power cord break-in or burn-in is there such a thing?

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Hi,

I only use 40 gauge Manganin wire for my speakers. The sound is bold, strong, heroic, and wabble-free. Once you break in a good power cord and connect Manganin speaker wire it's like you're right there!

Strange...I had the exact same feeling when I swapped all I/Cs ans L/SC for high purity silver.

Powercords, I don't care all that much though as long as they're solid core copper of reasonable gauge for starters.

Funny eh? 😉
 
fdegrove said:
Ah...Yes, I did say that.

Now if our Vampies offer that then that's fine by me...I must have missed that on their website.

The folks at Sound Connections (the folks behind Vampire) tell me it's the same high purity, Ohno Continuous Cast wire that's used by the likes of Harmonic Tech (who have some commercial tie to Ohno).

At this point in time and not knowing whenever you'll receive the Bats, I'd strongly advise to postpone shipments 'till half January.

Works for me. Like I said, I'm lazy. 🙂

If you don't it's risky and I'll just have a dream of an excuse to keep the wire just having to blame postal services...

Just kidding,😀

Hehehe. Go ahead and keep it. Not like I'll be out much. The stuff's quite inexpensive. The 200 feet I purchased for our tests was only $18.

se
 
"A Reference"........

At least the Vampire wire is a known and easily available wire to use as a reference.
When I get to hear I will say if I like it (subjective sonics) or not also.
I have some Kimber interconnect that I hate, and and hate is a strong term coming from me.
For now I am blaming this sound that I do not like on the Teflon insulation.

Eric.
 
Coupling the diaphragm of a tweeter to a small closed cavity [like the one found on the ear] extends the low frequency response inside te cavity down to almost where you want

Inside a closed cavity LF is bossted at +12dB/oct [from Fc down to LF] while the diaphraghm with the mechanical compliance provided by the suspension rolls-off at -12dB/oct [from Fs down to LF]

The ear also has some LF boost when sound waves reach it in this way but I have not enough english skill to explain this

I suggest triying to hear headphones 1 meter away from the ear, don't they sound like a super-tweeter?, actually they are customised tweeters to be loaded with the external cavity of the ear

The only problem with normal tweeters is the other closed chamber behind the diaphragm that will be also loading it and will limit LF boost, making this cavity huge or opening it to free air [as done in headphones] solves the problem

Even placing a huge horn on top of a 1" tweeter could extend its frequency response down to 100Hz [try to hear a 3" diaphragm mid-tweeter compression driver without its horn, it sounds like a super-tweeter]
 
Eva said:
Coupling the diaphragm of a tweeter to a small closed cavity [like the one found on the ear] extends the low frequency response inside te cavity down to almost where you want

Inside a closed cavity LF is bossted at +12dB/oct [from Fc down to LF] while the diaphraghm with the mechanical compliance provided by the suspension rolls-off at -12dB/oct [from Fs down to LF]

The ear also has some LF boost when sound waves reach it in this way but I have not enough english skill to explain this

I suggest triying to hear headphones 1 meter away from the ear, don't they sound like a super-tweeter?, actually they are customised tweeters to be loaded with the external cavity of the ear

The only problem with normal tweeters is the other closed chamber behind the diaphragm that will be also loading it and will limit LF boost, making this cavity huge or opening it to free air [as done in headphones] solves the problem

Even placing a huge horn on top of a 1" tweeter could extend its frequency response down to 100Hz [try to hear a 3" diaphragm mid-tweeter compression driver without its horn, it sounds like a super-tweeter]

So what exactly Catwoman does to the tweeters?


Eva said:
Catwoman is better for tweeters [meaow....]
 
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