I've listened to recordings on the CHR-120 and they actually sound good in the treble. I am suprised. That should be consistent with the low distortion. Thanks for the good info.
Definitely try it with my suggested schematic. Personally I was not able to enjoy the driver without the circuit in place. The sound is much more balanced and allows listening on-axis. Listening even just 15 degrees off-axis causes 10kHz and above to fall off quickly, losing critical spatial information.I've listened to recordings on the CHR-120 and they actually sound good in the treble. I am suprised. That should be consistent with the low distortion. Thanks for the good info.
Could you please share the box dimensions ?
For me it is a bit strong way up.
And the ringing down could get irritating over time.
But for music without cymbals, it may not be a problem.
Than you for your work and sharing.
For me it is a bit strong way up.
And the ringing down could get irritating over time.
But for music without cymbals, it may not be a problem.
Than you for your work and sharing.
Could you please share the box dimensions ?
For me it is a bit strong way up.
And the ringing down could get irritating over time.
But for music without cymbals, it may not be a problem.
Than you for your work and sharing.
If you ever happen to be in Derbyshire, this place might interest you. Couple of Jensens, 541 and Interceptor. Tasty Bristol 402 too., in the same way I'm not interested in Aston Martin (I'm a Jensen man, or would be if I had the money 😉 ).
https://greatbritishcarjourney.com/
Looking at the CSD, would this be a good case where you would want to introduce notch filters in your dsp if you use one?
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