Years ago I built a cabinet out of Sonotube concrete formers. It as a ten inch diameter inside a 12 inch diameter. The space in between was filled with play sand. It as the deadest cabinet I’ve ever seen. it weighed a ton and if you knocked on the side it had a dead thunk. The top of what looked like a periscope was made out of schedule 80 pvc pipe which is also very dead. I put a few deflector plates in the tube at 45 degree angles creating a labirinth path to break up standing waves. It was a very analytical speaker that did everything well but it lacked that something special that makes a speaker great to listen to. There are more than measurements to make a great speaker! The drivers were Scan Speak and they were bi amped but they had no life to them. It as an example exercise in theory that proved there is more than theory to a great speaker!
What you describe would be an almost perfect CLD cylinder. Because of its circular cross section, Sonotube has a lot of stiffness. An inch of sand between the two layers adds a lot of damping and A LOT OF MASS ! ...
Of course, a superb cabinet does not guarantee a great speaker. The on-off frequency response has to be excellent before things like cabinet stiffness and damping begin to make a difference.
Of course, a superb cabinet does not guarantee a great speaker. The on-off frequency response has to be excellent before things like cabinet stiffness and damping begin to make a difference.
I like to build things, so that has meant that over the decades, I have built my share of cabinets for speakers. So few, in spite of claims, ever moved me. Sophisticated cabinets in some cases to open baffle designs. Many of them did so much right, but when it comes to bass, it can be its own challenge to get things 'right'. Too much, too little bump in the middle, you name it. Most of my cabinet builds are so very well braced and seemingly always heavy. Damping, (not dampening, like if you wet the bed) was not considered to be a major thing because of mass/bracing. I am sure that before it is all over, I will give this a try, especially since an additive to the sand can be quite effective or so they say. Still, I wonder about lead shot or another alternative.
Yes, that makes sense to me. For so many of the possibilities mentioned, it would be great to have a recipe that describes everything from the coarseness of sand to any how much of other ingredients could be added, along with a given amount (to be researched for a given enclosure).
Not sure though what that means when the sand-lamponite mixture is enclosed in speaker walls which seal the moisture level in.
Apparently, moisture turns laponite into a thixotropic gel that becomes more fluid when agitated - just like when shaking a tomato sauce bottle.
Just as we would ensure the use of dry sand to fill a cabinet panel, I was considering the use of a dry sand-laponite mixture.
But perhaps I should go back to the drawing board!

I only used dry “play sand” which is clean and sterilized. That way nothing living is in the mix and you won’t sprout weeds! It is a very fine grain sand they use in kids sand boxes. Don’t put in any additives because with a lot of vibration the different types of particles will separate by density, heavier on the bottom. You also want the particles to move and absorb the energy in addition to their mass damping. Damping has nothing to do with getting it wet! Don’t use any kind of goop with the sand, let it move. It’s easier than you’re making it!
If you have to ask, you've no need to know.... 😉 FWIW, it's what I've used to good effect and recommended.Ok, I wasn't going to mention it, but now that the door has opened, I heard of someone trying this idea with cat litter. I asked him if that was new or used.
Electro-Voice EVM-12LI believe in the 70's there was an Electro Voice home speaker that had a double walled cabinet filled with sand.
Stretching the memory a bit on this one.
So doesn’t lamponite need a bit of moisture to start combining with the sand, or is it just dry sand + 3% of lamponite in weight? Long term experiments are needed.Just as we would ensure the use of dry sand to fill a cabinet panel, I was considering the use of a dry sand-laponite mixture.
One thing to keep in mind when mixing grains/particles of different size together is the Brazil nut effect: https://www.scienceabc.com/pure-sci...unks-always-end-up-on-top-in-a-snack-jar.html
The Brazil nut effect is when larger grains will self sort to the top of a mixture of different sized grains when shaking it.
If the mixture will experience enough shaking over its lifetime for it to matter is another thing.
The Brazil nut effect is when larger grains will self sort to the top of a mixture of different sized grains when shaking it.
If the mixture will experience enough shaking over its lifetime for it to matter is another thing.
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There might be a grain of truth in using sand.
I wonder if it stands up to the sands of time.
Has possibilities, I know when using sand for glass. It is a very clear transformation.
Likely have to sandwich 2 layers
I wonder if it stands up to the sands of time.
Has possibilities, I know when using sand for glass. It is a very clear transformation.
Likely have to sandwich 2 layers
Ruark speakers, back in the 90's, had a compartment for inserting sand. Results were mixed.
Like the OP I've been curious to explore the best way to implement sand for damping but have given up.
Right now I'm building speaker cabinets designed to use the science of Single Degree of Freedom (SDF) to damp the speaker basket and return the energy back to the baffle to make it resonate in harmony with the cone. SDF science is used to make structures vibrate less violently during an earthquake and make aircraft and rockets vibrate less. My take in this costs peanuts to do but it's work-in-progress. Should anyone be interested I'm documenting it on my website [https://www.terrysweb.link/audio/loudspeaker].
Like the OP I've been curious to explore the best way to implement sand for damping but have given up.
Right now I'm building speaker cabinets designed to use the science of Single Degree of Freedom (SDF) to damp the speaker basket and return the energy back to the baffle to make it resonate in harmony with the cone. SDF science is used to make structures vibrate less violently during an earthquake and make aircraft and rockets vibrate less. My take in this costs peanuts to do but it's work-in-progress. Should anyone be interested I'm documenting it on my website [https://www.terrysweb.link/audio/loudspeaker].
And other things need good attention too, before cabinet sound transmission should get priority.The on-off frequency response has to be excellent before things like cabinet stiffness and damping begin to make a difference.
I think it will give you a good start : Review of granular material damping and sound absorption for possible application in the sound insulation of lightweight floors
Here are DIY vintage french project that use sand filling. The first two are horns that closely ressemble the Altec 511 and the other is an Onken W bass enclosure.
Pavillon 1" en bois sablé (J.Le Dauphin)
Construction des pavillons sectoriels en bois sablé.
Caisson W sablé (G.Philippon)
Here are DIY vintage french project that use sand filling. The first two are horns that closely ressemble the Altec 511 and the other is an Onken W bass enclosure.
Pavillon 1" en bois sablé (J.Le Dauphin)
Construction des pavillons sectoriels en bois sablé.
Caisson W sablé (G.Philippon)
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I can also recommend Hawaphon that was mentioned by "Freedom". Just don't order it form speaker DIY shops but get it from building suppliers.
Regards
Charles
Regards
Charles
Is this just another term for estimating the resonances of a speaker enclosure, modifying the design to move them into a less used band, and then use damping and mass loading to deal with the issues that remain?Single Degree of Freedom
If yes, nothing new. But to do the term justice, FEA and the prerequisite background in structural dynamics are necessary.
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