John Curl's Blowtorch preamplifier

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SY said:
You could always ask Scott.

We never figured that anyone would want to make a follower with an equivalent 50 Ohm noise resistance. The rbb on the input devices is artificially low by a trick that beats the process drawn geomertry rules. I don't really know but I think somehow it is a little like paralleling too many input devices.

I had a customer that put 128 743's on a board (EEG) and they acted through the supply lines like they were in parallel and oscillated in unison.
 
Originally posted by SY

Yes, see the proven and documented circuits of Didden and Jung in AudioXpress, which have been duplicated by thousands of builders with great satisfaction. Excellent noise performance, excellent load and line rejection, they simply do what a DC supply is supposed to do, supply DC and NOT have a sound.


Can you give a direct link to it, or post it here?


Originally posted by SY

OTOH, if you're of the school which wants the electronics to have an aural signature (and there are many out there who do), you will not be happy with them.


No, I don't want a PSU to have a sound.
However, I feel that your hearing and mine differ.
 
SY said:


That's been the origin, yes. A stubborn refusal to understand some basic engineering concepts and principles, along with a condescending attitude toward engineers with far more accomplishment and experience than his own, has exacerbated the issue.


A stubborn refusal to understand some basic engineering concepts and principles, like the claim that different well engineered cables cannot sound differently?
 
Joshua_G said:

Can you post it here?

Jung's regulators have been mentioned here already and
he has described them in detail. Reading that is a must.
<http://waltjung.org/Regs.html>
Google is your friend.


Mine are essentially Jung-ish but somewhat modified to allow
lower output voltage and SMD. I'm still not happy with the parts count
and I won't publish them unless they are fully characterized.
 
Joshua_G said:



A stubborn refusal to understand some basic engineering concepts and principles, like the claim that different well engineered cables cannot sound differently?

It has been stated repeatedly that there are any number of reasons for two cables to sound different. The steadfast refusal of some audiophiles to even explore these is a recurring disappointment. Does a cable you dislike make your favorite amplifier oscillate? I don't care or it doesn't matter are not appropriate answers.

I once joined a writer for a major audiophile mag for an evening of listening and noticed that loud bass notes dimmed his lights a little. He commented that the entire living space was on one 15A fuse. Do you think his cable or power cord reviews were worth anything?
 
Can you give a direct link to it, or post it here?

I don't know if AudioXpress has published the articles on the web; you can certainly look on their website and see if of them are there. If not, they do sell back issues. It's a very worthwhile publication, so I'd highly recommend dropping a few shekels for the education and to support a very worthwhile organization. The previous link to Walt Jung's site may also pay dividends.
 
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