Phono MC/MM who is running balanced?

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low ball balanced input approximation

In the sow's ear into silk purse department, I just achieved amazing hum reduction on my op amp disco mixer by 1. Drilling clearance holes in the steel case for the RCA jacks on the mag phono inputs (13/32") 2 Putting o-rings around the rca jacks so they don't touch the mixer case. The turntable headshell & arm is grounded through a separate wire to mixer case. 3. Grounding the mixer case to the power strip.(it has a 2 pin non-polarized plug) The grounds-returns are still tangled up on the mixer PCB with the power supply returns. The phono input is across 39k to Power supply ground on the + op amp input only. 4. regulating the op amp power supply with 8.2V zener diodes. I've got the hum low enough that I can hear the fan buried in the case of the CS800S power amp.
 
jackinni

Sorry mate it is balanced

Got picture for you

Al
 

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Hi Joachim.

I got my copy of linear audio today
Brilliant definitely count me in for the next one.

I had a quick look at the Phono stage article and was wondering if you have tried the
LT1028.

(Please don’t misunderstand me in now way I am saying that I know best, I know very little in fact and I am just curious)

I tried those on a similar implementation as the INA "3 op amp inst amplifier they like much smaller resistors and to run hot.

I was wondering how you rate them for sonic performance

Are they better than AD797?

tanks

Al
 
This is a late reply but assigning a particular sound to a particular Opamp is nonsense.
It is very important how you use it. I choose the NE5534A because it is not too fast and has also comparative low current noise. The LT1028 or AD797 would oszillate without modification to the lead-lag compensation. In fact i tried the AD797 and it got very hot.
That does not mean that it can not be adopted but why ? The NE5534A in the multiple shunt push-push configuration PLUS the gain in the input stage gives such a low distortion and noise that you can calibrate an Audio Precision with it.
 
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