the series buffer opamp array. And I do find that NE5532 gives minimal difference to the original sound. Why I do that? Because I cannot hear clearly the difference if I only use 1 opamp. (This is the DIYer way to compare opamp sound without measurement equipment)

The Diyer way ...but also a much clever way!


About NE5532 is good or bad, maybe it is given back to the user. If the user needs opamp that will be put in alot of number in series (Like in Mixer manufacturer) maybe he will say that NE5532 is the best opamp.

The NE 5532 is the best , for people searching for accuracy and not a "nice sound".

I wonder how dull and lifeless the recordings will be , if the chain of op amps that the signal pass trough in the recording studios were not NE5532.

But if the one who use opamp is just a hobbyist with single opamp for preamp, he can choose whatever opamp that gives good sound (not knowing that it is the "coloured" sound, or very clean/non distorted sound).

Some call this "voicing" the sound to one 's preference...but that's not accuracy.

Congratulations Lumanauw...you see the light!!:cool:

Cheers
 
Tube_Dude said:


Originally posted by lumanauw
I've done the series buffer opamp array. And I do find that NE5532 gives minimal difference to the original sound. Why I do that? Because I cannot hear clearly the difference if I only use 1 opamp. (This is the DIYer way to compare opamp sound without measurement equipment)

The Diyer way ...but also a much clever way!


This kind of evaluation very strongly depends on quality of the used audio chain as a whole and this conclusion may become irrelevant when having chance to test on a better one.
 
PMA said:


This kind of evaluation very strongly depends on quality of the used audio chain as a whole and this conclusion may become irrelevant when having chance to test on a better one.

The evaluation claim , is that after passing trough a series of op amps, the chain with NE 5532 is the one that gives minimal difference of the original.
That don't surprise me as the null test of the NE 5532 gives the best null in op amps...what I need to tell you more?
 
bjt - fet input comparison

Taking from the excellent work by jcx, I tweaked the simulation a little more in order to address some issues raised at least in my oppinion.

The original simulation makes clever use of some tricks in order to isolate what the actual device behaviour is and as such it works fine.

Yet I was left with a nagging feeling the configuration does not match adequately with actual operating conditions in the field.

The strong feedback constructed from ideal controlled current and
voltage sources could in principle be emulated by a local FB loop (in the case of an actual amplifier) but could not be really applicable to a complete device (i.e. a global loop).

With this in mind, I modified both the Miller integrator resistor from 5 Megs to 10k and rised the feedback divider from the original 13 / 1 to 1300 /1. In doing so I lowered significantly the applied feedback.

The other variation is to include 210 ohm emitter resistors for the bjt pair - following jcx advise - bringuing the equivalent transconductance to aproximately the same as the one corresponding to the fet pair.
 
bjt - fet input schematic

This is the modified schematic.
 

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bjt - fet waveforms

A further observation is both Q1 and J2 are loaded by high impedance current sources, and I am not convinced this situation is fair or representative, a cascode load for the fet in principle should be a distinct advantage for several reasons. The bjt by nature behaves much better as a current source and is therefore less affected.

The selected input signal level and operating point I find is more nearly matched to what is to be expected for an input stage.

This plot shows input voltage to the diff pairs and collector / drain current. Input signall voltage is from the same source, and feedback voltage plots superimpose neatly as can be seen.
Input voltages are almost identical and output currents are also alike, meaning equivalent transconductance for both pairs if fairly well matched.
 

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fet - bjt FFT

In this configuration, the output signal spectrum shows the fet pair to be slightly worse than the bjt, with a well defined second harmonic and associated IM products.

No attempt has been made to optimize each pair in its best performance regime, much less to select devices representative of what is best suited in each realm - bjt / fet - be it discrete devices or monolitic examples for IC application.

Rodolfo
 

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Good work, Rodolfo and AndyC.
I might suggest that it is the higher order odd harmonics that are of most concern. You should match your devices, just because we normally would use matched FET's or bipolars in quality designs, and the resultant 2'nd harmonic from any mismatch potentially obscures the resolution of higher order harmonics. For the record, we can happily listen to a great deal of added third harmonic distortion as well as 2'nd. This has been shown by listening to decades of analog tape recording that have typically 1-10% third harmonic at 0 Vu and higher levels. 0.1% harmonic distortion is virtually un-noticable, but don't think that almost any amount of 7th harmonic is! Also, you might consider noise, when you add resistive degeneration to bipolar transistors. Fets will be lower noise, and have almost no bias current to deal with as well!
 
Unmatched Transistors...

john curl said:
Good work, Rodolfo and AndyC.
I might suggest that it is the higher order odd harmonics that are of most concern. You should match your devices, just because we normally would use matched FET's or bipolars in quality designs, and the resultant 2'nd harmonic from any mismatch potentially obscures the resolution of higher order harmonics. For the record, we can happily listen to a great deal of added third harmonic distortion as well as 2'nd. This has been shown by listening to decades of analog tape recording that have typically 1-10% third harmonic at 0 Vu and higher levels. 0.1% harmonic distortion is virtually un-noticable, but don't think that almost any amount of 7th harmonic is! Also, you might consider noise, when you add resistive degeneration to bipolar transistors. Fets will be lower noise, and have almost no bias current to deal with as well!


JC,

so you say that unmatched transistors in the diffpair, or why not also the outputstage with 2 or more pairs, WILL add more distortion...
How dramatically is this?

However if we just focus on the input diff stage, I myself wondered this just for couple of days how an unmatched diffpair would distort compared to a matched pair.
I actually red Upupa Epop's comment in the issue seen in post #68 and #70 in another thread which got me thinking IF we use unmatched pair then each transistor will work under diffrent biasing condition and thereby parameters will be slightly offseted compared to each other.

But also, can DC servo fix the "problem"?


Michael
 
Michael, I had build many the same amps with these SJ/SK. They was matched to groups in tolerance 1 mA of Ids, not better. In listening comparisions was any differeces of group with higher end of this group or with lower end ( all was with " BL " marking ), so I thing although maybe by measuring you can find differences, by listening not ( I am talking now about listening with the " same " amps, not about difference types of amps. DC servo helps with offset and DC drift, but sound depend on basic connection of amp. By many listening experiences in many types of amps, I may to say, that on all cases ( types ) was better listening results with fet's than with bjt's
:cool: .
 
Hi, Mr.JC,

Also, you might consider noise, when you add resistive degeneration to bipolar transistors.
And I also find that if using bipolar differential, RE degeneration is a must, even small values like 22ohm

Your design do use FET for differential, but for VAS it is still bipolar. There also RE degeneration in this VAS.
How important is the resistor-noise in VAS degenerated bipolar? VAS seems always have this RE degeneration, especially in symmetrical designs, mainly to set bias in VAS.
 
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