That correlates very good with my experiences
A lot of work goes into minimising negative effects from paralel components
A lot of work goes into minimising negative effects from paralel components
I never got around to reading that study you keep referring to but I have serious doubts about your claim and I doubt that the paper should be interpreted as an across the board truth.
Not my paper or my claim. Kunchur has had 3 papers, using 3 different techniques, published in peer reviewed journals. All with the same findings. A 4th paper by another scientist has further verified the result.
This is a solid scientific result. It is very significant to what we are doing.
dave
Well I have to take a look. It's just the way you state it so simply (do you honestly think that people can notice time errors at any frequency and any amplitude in the 20-20k range?) without any conditions that makes it seem over simplified.
Not my paper or my claim. Kunchur has had 3 papers, using 3 different techniques, published in peer reviewed journals. All with the same findings. A 4th paper by another scientist has further verified the result.
This is a solid scientific result. It is very significant to what we are doing.
dave
At which frequencies? We have very different sensitivity to different frequencies
Read the papers. All of them. You can skip the math. Lots of other interesting stuff in them too.
dave
dave
And for the non-Windows crowd, if you want to play with VST/LADSPA EQ plugins, here's a GNU way of doing things: LMMS - Linux MultiMedia Studio
Cheers!
Thanks for the hint! Looks like a good program.
Cheers
Did I miss the link to the papers?
Different thread, sorry. Also would have been easier to Google if i hadn't invented a new spelling for his name.
Information for prospective students
Start with the HiFi Critic overview, then the FAQ.
dave
Thanks for the hint! Looks like a good program.
Cheers
Cheers! 🙂
Agreed, evolution will always win out! :0
Talk is cheap. Show me the speaker and we`ll see/hear

btw; what some call evolution others know as degenerating😉
I assume you would like examples of active LR4s in speakers, yes?
Of course you are welcome to visit myself and listen to my speakers.
They are based on Tannoy 3148s complemented with Volt 12" radials in T/L cabs and Fountek ribbons.
Or, and that might be easier for you, you could try ATC active monitors, active PMCs or Quested Audio monitoring. Actually to the best of my knowledge most high-quality active monitors use LR4 crossovers.
In my experience the improvement available from active operation is quite a bit greater then any other tweaks possible to the extent that actives using dirt cheap amps tend to be superior to passives using the best amps available.
I recommend reading the technical papers available on ATCs website and elsewhere.
Of course you are welcome to visit myself and listen to my speakers.
They are based on Tannoy 3148s complemented with Volt 12" radials in T/L cabs and Fountek ribbons.
Or, and that might be easier for you, you could try ATC active monitors, active PMCs or Quested Audio monitoring. Actually to the best of my knowledge most high-quality active monitors use LR4 crossovers.
In my experience the improvement available from active operation is quite a bit greater then any other tweaks possible to the extent that actives using dirt cheap amps tend to be superior to passives using the best amps available.
I recommend reading the technical papers available on ATCs website and elsewhere.
I have no affiliation with it, but for this weekend Frequency Allocator and Allocator Light are on special offer. With full Allocator ($59 this weekend) you can listen to the various crossovers and phase correction in real-time.
Very relevant to this thread I thought =)
Very relevant to this thread I thought =)
I assume you would like examples of active LR4s in speakers, yes?
Of course you are welcome to visit myself and listen to my speakers.
They are based on Tannoy 3148s complemented with Volt 12" radials in T/L cabs and Fountek ribbons.
Or, and that might be easier for you, you could try ATC active monitors, active PMCs or Quested Audio monitoring. Actually to the best of my knowledge most high-quality active monitors use LR4 crossovers.
In my experience the improvement available from active operation is quite a bit greater then any other tweaks possible to the extent that actives using dirt cheap amps tend to be superior to passives using the best amps available.
I recommend reading the technical papers available on ATCs website and elsewhere.
Thanks for the suggestions but I`ve been there and done it all years ago. Only unlike you I`ve never heard any active filter dissappear totally like my ultimate quality passive 1.orders do.
While I was developing my 4-way (1.order/asymetric/no absorbers/huge massive cables)-speakers a friend was challenging me using a lot more money on his big active system based on pro/studio drivers. Lets say this was a bit more open and dynamic than the ones you suggest, but even so he had to admit that my passive system beat him even on dynamics.
Same here, been there done that years ago and I have never come across a passive speaker that comes close to the realism provided by actives. Especially the bass tends to be rather 'mushy' with passives, I tend to blame the almost inevitable series inductor (which also eats half the power fed to the speaker).
Guess we'll just have to agree to disagree on this one.
Guess we'll just have to agree to disagree on this one.
Thanks for the suggestions but I`ve been there and done it all years ago. Only unlike you I`ve never heard any active filter dissappear totally like my ultimate quality passive 1.orders do.
While I was developing my 4-way (1.order/asymetric/no absorbers/huge massive cables)-speakers a friend was challenging me using a lot more money on his big active system based on pro/studio drivers. Lets say this was a bit more open and dynamic than the ones you suggest, but even so he had to admit that my passive system beat him even on dynamics.
Are you saying passive crossovers can make speakers more dynamic then active ones?
Different thread, sorry. Also would have been easier to Google if i hadn't invented a new spelling for his name.
Information for prospective students
Start with the HiFi Critic overview, then the FAQ.
dave
Thanks for the link Dave! Great stuff! I was researching time alignment back in '95 and came up with much the same thinking (Minus the math). I don't think you can do better than to start with properly time aligned speakers. I designed and published a paper or two on the subject of measuring time alignments in x-over regions. It is not all that difficult to do, even for a hobbyist.
Since that time I have always preffered 1st order time aligned systems. Of course very few tweeters can perform this feat properly.
Terry
Nice survey, I wonder what the other 50% like!
Terry
My vote went to no x/o with the intention being to use full range speakers. 😉
Yeah, interesting result - I'm surprised how few use higher order XO's, and how many use no particular alignment.
Part 2 of this investigation is over here - enjoy!
Part 2 of this investigation is over here - enjoy!
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