What do you think makes NOS sound different?

As a reassurance, the 88.2 and 176.4 files have exactly the same level.
There is only a level difference between these files and their 44.1 parent version.
I will correct this 44.1 level difference by converting the file to 24 bits and attenuate it with the given difference.
Finally the file will be stored as 44.1/24 without dithering thereby leaving the content intact.

Keep in mind that the envisaged test is meant to compare 88.2 to 176.4 and that comparing 88.2 to 44.1 has already been performed quite some weeks ago.

Hans
 
Above is from your post of #1368

This is what I was getting at. An image that is overly sharp can be deliberately blurred (as you have shown) to cause our consciousness to refocus on the whole of the composition, this as opposed to leaving our consciousness focused on the sharpness of each individual pleat on the sail, being contrasted with each other pleat. The sharpness can destroy the foundation of what it was intended to be, in the variant contrast with other elements of the composition.

Deliberate blurring or obscuration, as what MQA seems intentionally doing and to much lesser degree as seemingly an unintentional artifact of oversampling, can be of advantage under circumstances of overly sharpened recordings or overly sharpened playback equipment. This suggests that under circumstances of perfect recordings and perfect playback equipment 44KHz NOS seems would be best.

I have considerably less incite into digital systems in comparison to most, including Marcel. Notwithstanding such limitations it is questioned if NOS 44KHz artifacts being suggested as potentially problematic by Marcel are correctable by 88KHz upsampling (or other mechanisms) and if so would this increase transparency or increase blurring?

Yes. I just want to point that things could be different sometimes. In the field of visual, some "blure" could cause more natural overall impact? The sharpen picture could add efeect of unnatural distances between the objects. Which could be of help when You are looking for the details in parts of the picture to recognize something... But when we just looking at the picture that could be sensed that something is not so right? And that we coud attach as "deep" corresponding to the reveberations in the audio?
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Another things are find important. The origin of the "picture". Analog or digital.
If You take for the example classic "picture" taken by analog camera and scan it
or if you take digitaly captured picture?
 
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Here are the promised files.

1) First the 44.1 files as the references, where 2 additional versions have been added, with levels adjusted to the 88.2 and 176.4 files.
The level adjusted 44.1 files are resp. Bach -0.188dB and God -0.345dB. They are stored as 24bit files not to ruin the content, and became the file extension _1.wav

2+3) then come the 88.2/24 and the 176.4/24 versions that are subject of this current test. Both are dithered but not noise shaped and both produce the same levels for corresponding files.
I hope this will make a difference with the previous 176.4/24 versions that were noise shaped but were received sound wise as a step back compared to the 88.2/24

4) for those being able to process 32 bit files, there is also a 176.4/32 again without noise shaping. If possible it would be nice to report whether 24 or 32 bit makes a difference.

This time I would please ask you not to give your reaction on this thread, as happened with the previous 176.4 noise shaped version, but to send me a PM.

No attachments can be sent with a PM, that's why I have made a query in Word that I ask you to copy and put it in your PM.
That way we have a more structured system for evaluating the results.

The query comes in the next posting.

Hans
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Dropbox - NOS-44.1 - Simplify your life

Dropbox - NOS1_88.2 - Simplify your life

Dropbox - NOS_176_24bits_dither - Simplify your life

Dropbox - NOS_176.4_32bits_dither - Simplify your life
 
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Compare 176.4/24 to 88.2/24 both without noise shaping.

1) Dac Type (NOS/OS) :
2) Dac converts incoming content via SRC to (No SRC/96K/192K) :
3) Dac Supports 32 bit files.
4) Dac Chip type nr:


5) Below you can give your appreciation for the perceived differences for the 4 files
-2 to -1 means: 176.4 is resp. much or slightly worse as the 88.2
0 means: no difference
1 to 2 means: 176.4 is slightly better or resp. much better.

