that's funny, I don't find the Satori analytical at all. I find it clean sounding but not attention grabbing. I'm never fully confident in my own or anyone elses opinions, just too many variables and often time and tastes can change.The comments are interesting - from the people who have listened to these two speakers, they all say the Discovery is warmer, while the Satory is more detailed and analytical. I guess each driver works different in different speakers....
I'd go with the scan design. Better drivers and you'll just have to decide for yourself about the HDS tweeter, it's always been polarizing. I've liked it since the first JKim (also polarizing lol) design that used them crossed at 1.7k to the amazing Usher 8945p.
that's funny, I don't find the Satori analytical at all. I find it clean sounding but not attention grabbing. I'm never fully confident in my own or anyone elses opinions, just too many variables and often time and tastes can change.
Here is a quote about them both (Discovery 861 & SBA 761) from Tuii @ Youtube who bought both speakers ie. the ones that Troels Built. - read here
Tuii 1 year ago (edited)
"... I own the SBA-761 too, the actual set build by Troels. Uploaded a couple of videos of them playing as well. The Discovery 861 is far superior, in all disciplines, I nearly fell off my chair the first time I heard them! SBA761 combined membrane area = 284 cm2 / 90 dB sensitivity. Minimum impedance 3,7 ohm. Discovery861 combined membrane area = 374 cm2 / 91,5 dB sensitivity. Minimum impedance 4 ohm. The SBaccoustics drivers are tiny.. This is not me saying the SBA761 are bad, they are wonderful! it's just the Discovery861 are extraordinary!! Back when I first heard the Sba761 in 2019 I were blown away too, but this Discovery861 stands out as an 'mkii' a superior version of the same concept. Therefor I've already sold the SBA761. When the discovery861 and SBA761 are placed right next to each other, the discovery looks much larger, and it sounds much larger too. Discovery861 brings a level of scale and weight to Instruments, that the SBA761 are unable to, given it's small membrane area. And when it comes to finesse, timbre, tonality, resolving power, transients, micro details, soundstaging, etc etc, I also prefer the Discovery861. But I'll be honest and say, the SBA761 beats any commercial loudspeaker I've ever heard! It's that good! Troels always extracts every last drop of quality obtainable from the drivers. "
I know that guy, he is bit of a troll and very polarising character (he goes to other people threads to bash speakers he never has heard) so offcourse he would toot his own horn. I also have built discovery 861 and think it is a good kit for the price.Here is a quote about them both (Discovery 861 & SBA 761) from Tuii @ Youtube who bought both speakers ie. the ones that Troels Built. - read here
Tuii 1 year ago (edited)
"... I own the SBA-761 too, the actual set build by Troels. Uploaded a couple of videos of them playing as well. The Discovery 861 is far superior, in all disciplines, I nearly fell off my chair the first time I heard them! SBA761 combined membrane area = 284 cm2 / 90 dB sensitivity. Minimum impedance 3,7 ohm. Discovery861 combined membrane area = 374 cm2 / 91,5 dB sensitivity. Minimum impedance 4 ohm. The SBaccoustics drivers are tiny.. This is not me saying the SBA761 are bad, they are wonderful! it's just the Discovery861 are extraordinary!! Back when I first heard the Sba761 in 2019 I were blown away too, but this Discovery861 stands out as an 'mkii' a superior version of the same concept. Therefor I've already sold the SBA761. When the discovery861 and SBA761 are placed right next to each other, the discovery looks much larger, and it sounds much larger too. Discovery861 brings a level of scale and weight to Instruments, that the SBA761 are unable to, given it's small membrane area. And when it comes to finesse, timbre, tonality, resolving power, transients, micro details, soundstaging, etc etc, I also prefer the Discovery861. But I'll be honest and say, the SBA761 beats any commercial loudspeaker I've ever heard! It's that good! Troels always extracts every last drop of quality obtainable from the drivers. "
The tweeter is not that bad, but it is not that good either. I had to bypass caps with tweeter duelund pure copper and midrange k42y pio to rid too tight sound and have more warmth & smoothnes. After this it was good.
I was also attracted by the Discovery 861 based on price (expected) performance and I like the looks. Also the cabinet looks doable, and even better, there‘s a CNC cut cabinet kit available for these, the Ekta MKII and Ekta 7741, which would be very interesting too, but are so expensive…Is the price the only thing that appeals you on those designs, or there are other reasons?
IMHO those are two versions of a flawed concept, with some critical points.
I really don't see the point in a 2.5 way with two completely different woofers, where one is somewhat bass limited by being in a closed box. This means that in the upper bass the two drivers will sum, but lower not and so the bass overall is maybe a little thin. On the converse, the upper mid-bass driver do play some bass and this - as always - is a source of potential distortion on midrange notes. All in all a true 3-way design could solve completely those problems and offer a better midrange - with the same drivers. The only pro of this 2.5 way is the enhanced sensivity with two drivers in parallel.
Another problem is the integration between a tweeter and a 6.5" mid. The crossover point for the Discovery kit is at 2.8KHz, way too high for a good integration between two completely different dispersion characteristics. And using the relatively expensive 9130 tweeter so high doesn't make much sense. On the SBA kit the crossover point between mid and tweeter is not stated, so can't comment for sure.
Another problem is the stepped baffle, just to create a good amount of diffraction, a distortion that seems to be fairly offensive. The stepped baffle is only needed in order to use a LR2 crossover. IMHO a far better approach would have been with a lower point LR4 crossover with drivers close together, or with a tweeter in a waveguide. All diffraction, dispersion and source point problems would disappear. And if 3-way also with a smaller mid.
