Was looking at Void Audio page and just found out that Rog Mogale is one of the founders and technical directors of VOID
his plans for scoops around 2002 are on the freespekaeplans forum among others
besides the scoops there are other designs from Rog , most of them are for the PD1850, altough for todays standards i think it is outdated
as a side note , on 2024 or 2025 the danley horn patent will expire so the whitepapers will be de-classified. 🙂
his plans for scoops around 2002 are on the freespekaeplans forum among others
besides the scoops there are other designs from Rog , most of them are for the PD1850, altough for todays standards i think it is outdated
as a side note , on 2024 or 2025 the danley horn patent will expire so the whitepapers will be de-classified. 🙂
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The Mogale scoops are indeed outdated, many newer designs are out there, but not many are public as some found a bussiness building them for reggae (and other) soundsystems. The highest rated now are the Stakx scoops and the (actual version of the) QSS scoops, both using modern B&C drivers. Both can only be ordered build from the companies themselves and no free plans are arround from them.
Rob Mogale made those scoops when he was not in the bussiness yet (before 2000, but only published then), and later was cofounder of VOID (and so did not update his free designs anymore).
Rob Mogale made those scoops when he was not in the bussiness yet (before 2000, but only published then), and later was cofounder of VOID (and so did not update his free designs anymore).
Just looking at VOID audio page, as i read many good stories about their systems, and just found out that Rog was with them, i did now know that.
if you ask me what im looking for.... single 18 pa sub that is small around 200L , loud around 140SPL and low 30Hz flat and ohhhh must be lightweight !!
😀
if you ask me what im looking for.... single 18 pa sub that is small around 200L , loud around 140SPL and low 30Hz flat and ohhhh must be lightweight !!
😀
And Hofman's Iron Law went for a smoke outside 🙂 If you are OK with some additional weight, 2000L total volume, 4 cabs (2x18" which) and 32Hz in open field you would be very, very happy.
Wow!! The subs have round circle vents only....not those KS28 lip like flared ports
Or bassboss diamond shape vents in the middle.
Love the red line on the linear top arrays
I guess I that will sound MONSTEROUSSSS!!!
It did??? 😍😍
Or bassboss diamond shape vents in the middle.
Love the red line on the linear top arrays
I guess I that will sound MONSTEROUSSSS!!!
It did??? 😍😍
- Frequency response: 32 Hz - 200 Hz ±3 dB
- Weight: 86 kg (189.6 lbs)
A B&C 18ds115 in a 3 fold 200liter TL ? Shuffle these around and make the last segment 600 cm2 or so if you really wanna ‘push it hard’
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I survived the Glastonbury Experience - And had good time!
Got to hear this rig for a good couple of hours - Its one of the small stages scattered around the site with an nominal audience capacity of 5000 up scalable to 7000 with a coulple of delay line arrays if needed.
The subs were used in a horizontal delay to provide a controlled dispersion and as noted only have 6 small ports each.
https://www.tpimagazine.com/void-acoustics-embraces-the-lonely-hearts-at-glastonbury/
Sound was very dynamic and clear but not the deepest.
(The Medal for deepest bass would be awarded to the Temple Stage with its 22 X Danley TH118 system in my opinion!)
https://neuron-av.co.uk/projects/glastonbury-festival-audio-visual-hire/
But as ever at a festival this only being one of many stages would have been subject to a certain amount of noise restriction.
Within its audience area the Volume was more than adequate without too much overspill.
Got to hear this rig for a good couple of hours - Its one of the small stages scattered around the site with an nominal audience capacity of 5000 up scalable to 7000 with a coulple of delay line arrays if needed.
The subs were used in a horizontal delay to provide a controlled dispersion and as noted only have 6 small ports each.
https://www.tpimagazine.com/void-acoustics-embraces-the-lonely-hearts-at-glastonbury/
Sound was very dynamic and clear but not the deepest.
(The Medal for deepest bass would be awarded to the Temple Stage with its 22 X Danley TH118 system in my opinion!)
https://neuron-av.co.uk/projects/glastonbury-festival-audio-visual-hire/
But as ever at a festival this only being one of many stages would have been subject to a certain amount of noise restriction.
Within its audience area the Volume was more than adequate without too much overspill.
