That is the point, thank you, I did not notice this details. I will change the chair to a flat one without backrest : )Nice project!
I think you should get a proper mic stand, or at least try to avoid a very early reflection from the chair.
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Forgive me, but in case this doesn't translate well it means that is a good choice with obvious benefits.a deadbrainer.
Of course if you’re going to optimize the response in one particular spot (aka ‘the’ listening position), the driver arrangement doesn’t really matter as you can optimize the response for that precise spot without comb filter problems in the horizontal plane (they would arise off axis though).
Posting FR graphs usually use a total of 50 dB span on the y-axis - this can be said to be praxis. I suggest you use it too. Good luck with the project!
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Many thanks for your idea, I will buy one : )Get a mic stand. They start at under €20.
The suggested placement for the HT is a deadbrainer.
prepare for diffusion block, this is really beautiful and useful for sound
Nice! But who told you that mid to high frequency diffusers should be placed behind your speakers? What is the rationale, other than the looks?
Probably the same person that said one should split the high frequencies, the super high frequencies and the even higher frequencies 🙂.
I admire the enthusiasm, but am a bit skeptical about the outcome.
(but then again, people told me I'm crazy too, just go for it!)
I admire the enthusiasm, but am a bit skeptical about the outcome.
(but then again, people told me I'm crazy too, just go for it!)
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I have a question about this picture:
I know that the beginning of the horn/waveguide should be as close as possible to the sound outlets or the diaphragms. Otherwise you would get a reflection chaos. Why has this been done differently here? Have these combinations of drivers and waveguides ever been examined metrologically?
An example of an AMT with waveguide from Beyma, image from Vance Dickason's Audioxpress Test Bench:
Many greetings,
Michael
I know that the beginning of the horn/waveguide should be as close as possible to the sound outlets or the diaphragms. Otherwise you would get a reflection chaos. Why has this been done differently here? Have these combinations of drivers and waveguides ever been examined metrologically?
An example of an AMT with waveguide from Beyma, image from Vance Dickason's Audioxpress Test Bench:
Many greetings,
Michael
Nice System, but take both super-supertweeters out and keep just the ND350 supertweeter 😉. If you may find it is not sufficient from "resolution" or something, try a smaller driver with extended highs like Faital HF111. The additional tweeters may lead to more issues than they solve...
I can only support this: a compression driver on a well-made horn can sound surprisingly good. 😎Nice System, but take both super-supertweeters out and keep just the ND350 supertweeter 😉. If you may find it is not sufficient from "resolution" or something, try a smaller driver with extended highs like Faital HF111. The additional tweeters may lead to more issues than they solve...
I'd be a little pessimistic if it stayed that way......🤔
Best regards,
Michael Michael
measure the distance of each speaker unit to listening position, so that to adjust the delay of each speaker
UMIK-1 and UMIK-2 brothers, take a group photo together
just bought a new mikestand, which is perfect, solid and easy to fold
ready to test
just bought a new mikestand, which is perfect, solid and easy to fold
ready to test
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