If I had to choose a closed kit like those, I'd like to see more measurements, in particular off-axis, so I can judge the power response. Here we have nothing, no crossover points and slopes, no off axis behaviour. I see all potential problems, and the fact that those important measurements are missing is at least supicious.
In general I don't like to have to buy boutique crossover components, and the only sensible kit in this vision is the standard version SBA one. If it was a 3-way it could have been a good candidate. But at the price point of the SS Discovery kits, even the lower one, I think there are better behaved 3-way speakers around.
Ralf
You seem to be very skeptical of the Discovery 861 and have very deep knowledge of speaker design, and I would love to know what other designs you would consider a better alternative?
My use case is a stereo system with a pretty good and powerful solid state amp (Karan Acoustics KA180 MKII, app. €8000) and DAC (CHORD Hugo 2 + 2Go Streamer, app. €3500)
Music is a mix with focus on acoustic, orchestra and popular music.
Listening room most likely a smallish 15m2 room, alternatively a very large, irregular 50-60m2 attic room.
I currently use a 2-way ScanSpeak custom speaker with Classic 18W/8535-01 mid-bass and Classic D2904/950000 Tweeter, very inert closed cabinet, high quality x-over components and a faux 2,5 way design (boosted low bass).
The system has good imaging, especially very deep, but I feel it gets stressed with busy and/or louder music, especially in the midrange, and the bass could be tighter, more dynamic and extended. In short - I feel the speakers are the bottleneck in my system.
Somehow I feel the Ekta MKii would be an even better better match, but the costs for this speaker pair would be double the Discovery 861, which seems like a big risk to me, without hearing them.
I hope my thoughts come across more or less clear, and would love to hear your opinion!
Thanks for your consideration!
Here are some comments on what Giralfone wrote - cause I want people to have other perspectives.
Guessing how much bass there is in a speaker is guessing.
The idea with a closed cabinet for the top driver is to naturally roll off the bass a bit in the top driver, to deliver a pristine midrange without large movements in the driver for bass. (same as in a 3-way). The bottom driver only handles up to an estimated 300-500 hz where it is behind to roll off.IMHO those are two versions of a flawed concept, with some critical points.
I really don't see the point in a 2.5 way with two completely different woofers, where one is somewhat bass limited by being in a closed box. This means that in the upper bass the two drivers will sum, but lower not and so the bass overall is maybe a little thin.
Guessing how much bass there is in a speaker is guessing.
Many large brands, such as Focal, KEF, Dynaudio, and Raidho, make 2.5-way speakers for a lot of money. The beauty is to not cur the Crossover in the middle of the midrange. But as always it is a tradeoff. Maybe the revelatory 851 is better for you.On the converse, the upper mid-bass driver do play some bass and this - as always - is a source of potential distortion on midrange notes. All in all a true 3-way design could solve completely those problems and offer a better midrange - with the same drivers. The only pro of this 2.5 way is the enhanced sensivity with two drivers in parallel.
I don't know if it is expensive, maybe the xcossover could be lower, but it seems Troels was really happy about the upper end (hz) performance of the 18w and the tweeter looks really linear from 2800 and up...I think you could critize the tweeter and driver integration for all 2.5 way speakers, but the benefit is that you avoid difficult integration I the middle of the spectrum, and cutting it in half. Many people actually enjoy the larger midranges.Another problem is the integration between a tweeter and a 6.5" mid. The crossover point for the Discovery kit is at 2.8KHz, way too high for a good integration between two completely different dispersion characteristics. And using the relatively expensive 9130 tweeter so high doesn't make much sense.
Diffraction is often minor and can be mitigated; audibility is debated. Troels tested different designsAnother problem is the stepped baffle, just to create a good amount of diffraction, a distortion that seems to be fairly offensive.
It is a matter of taste - Troels seemt to prefer LR2 crossovers as he think they offer a more natural sound and while the LR4 can look better on paper it oftens seems more dry and less lively. Also, the LR4 and waveguide and drivers closer some with its own issues, and is not a solution to fix all problems.The stepped baffle is only needed in order to use a LR2 crossover. IMHO a far better approach would have been with a lower point LR4 crossover with drivers close together, or with a tweeter in a waveguide. All diffraction, dispersion and source point problems would disappear. And if 3-way also with a smaller mid.
Agreed, there are no 30, 40 degree measurements.If I had to choose a closed kit like those, I'd like to see more measurements, in particular off-axis, so I can judge the power response. Here we have nothing, no crossover points and slopes, no off axis behaviour. I see all potential problems, and the fact that those important measurements are missing is at least supicious.
Maybe Ralf can list the "better-behaved" speaker? I am not sure what you mean with boutique?In general I don't like to have to buy boutique crossover components, and the only sensible kit in this vision is the standard version SBA one. If it was a 3-way it could have been a good candidate. But at the price point of the SS Discovery kits, even the lower one, I think there are better behaved 3-way speakers around.
Lastly, listener preferences vary. Some prefer the coherence and simplicity of LR2 or 2.5-way designs, while others like the precision of LR4 or 3-way systems. The “best” approach is subjective and depends on the desired voicing and applicationRalf
@Surfgeorge: Your audio budget priorities surprise me. 11.5K Euro for an Amp and a DAC/streamer and you're quibbling about the cost of a 2-3K Euro speaker kit? I have $3.5K into a CD player/ pre-amp/ amp and $3.5K total into one of Troels kits.
I agree that buying kits is a risk but I think you could get them to sound right to you.
I agree that buying kits is a risk but I think you could get them to sound right to you.
- Home
- Loudspeakers
- Multi-Way
- Troels' budget 861 designs