Non Remastered Beatles collection

"Collection of Beatles Oldies...worst sound of any Beatles album. Tracks are all available elsewhere, such as on the Past Masters One collection.
You'll be aware that this album was a stopgap release for the UK Christmas market in Dec 1966.

New stereo mixes of Paperback Writer, I Want To Hold Your Hand, She Loves You, Day Tripper and We Can Work It Out were made especially for the stereo version of this album.
 
You'll be aware that this album was a stopgap release for the UK Christmas market in Dec 1966.

New stereo mixes of Paperback Writer, I Want To Hold Your Hand, She Loves You, Day Tripper and We Can Work It Out were made especially for the stereo version of this album.
It was indeed a stopgap and a pretty good one, but that's no excuse for poor sound, although that might just be my Oz pressing; pretty shoddy cover, too.

There used to be a stereo CD set of the main albums housed in a plastic roll top desk package, which might still be available s/h somewhere, but I don't think it included Rarities or Magical Mystery Tour, or Oldies but Goldies? Happy to be proved wrong.

Geoff
 
There's one showing the back and if you zoom in it states 'alternate version'. It also says Calderstone Productions. I wonder which is the one it was copied from. That's the one I want. Calderstone is the producer I am disappointed with.
 
Attachment 1 shows how most of us in the UK enjoyed the 60s Beatles sound.

Attachment 2 attests that fame & fortune should have enabled John to spot the differences between the mono and stereo mixes of Sgt. Pepper! 😀
 

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Attachment 1 shows how most of us in the UK enjoyed the 60s Beatles sound.

Attachment 2 attests that fame & fortune should have enabled John to spot the differences between the mono and stereo mixes of Sgt. Pepper! 😀
In the (in)famous "Lennon Remembers" interview, John said he preferred Phil Spector over George Martin as a producer because he 'didn't worry about f - - - stereo or all the b - - - , just 'does it sound all right'?

So maybe John didn't care?!

Have never heard the mono Sgt Pepper, in any format, I assume it would make for quite a different experience.

Geoff
 
My first pressing Sgt. Pepper is MONO. It's not rare, but sought after.

It's an early limited edition 'wide spine' release, so worth a bit extra to collectors. It still has the original cardboard cut-outs insert and the red 'the fool' inner sleeve.

The Beatles were directly involved in the mono mix, but were not interested in the stereo mix. There are well documented descriptions of the musical differences between the two mixes.

You have to consider that in 1967 stereo had still to become mass market in the UK and many, like me, still used mono cartridges. I didn't go stereo until after Sgt. Pepper.
 
You have to consider that in 1967 stereo had still to become mass market in the UK and many, like me, still used mono cartridges. I didn't go stereo until after Sgt. Pepper.
Indeed: most stereo LPs had some blurb on the back that they could be played on mono record players without damage, etc. so the makers must have assumed that most customers had mono equipment.

At least on the early albums the Beatles' mono records have more of a 'wallop' than the stereo and of course you don't have vocals mostly coming from one speaker and instruments from the other.

After reading this thread I felt inspired to dig out my Japanese mono red pressings, they really sound very good.

I don't play them much as I've transferred them to CD and the durability of the transparent vinyl worries me.

Geoff