Google not strong in you? I assume you mean this text from EB
"We have been experimenting with a number of different type resistors and found the non-magnetic Shinkoh Tantalum resistors to solve some of the problems mentioned. They
sound less dry than the metalfilms and they do not emphasize any particular frequency range. They sound more natural, more musical. They work equally well in semiconductor
and tube amplifiers. Most of the customers, who tried the tantalums, say that they would never go back to the common metalfilm type resistors.
Having said that, some also said that the tantalums sound too “nice”, with less control in bass and a touch less “presence” in the midrange. Further experiments with resistors led us
to the Caddock MK-132, which are also non-magnetic. These are also metalfilm resistors, but they do not exhibit the typical “metallic” character of the metalfilms. They sound
very clean with good dynamics, focus and a very good control of bass. Unfortunately, they are very expensive. Although you can build a whole amplifier with only Caddocks
(which we do in our top-of-the line custom made amps!), it is not necessary. To take advantage of their unique sonic qualities it is usually enough to put Caddocks in the input
stage and the feedback network. A combination of Tantalums and Caddocks gives the best result in most amplifiers.
Unfortunately, the Shinkoh tantalum resistors are no longer manufactured, and although we still have a sizable stock, they will disappear when this stock is exhausted. We are
looking for resistors that can replace the tantalums."
This poor guy walked into an ambush by the sensory negation police. It cannot be measured. Therefore, you CANNOT hear it. Your stereo is broken if you do. We are engineers. We know stuff. In fact we know ALL stuff. We are bravely protecting the "weak-minded." What condescending claptrap.
Reality is hard for some to face... 😀
If it cant be measured then it aint gonna be heard, that is a fact.
Not sure John has ever stated what resistors the late Bob Crump chose.
He didn't ?
(if the pics I posted at the BT didn't)
Attachments
Depends on the number of decades one has been staring at resistors.
(some even own all of them)
(some even own all of them)
The nonlinearity enclosed in a feedback loop is diminished by the feedback ratio. The feedback resistor sets the feedback ratio. So its influence is much greater than that of any nonlinear component within the feedback loop. Additionally, it has nearly the entire output voltage across it. This is John's entirely correct point.
Now, is it difficult to choose a proper resistor for that position to take any nonlinearity or effects of parasitic reactances down to totally negligible levels? Not really, but amateurs still make the occasional mistake, especially those who might buy a "special" resistor from a snake oil dealer, assuming the high cost and attached nutty story is some sort of imprimatur of performance. A good quality, mass-produced metal film resistor from a reputable manufacturer, having a wattage rating an order of magnitude greater than what needs to be dissipated, will do fine. If an amp is a special design that swings extremely large voltages (e.g., direct drive for ESLs), one may need to use a series string to get the effects of voltage coefficient low enough to be negligible.
Just basic engineering.
Bruce Hofer had a nice presentation at the latest AES convention, making this precise point.
His solution: if you have a feedback network of say 22k to 1k, build the 22k from 22 ea 1k from the same batch as the one 1k. Lots of cancellation - V coeff, thermal, etc.
I tend to listen when Bruce talks.
Jan
JC quote:
"As a reminder: The Blowtorch preamplifier used Roderstein (resista) resistors primarily, but Holco for 1W size and Caddock for 25W size. We even put in a couple of Vishay resistors across the Volume pots. Real Voo Doo! "
"As a reminder: The Blowtorch preamplifier used Roderstein (resista) resistors primarily, but Holco for 1W size and Caddock for 25W size. We even put in a couple of Vishay resistors across the Volume pots. Real Voo Doo! "
What would that be? And how does that weakest link anthology apply to audio?
Hmm, just to review there is a common often true saying "The chain is only as strong as its weakest link"
The application to audio seems obvious - the fidelity of an audio chain is then logically most profoundly affected by the poorest sounding component.
From a perceptual standpoint the audible deficiencies in the poorest component in a chain can be shown to be capable of masking lesser audible problems elsewhere.
