All kidding aside, complex orchestral reproduction really deserves closer attention since typical driver distortion is higher than audibility threshold at normal listening level.
Yes, and you need not only low non-linear distortion, but also to keep tonal balance, in other words flat on-axis response and nice off-axis decay of frequency responses with off-axis angle, in other words power response. Classical big orchestra is a proof of the audio system reproduction abilities. Hopefully, there is enough of good recordings of classical music.
Hi PMA,
Think remember either in part 1 thread or part 2 thread one of your prefered better DAC's used was a Cambridge DacMagic, and in DacMagic Plus turned up this morning with objective numbers over at ASR site thought it could have your interest : )
LINK: Review and Measurements of Cambridge DacMagic Plus | Audio Science Review (ASR) Forum
Think remember either in part 1 thread or part 2 thread one of your prefered better DAC's used was a Cambridge DacMagic, and in DacMagic Plus turned up this morning with objective numbers over at ASR site thought it could have your interest : )
LINK: Review and Measurements of Cambridge DacMagic Plus | Audio Science Review (ASR) Forum
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