Bach Pastorale (-2 to +2) :
Still got the Blues (-2 to +2) :
God give me strength (-2 to +2) :
Day 0 (-2 to +2) :

6) Is there a noticeable difference between the 176.4/24 and the 176.4/32 versions, if so could you describe the difference:

7) Other comments :

.
 

Attachments

I will correct this 44.1 level difference by converting the file to 24 bits and attenuate it with the given difference.
Finally the file will be stored as 44.1/24 without dithering thereby leaving the content intact.

Keep in mind that the envisaged test is meant to compare 88.2 to 176.4 and that comparing 88.2 to 44.1 has already been performed quite some weeks ago.
I keep my reservations to the changing a volume of the original file, especialy because it is 16-bit, cause high quantisation errors. Secondly, leaving it undithered is a mistake, some DACs will simply truncate lower bits. Lastly, 24-bit volume control had been abandoned long time ago. DACs with digital volume control use more bits internally. Players the same, i.e. Foobar's internal data format is 32-bit floating point.
 
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Ha, ha, the battery of my iPhone gave up while updating my reply.

Audacity is calculating in 32 bit floating point.
So when attenuating a 44.1/16 file by a minimum amount and then storing it in a 24 format, noise of ca -50dB below the dithered level of the original file will be added to the original file, but this cannot even be reproduced because the Dac's own noise will be higher.
This should not be confused with attenuating a 44.1/16 file and putting it back into a 44.1/16 file, which can greatly affect the content.

And as a proof of the pudding, both 44.1 files are in the folder, so you can check for yourself whether you can A) hear the level difference and B) whether the sound has been affected in negative way after having adjusted the preamp's volume setting by 0.188 dB resp 0.345 dB. for the two relevant files.

Hans
 
Good work on preparing the various files, Hans. Creating a report template for everyone to use is an excellent idea. By the way, if you haven't already done so, please be sure to deactivate the Dropboxes of your post #1295 so that no one mistakenly uses them.

Thanks!
 
New 176.4 Experiment Files Released

Hans has just released the new 176.4kHz experiement test files in his post #1404. I think that his explanation of the file sets should answer most questions about them. The difference between these 176.4 files and the last ones are that the previous files utilized noise-shaping, while these utilize only dither and with no noise-shaping.

As far as the 24-bit file set versus the 32-bit set, I believe that I hear a somewhat different subjective presentation between them, but perhaps I actually don't. 😀 So, you be the judge of whether there is an audible difference between these two 176.4 sets.

Lastly, please give the 176.4 experiment a second chance, by giving these new file sets an audition. For those who had issues with the sound of the prior set of files, it should become quickly apparent whether those issues have been effectively addressed by the new file sets. :wiz:
 
Without revealing preferences I tried the same piece at 44KHz/16bit and at 176KHz/32bit using two methods. The first was to compare them at the same levels as instructed, and the other was to turn the volume completely down and turn them up again (analog volume in preamplifier) to whatever level was most satisfying. This generated different results (both reasonably good) yet in a reversal of preference.

I can understand the intent, that using equal levels supports results being more definitive and accurate, however it doesn't necessarily address reality in that the level being set in all other circumstances is always in absence of any comparison, being set to the most positive experience.
 
Without revealing preferences I tried the same piece at 44KHz/16bit and at 176KHz/32bit using two methods. The first was to compare them at the same levels as instructed, and the other was to turn the volume completely down and turn them up again (analog volume in preamplifier) to whatever level was most satisfying. This generated different results (both reasonably good) yet in a reversal of preference.

I can understand the intent, that using equal levels supports results being more definitive and accurate, however it doesn't necessarily address reality in that the level being set in all other circumstances is always in absence of any comparison, being set to the most positive experience.

Hi Gerrit,
The 44.1 files are just there for convenience when you are in doubt and want to go back to the original.
But the purpose of this test is to compare the 88.2 to the 176.4, which both have the exact same level, so don’t touch your preamp’s volume knob while switching between the two.

Hans