For example as soon as CD players and CDs became readily available back in the 80s our audio club experienced an improvement of the ability of our listening tests to reliably discern differences among certain other components that had been apparently masked by the vinyl and analog tape program material that we formerly had to rely on.
Roderstein
Ernst Röderstein/Roederstein (E-RO/ROE/ROEDERSTEIN)
Bruce Hofer had a nice presentation at the latest AES convention, making this precise point.
His solution: if you have a feedback network of say 22k to 1k, build the 22k from 22 ea 1k from the same batch as the one 1k. Lots of cancellation - V coeff, thermal, etc.
I tend to listen when Bruce talks.
Jan
There was a presentation AD used to do to university students (and possibly others) in the 80s that made that point. They went further and said that, if you need close matching between 2 resistors pick consecutive ones off the reel. Mind you that was talking about precision analogue, not audio 🙂
Depends on the number of decades one has been staring at resistors.
(some even own all of them)
Legolas, what do your elf eyes see?
Bruce Hofer had a nice presentation at the latest AES convention, making this precise point.
His solution: if you have a feedback network of say 22k to 1k, build the 22k from 22 ea 1k from the same batch as the one 1k. Lots of cancellation - V coeff, thermal, etc.
I tend to listen when Bruce talks.
I listen when traditional analysis says use bigger parts.
Now that we are frequently building more powerful amplifiers, the dissipation in the loop feedback network has become a potentially serious technical issue.
Where one could once throw in a 1/2 watt resistor without a great deal of thought, a simple traditional analysis will guide the designer to specify parts capable of handling far larger amounts of power.
I can even think of an bottom priced amplifier sold by a vendor who is famous for making highly cost effective gear that uses paralleled higher wattage resistors in the main feedback loop.
Yes, I once had to change an anode resistor from 0.6W to 1W. This is because the 0.6W resistor had insufficient voltage rating so after a few months operation it became crackly and eventually failed. The 1W replacement is still working fine.nicoch58 said:Have you never rebult the same amp with difference component?
Who is Erno?DF96 please ..you think that Erno stuff are not good ?
That's good to hear. Some people on here never seem to learn anything.here at diyaudio I learning a lot thanks to all here
I hope "and so on" includes people like Stuart Yaniger and Jan Didden - to just pick two normally reliable people at random. They don't make much money from audio, and their names rarely feature in the popular audio magazines.Nelson Pass , the great John Curl ,Erno Borbely and so on
(some folks hand-pick matching loudspeakers)
The response variations and distortion generated by loudspeakers are orders of magnitude larger then what we commonly see with even mid-priced electronic components.
That audiophiles may fret over cartridge load resistors and give a pass to all the foul things that even the finest loudspeakers and room acoustics impose on real world systems is instructive.
CD on 80s sound like a s.....
It is true that some high end CD players from that era had some pretty severe technical problems. One source of these problems were naive attempts to put the DAC in a separate box.
This precise stacking of equal resistors was suggested by a Member here to try to measure the distortion of a properly rated single resistor.Bruce Hofer had a nice presentation at the latest AES convention, making this precise point.
His solution: if you have a feedback network of say 22k to 1k, build the 22k from 22 ea 1k from the same batch as the one 1k. Lots of cancellation - V coeff, thermal, etc.
I tend to listen when Bruce talks.
Jan
I wish I knew who.
We often see multiple resistors in the feedback network to increase the dissipation. But some place them in parallel instead of in series and lose the benefit of voltage coefficient cancellation.
An example: 5off 2k7 in parallel for an effective 540r seeing almost 40Vpk.
5off 110r in series would have been a better solution.
Even that does not completely solve the problem, as each resistor is still exposed to ~280mW. Rather a lot for a 500mW, or 600mW resistor.
Sy's suggestion of a decade factor for dissipation requires at least 20 resistors.
having a wattage rating an order of magnitude greater than what needs to be dissipated,
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