Hi Bruno,
Is the TDA8938 used in the DFR9000/01?
Thinking of buying the thing. As I get older I get to lazy to build my own stuff.
Regards,
Arthur
Is the TDA8938 used in the DFR9000/01?
Thinking of buying the thing. As I get older I get to lazy to build my own stuff.

Regards,
Arthur
dead time
Hi Bruno.
Thanks for the swift reply, I always thought that the faster the switching capability of the MosFets the better.
Do you agree that it doesn't really matter what kind of output stage is used (SE,bridged etc) since the powerstage works basically in class B or zero bias and the distortion introduced by it is minimal?
I read you are working on a low power "high end" version of the UcD modules, any projected specs yet?
regards.
Kees.
Hi Bruno.
Thanks for the swift reply, I always thought that the faster the switching capability of the MosFets the better.
Do you agree that it doesn't really matter what kind of output stage is used (SE,bridged etc) since the powerstage works basically in class B or zero bias and the distortion introduced by it is minimal?
I read you are working on a low power "high end" version of the UcD modules, any projected specs yet?
regards.
Kees.
No (see the DFR9000 thread). It uses a circuit very similar to the UcD180.marconist said:Is the TDA8938 used in the DFR9000/01?
Re: dead time
The "high end" thing is just a muscle flexing exercise for low distortion amps, not necessarily low power. I'm targeting 0.003% / all frequencies.
The reasons for choosing between half or full bridge are practical in nature, in principle both are equally good. It is often a good choice for very high power levels but the need for good resistor matching in the feedback path of full-bridge amplifiers is a pain. The current Hypex modules are single-ended because we know some users will want to bridge them for higher power so we've got more potential applications covered with less products.kro5998 said:Do you agree that it doesn't really matter what kind of output stage is used (SE,bridged etc) since the powerstage works basically in class B or zero bias and the distortion introduced by it is minimal?
I read you are working on a low power "high end" version of the UcD modules, any projected specs yet?
The "high end" thing is just a muscle flexing exercise for low distortion amps, not necessarily low power. I'm targeting 0.003% / all frequencies.
Volume control (10K or 100K)
Hi,
I would like to use a variable resister as a passive volume control between source and UcD 400. Should I choose 10K or 100K? Thanks in advance for you kindly reply.😉
Hi,
I would like to use a variable resister as a passive volume control between source and UcD 400. Should I choose 10K or 100K? Thanks in advance for you kindly reply.😉
I think the input impedance is 22k. Therefore I would use a linear 100k pot, as the input impedance will force a kind of logarithmic curve, which is what you want.
Re: Re: dead time
Hi Bruno,
Wouldn't a fully differential amp like the Hypex half bridge versions of UCD benefit from tight tolerance components in the feedback loops as well, or is it just less critical in the half bridge?
Thanks,
Chris
Bruno Putzeys said:
The reasons for choosing between half or full bridge are practical in nature, in principle both are equally good. It is often a good choice for very high power levels but the need for good resistor matching in the feedback path of full-bridge amplifiers is a pain. The current Hypex modules are single-ended because we know some users will want to bridge them for higher power so we've got more potential applications covered with less products.
The "high end" thing is just a muscle flexing exercise for low distortion amps, not necessarily low power. I'm targeting 0.003% / all frequencies.
Hi Bruno,
Wouldn't a fully differential amp like the Hypex half bridge versions of UCD benefit from tight tolerance components in the feedback loops as well, or is it just less critical in the half bridge?
Thanks,
Chris
Re: Re: Re: dead time
The half bridge is by all means less sensitive to component tolerances. Component mismatch leads only to a CMRR degradation. On a full bridge version component mismatch will result in degradation of PSRR and THD as well. Ouch!classd4sure said:Wouldn't a fully differential amp like the Hypex half bridge versions of UCD benefit from tight tolerance components in the feedback loops as well, or is it just less critical in the half bridge?
Hi, I am currently building the PSU for the UCD400 and I am aware that the max voltage that the module can take is 63V. I remember somewhere in the forum that VDR can be used to limit the occasional power surge.
