OP27. How good is it?

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#3
eLarson said:
the OP27 is used in the highly regarded Burmester gear.
Click to expand...

the PMI OP27 opamp WAS used by Burmester in his 1980 models.

Dieter Burmester is supposed to have been the first to produce high end pre-amplifiers based on circuitry with the "new" generation opamps. Stuff like the modular 808, the line amplifier 838, and the model 877.
The top notch quality of the foil capacitors used by Burmester in his 80s gear was responsible for half of the good sound quality.
Burmester used pretty expensive and very accurate Siemens styroflex capacitors for the RIAA section of his pre-amps.
(the Burmester model numbers are derived from the year and month of introduction, 808 is 1980 August. Dieter is fond of Ferrari. )
Elektor cloned the Burmester circuits halfway the 80s and came up with The Preamp, based on....OP27.
The Elektor Pre sounded much better with Burr Brown OP27s instead of PMI versions.
Stepping up from OP27 to OPA627/637 a few years later was again a big improvement for pre-amp circuitry. LT1028 was often used for CD-player applications untill the OPA's arrived.

I'm surprised the TNT article does not make a distinction between BB OP27s and PMI Ops.
 
#5
jacco vermeulen said:


the PMI OP27 opamp WAS used by Burmester in his 1980 models.

Dieter Burmester is supposed to have been the first to produce high end pre-amplifiers based on circuitry with the "new" generation opamps. Stuff like the modular 808, the line amplifier 838, and the model 877.
The top notch quality of the foil capacitors used by Burmester in his 80s gear was responsible for half of the good sound quality.
Burmester used pretty expensive and very accurate Siemens styroflex capacitors for the RIAA section of his pre-amps.
(the Burmester model numbers are derived from the year and month of introduction, 808 is 1980 August. Dieter is fond of Ferrari. )
Elektor cloned the Burmester circuits halfway the 80s and came up with The Preamp, based on....OP27.
The Elektor Pre sounded much better with Burr Brown OP27s instead of PMI versions.
Stepping up from OP27 to OPA627/637 a few years later was again a big improvement for pre-amp circuitry. LT1028 was often used for CD-player applications untill the OPA's arrived.

I'm surprised the TNT article does not make a distinction between BB OP27s and PMI Ops.
Click to expand...


And what is more interesting is that TNT preferred OP27 over OPA627.
 
#6
Coming back to your original question of "How good is it?", the answer is "Good enough for some people to form a preference."

That doesn't answer whether you (or me) would like it, though. If you got some, you might as well try it.
 
#7
I recently upgraded a peice of DJ gear that included an MC
phono stage. The phono stage schematic is right out of
Horowitz and Hill as well as the RJM VSPS out on the net.

I tried a number of op-amps with the phono stage: The Analog
OP-270 (Dual OP27's in an 8 pin PDIP), the Burr Brown OPA2134 and original BA4558 that came with the unit.

The OP-270 outshined all of them... It was more detailed than
my 6922 tube based phono preamp. It was also warmer and more vivid than the OPA2134.

Good stuff. Try it out.

-- Jim
 
#8
mudihan said:
what TNT mentioned was OP27, the AD version, not OPA27, the BB
Click to expand...

Burr Brown made an OP27 in the late 1980s, at the time when PMI made them.
BB developed the OPA627/637 and came out with the improved version, the OPA27/37. IIRC, in that order. Analog Devices took over PMI, then came the OP27/37 with AD printing.

I've used the BB OP27 and 37 from like 1987 for pre's, input stages of power amps, and headphone amp circuits.
The 134/2134 are cheap, but imo not better than the OP27/37.
Funny that there is so much attention for the OPA627/637 and OPA134/2134, but so little for the OP(A)27/37.
 
#9
The OP(A)27 is optimized for low offset voltage and low noise at medium-low source impedance. While better than say the OP07, some of the optimizations are not those that you would want for audio, such as:

- lowish input stage current
- optimization for high LF open loop gain rather than open loop linearity
- very low open loop rolloff point
- NPN transistors for essentially all gain devices
- noise cancellation circuitry in the input stage (which will only work with symmetrical impedance)

While the OP27 sounds good enough for many preamp applications, even an LF356 would be a better choice at 1/5 its cost.
 
#10
Hi all,

This op-amp talk got me interested.
It seems there's some sort of system in the numbering.
Does anyone have an oppinion on the Analog Devs. OP275?
It liiks like a versatile little fella' with nice specs.
Is there a single-amp version of it, and if so, can anyone tell the name?

Jennice
 
#14
Hi Jennice,
I bought a small batch of OPA275s when I read how good they were. Shame on me for never completing the active crossover project they were intended for.
Maybe some day soon, but I suspect OPA2134 or discrete opamps will beat the pants off them. However, I will socket my first couple of PCBs to allow a bit of experimentation. I might surprise myself.
 
#17
2134 manufacturer

AndrewT,

I'm a little confused. I thought this thread wan't including discretely built op-amps.

Anyway: Seems like the OPA2134 is manufactured by Burr Brown and Texas instruments. Which would I be searching for?

((Is the 2134 just a 2 channel verion of 134? There also seems to be a 4134.)) EDIT: Just found the answer myself...
 
#19
jacco vermeulen said:
Texas Instruments bought the Burr Brown corporation so there should only be 1 type.
(the OPA typing has been BB territory since i started using OPA627s in 1991)
Click to expand...


:idea: Ahhh...! That explains it! I thought it was an error when a datasheet search gave a site, which had both BB and TI listed, but linked to the same datasheet for both.
 
#20
jacco vermeulen said:


Burr Brown made an OP27 in the late 1980s, at the time when PMI made them.
BB developed the OPA627/637 and came out with the improved version, the OPA27/37. IIRC, in that order. Analog Devices took over PMI, then came the OP27/37 with AD printing.

I've used the BB OP27 and 37 from like 1987 for pre's, input stages of power amps, and headphone amp circuits.
The 134/2134 are cheap, but imo not better than the OP27/37.
Funny that there is so much attention for the OPA627/637 and OPA134/2134, but so little for the OP(A)27/37.
Click to expand...



http://www.diyaudio.com/forums/showthread.php?postid=892517#post892517
lineup said:
hey.
Interesting to know about your OPA227 findings, tschrama!

If it works so well,
I would also consider similiar biploar OP-amps
OP37, OPA37 which I have downloaded PDF datasheets of.
I always go for the low-to-medium priced lines
(normal diyaudio people and audio interested students are not made out of money, you know)
so I may sometimes miss the advanced edge technology chips.
Click to expand...

You are not alone, jacco
OP27 / OP37
are very good OP-amps - for the price,
when we see what other 'superior audiophile jetset' op-amps cost!


lineup
not a jetset audiophile, at all
😀
 
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