Mini Towers

The very nature of the boxes i design means there is a step beyond the sim that takes into account the nature of the highR vents. This has proven to work well over many boxes (i’ve lost count, 100+ at least i’d guess) in practice.

And every driver i sim has the voice coil indictance in it. Its resitance is the Dcr.

dave

I don't know where ICG ever got the idea that anybody does not use inductor resistance in their simulations. He said that about my X-Sim pic, maybe because it is not displayed on the schematic.

X-sim inserts a default resistance for all inductors, as I believe all software does, and the difference between default and actual (when plugged in) is so small it is insignificant.

This guy is very difficult to communicate with because he makes a lot of assumptions without foundation, and is also very insistent about his knowledge of physics.

The problem is, most of the details he talks about are the tiny ones that rarely make an audible difference, and with my current set of resources I'm looking at the bigger, more general picture. the minutia have to wait.

But apparently this is, to some, simply the WRONG way to design speakers.

Pfft.
 
both of my simulations cross the zero just once

Close, but that is not what the sim says. Their is a white closed space in between the red line and the back line. That represents a double crossing of zero.

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dave
 

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Close, but that is not what the sim says. Their is a white closed space in between the red line and the back line. That represents a double crossing of zero.

The actual (real live) driver response will cancel that claim. And the modification of just +2Hz (!!!!!) fb will defeat it completely! It does not even alter that curve to 0.1dB!
 
The idea is to place any (potential) resonance somewhere it will unlikely ever be excited.This means a high frequency where little to no music has high sustained narrowband output at the kind of frequencies to get these excited. Do in effect the box structure is non-resonant.

Thin, stiff material helps. Short spans. Curves. Other tricks.

In the thin material is where you sacrifice the stiffness on which you've layed emphasis. I don't see how putting the resonances into a frequency range where the ear is a lot more sensitive is of any help. What you are describing is not a speaker, it is an instrument with properties to make noises (which do not belong to the music it aims to reproduce). It's always better to avoid resonances instead of provoking them!

Aside from that, you've already claimed ply would need less braces. Now you tell us it needs more. Which one is it then? I've got the impression you do not know very well what you are talking about and just turn arguments around once you've got the impression that would help you more.

What you're doing is putting up frets on a guitar and let the enclosure play its own tunes. And you will help the OP to 'tune' his speaker on every side and panel? Please, I'd like to learn, tell me on which principle the braces have to be placed and how you calculate it.

More damping in the material also helps. MDF is not really that well damped (it does leak some low level grunge which i guess you could call "damped stuff from the inside”). In a piece of plywood, each transition from one ply to the next is a damping layer.

You've got a strange misconception about wood materials. Plywood does not have a good absorption/inner damping properties and making it thinner makes it even worse. The higher stiffness of ply comes from the long wood fibres and that's why it doesn't absorb (damping) vibrations well. Use a contact microphone and you'll see the plywood is a hell lot noisier than MDF.

I'm sorry but I don't see any advantage in having a lot more work, more audible noises AND having to pay a lot more for the material.
 
15mm quality ply is stiffer than 18mm MDF.

Yes, it is. And we already etablished that it's not an important acoustical positive property.

I use an appropriate amount of thickness for the box. If we err in any direction it is overbuilding.

Well, that's nice, what is an appropriate amount of thickness then? But more importantly, where to put and how many braces? 'Appropriate' is such a stretch.. 🙄
 
Which one is it then?

It is not a binary choice. It is system design.

If a panel is stiffer, the span can be longer to achieve the same panel resonance frequency, as the shorter less stiff panel.

... and let the enclosure play its own tunes.

The boxes we build are expressly tested for whether music can excite the panels. And refined over at least a couple decades.

... to 'tune' his speaker on every side and panel?

The key is get the potential resonant frequency up high enuff so that music is very likely if ever to excite that resonance.

Theoretically one could take it to the next level by tuning the resonances so that they do not fall on any notes of the well-tempered scale. In practice it is not required.

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MDF’s mass and lack of stiffness makes it harder to push the box resonance up elegantly.

Plywood does not have a good absorption/inner damping properties

Making incorrect assumptions does not help your case. The plies are what bring the stiffness, and the transition from 1 ply to the next isa damping region.

Now the damping will have a different FR than taht of MDF.

But if one can get potential resonances up high enuff that they are never excited, then there is nothing to damp.

dave