Can someone please direct me which part of the circuit should I place the VDR and which model of the VDR should I use?
Can someone please direct me which part of the circuit should I place the VDR and which model of the VDR should I use?
The max voltage is 67V, so 63V is fine. A VDR would normally be used on the mains supply. They just limit the max energy rather than clamp at precise voltages, so would be no use directly applied to a circuit in the hope of protecting it against small over voltage conditions.
Hi, I haven't as yet found a suitable kit/circuit for speaker protection. I have the original UcD400 (serial numbers 3 and 4 😀 ). There has been a small discussion on the matter on the UcD180 thread, but no suitable design has come up. Hasn't anyone implemented anything on their amps?
I am going to use this one: http://users.swing.be/edwinpaij/module_de_protection_cc_pour_hp.htm
I made PCB's on which I also made a powersupply.
I made PCB's on which I also made a powersupply.
Leeuwarden said:I am going to use this one: http://users.swing.be/edwinpaij/module_de_protection_cc_pour_hp.htm
I made PCB's on which I also made a powersupply.
Isn't there a problem using this circuit as it uses common ground?
Here's a few other options which I think have been knocked back due to common ground.
http://www.ampslab.com/dcpro.htm
http://www.wnaudio.com/lspro.html
Isn't there a straight out answer for implementing speaker protection? Bruno, JP?
richie00boy said:I assume you're making one of those per channel, so two PSU's required?
Yes, that's right.
Chrisb03: Why would there be a problem using a common ground?
The common ground problem has been mentioned several times in this thread and quite recently. Basically the UcD speaker ground is a sense point and so the speaker grounds should return to the UcD PCB only and not be commoned anywhere. For best performance that is anyway.
chrisb03 said:
Isn't there a problem using this circuit as it uses common ground?
Here's a few other options which I think have been knocked back due to common ground.
http://www.ampslab.com/dcpro.htm
http://www.wnaudio.com/lspro.html
Isn't there a straight out answer for implementing speaker protection? Bruno, JP?
When you make a DC protection circuit it is not critical where you ground it. After all, the only thing this circuit is interested in, is whether a DC voltage of several volts exists. No grounding scheme can be so bad it interferes with that function. It's easiest to ground the DC protection circuit at the power supply.
From the output line of each amp, take a 47k resistor to a common 100uF capacitor (a summing lowpass filter so to speak). Make a circuit (takes 3 transistors) to trigger when the voltage across this cap becomes + or - Vbe. This will not trigger on a 10Hz full scale sine wave, but it will go off within 50ms when the amp goes bad.
Again, the ground of this circuit is taken from the power supply ground.
Make sure the relay stays off when the protection triggers (until the plug is pulled).
Bruno Putzeys said:
When you make a DC protection circuit it is not critical where you ground it. After all, the only thing this circuit is interested in, is whether a DC voltage of several volts exists. No grounding scheme can be so bad it interferes with that function. It's easiest to ground the DC protection circuit at the power supply.
From the output line of each amp, take a 47k resistor to a common 100uF capacitor (a summing lowpass filter so to speak). Make a circuit (takes 3 transistors) to trigger when the voltage across this cap becomes + or - Vbe. This will not trigger on a 10Hz full scale sine wave, but it will go off within 50ms when the amp goes bad.
Again, the ground of this circuit is taken from the power supply ground.
Make sure the relay stays off when the protection triggers (until the plug is pulled).
Thanks Bruno. My electronics isn't that good, I think I have understood what your saying, but I prefer to buy something ready made as I don't have the time. Is this circuit ok http://www.ampslab.com/dcpro.htm? If so, do I have to have a separate psu? (I have dual monitor)
Thanks again
This module does the job. You can make the 24V from the amplifier supply using a transistor-resistor-zener regulator.
Loudspeaker protect circuit
Does this circuit protect loudspeakers against DC?
http://eshop.diyclub.biz/product_info.php?cPath=153&products_id=349
Paul
Does this circuit protect loudspeakers against DC?
http://eshop.diyclub.biz/product_info.php?cPath=153&products_id=349
Paul
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