John Curl's Blowtorch preamplifier part IV

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BZZZT!

Skin depth @100KHz in copper is 200um. PCB 1oz. copper is 35um thick, 6 times smaller than the skin depth.

well, some people in high-end use a lot thicker than .5-1oz copper and then there are actual wires and cables, too.

Dont limit this to just a one case condition nor try to find the exception.

Copper oxide diode formation is a problem at any frequency.


THx-RNMarsh


what is copper oxide thickness?
 
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I had salvaged some silver -PTFE from B737/200 wing tank rewiring, only if I can find it.

Silver/PTFE combination can be bothersome if used in an inappropriate construction; looking at the numbers it is only a small difference between silver and copper (even worse) and IIRC pvc isn't so much better either.
But, there are remedies; solid silver/copper conductor in a quite rigid tube made of PTFE, able to freely moving in it, is of course not a good idea wrt triboelectric effects.

It was happening to me almost every time I was upgrading to another cartridge or tonearm. “I haven’t heard that detail in this LP again”. No, wrong.

George

I've to asked the same question that I directed to Scott Wurcer, which way the "No, wrong" emerged as it seems to be a question of consciousness.
Usually there must be a lot going wrong until real information "disappears" but it is a multidimensional evaluation and so if suddenly an information kind of "sticks out" it often is a good indicator that something indeed has changed.

And of course if you are aware of this "new" piece of information it is nearly impossible to "unhear" it when going back to the old configuration.

Scott Wurcer draw conclusions to "sighted listening" and "bad auditory memory" , but both are questionable, as the underlying effects of brain/auditory sense made it quite difficult to decide it.

As said above it's also possible that you noticed a real effect (that brougth another "piece of information" to your attention) - which would lead to the conclusion that the memory was in fact quite accurate - and that the method of rolling back to check isn't the right one to find it out.
 
There’s simply no reason I could think of why something would be easier to hear in a foreign place then in the comfort of my home, and God knows, I have enough audio SOTA stuff around,
One of the most surreal phrases I have ever read in the style of "all amps sound the same".

BTW, I tried once to take JC to a Chez Panisse lunch in Berkeley on Shattuck Ave. but he did not pick my invitation (was made through a common acquaintance, since I was not on the forum at the time).
You should try again, now that he knows how you are: rofl:
 
I've to asked the same question that I directed to Scott Wurcer, which way the "No, wrong" emerged as it seems to be a question of consciousness.

I went back to the old configuration, played again the LP and the assumed “missing detail “ was there.

I have no problem adopting Scott’s closing phrase for my case: “Sighted listening and aural memory are hopelessly unreliable.” 🙂

George
 
I went back to the old configuration, played again the LP and the assumed “missing detail “ was there.

I have no problem adopting Scott’s closing phrase for my case: “Sighted listening and aural memory are hopelessly unreliable.” 🙂

George

I think, if it is "hopelessley unreliable" is a different question; I was more interested to learn why you think that it follows from the events that you (both in a similar way) described.
 
I think it has to do with Hans remark (listening to details vs listening to music).
When listening through a new hardware configuration this mode switching most probably happens unconsciously.
But I have noticed the effect of the switch when I compare different versions of the same musical piece- which I do often- with different directors and singers, say performance A and performance B.
After listening to A, I listen to B. Then I go back to A and it happens that I notice details I hadn’t noticed the first time.

George
 
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