Bose? what's that?
actually, I was leaning towards one of theses... with the obvious upgrades...
Alessandro High-End Products: The Italian Amplifier
actually, I was leaning towards one of theses... with the obvious upgrades...
Alessandro High-End Products: The Italian Amplifier
Attachments
John, sorry I have not understood well enough. Here we go.
Hi Pavel,
Nice graphs, though without any explanation, as usual.

Hi Pavel,
Nice graphs, though without any explanation, as usual.![]()
Hi Edmond,
please ask John, I have just posted the file he sent to me.
It's a matter of trust and respect, Jan. Something lacking around here. ;-)
We trust and respect you, John. But we're going to check your claims anyway. Standard business practice - trust your suppliers, but quality check what they send you.
Hi Edmond,
please ask John, I have just posted the file he sent to me.
Hi Pavel,
I'm not asking for some file, just for an explanation.
IOW, what do these graphs mean and what are your conclusions?
C. E.
John made these measurements, so he is the only one to explain. Is it so difficult to understand, Edmond? Shall I comment the job of someone else if I do not know what he had measured?
John made these measurements, so he is the only one to explain. Is it so difficult to understand, Edmond? Shall I comment the job of someone else if I do not know what he had measured?

Worries here
This story worries me very much. I feel uneasy about it....
😱😱
Well everyone, it is now time to tell you a true story of how I once let friendship get in the way of optimum audio design. Some of you are not going to like it, but it is a real problem sometimes, when friends make things and you use their efforts in your products. It happened around 1990, when I first was engaged by Parasound to improve an existing power amplifier prototype.
This prototype used an IC as a balanced-to-unbalanced converter, and operated essentially at unity gain. They initially used a National LF353 for the prototype. One of my tasks was to find the optimum IC to use. It had to be fet input, dual, minidip, reasonably fast, and unity gain stable.
As I recall, it came down to an OP-42 or an AD712. Both were extra good IC's at the time, but I knew Scott Wurcer personally, so I elected to use his AD712 design.
Well, things proceeded smoothly, until it was time for the reviewers to evaluate the unit.
My Boss and I flew and drove to Santa Fe, NM where Stereophile was located. I happened to get a ride from Bob Harley, who then worked for Stereophile, so we talked together for about an hour, during the ride. Thank goodness we got along. I then made sure that the amp was working as well as it could be, and I returned with Bob back to the airport.
Later, I was told that the amp had failed a subjective reviewing test. It just did not sound that good. It measured OK, but it sounded 'average'
So, I was forced 'to take the Bull by the horns' and REMOVE the IC chip, as it appeared to be the only real restriction in the otherwise discrete design. This infuriated my boss, and I had to explain to him that with our new relationship, I did not want to step on too many toes, and the IC I chose, if any IC would work out, would have been OK.
In any case, we removed the IC, and re-introduced the product for review as the MK 2 version of the HCA 2200. Then, of course, I was severely criticized for NOT using an IC in the front end, by 'The Audio Critic', but 'Stereophile' gave us a B review, not bad for the bang for buck quality of the amp.
Analog Devices took a dim view of this and sent a letter of protest to Parasound. And so it goes.
It just goes to show you, just because a friend, like Scott Wurcer, makes something, you better double check it out sonically, yourself, before using it.
This story worries me very much. I feel uneasy about it....
😱😱
To each other. Compare B and D. This was not made by me, but I will find out. There is some text, but it should not be necessary IF you will 'just look through the telescope' (approximately what Galileo might have said to the church officials when looking at the moons of Jupiter through his telescope).
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John, This personal nonsense is totally unnecessary. Right now I am listening to some traditional Shakuhachi on Dick's Met 7's through our class D demo card. I'm very happy with the sound.
Which one Scott? I've got the AD199X eval board. AD1994 chip. Sounds pretty good. Which chip are you playing with?
Dick's Met 7's
Metronome? Sorry I dont remember that well, but are those the "vintage" whole shabang with 12" woofers, Decca ribbons and all
I remember them being plastered with clay all over the drivers chassis
And that was, maybe 30years ago? or more?
And he still makes speakers with strange cheap looking cone tweeters not many wants, take it or leave it
Brave man, respect
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Which one Scott? I've got the AD199X eval board. AD1994 chip. Sounds pretty good. Which chip are you playing with?
Same one right now, I'm using a Goldpoint stepped volume control on an ordinary Philips CD player. You could certainly do worse. The MET 7's are the little tiny bookshelf speakers. They are perfect for my home office.
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