John Curl's Blowtorch preamplifier part II

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All the particle beam machines need levels of precision in the micron range around the entire structure. Synchrotron machine beamline users, some are sensitive to the nanometer range. We are about 10 miles from the south shore, and some of the users have issues with the periodicity of the waves on the beach. They see the deflection of the beam as a result of the waves, especially if the surf is a foot or two. Being two miles from the nearest expressway, we also have problems with rush hour traffic, specifically trucks taking things east in the morning rush.

Still astounding. Both in terms of the solution and the sheer bloody mindedness of the people creating this to do something so difficult to create things that don't live long enough to even be directly detected 🙂

Then how do you even get into cars. Anybody who learned cars under the hoods of vehicles pre-1980-90 has already learned that present day cars are filled with alien technology. I have no chance of understanding those darn computers...

John

I do like clockwork cars. I have even driven a car where I wrote some of the code for the ECU. However when you are late for work checking the weather forecase to see which jets would be optimal for the commute does get boring*

* I know most are not that anal about carb tuning 🙂
 
JN

3 different twists. Two pairs for the woofer and one for the midrange. The dual shields are actually a coax with an impedance of X ohms. Size limit due to conduit issues.

Now for your bonus question, what impedances am I aiming for in the loudspeaker system?

(Hint given the same voltage which is louder a 16 or 8 ohm compression driver horn combo?)
 
JN

3 different twists. Two pairs for the woofer and one for the midrange. The dual shields are actually a coax with an impedance of X ohms. Size limit due to conduit issues.

Why two pairs for the woofer? Is it one circuit, or two?
I hate size limits due to conduits, don't you?

The midrange would be better off with the two pair, you'd just have to suck up the losses in the bass.

And why two coaxial shields? The only time we need that is when we have to double bond renishaw 1 micron resolution absolute encoders down in the tunnel, but that technique only works if you have one, we typically run 6 at a time.. One unit's ground noise current flowing in the external braid shield doesn't couple to the internal wires as long as the bundle's been rounded with chase fibers...but once a second run is installed in the tray, that concept no longer works..

Now for your bonus question, what impedances am I aiming for in the loudspeaker system?

I see two answer possibilities here. First, one arrived at using correct engineering skills and understandings...

Then, what you choose to do...😱


badaboom...low hanging fruit, I had ta take it....😀

(Hint given the same voltage which is louder a 16 or 8 ohm compression driver horn combo?)

Used to have that pesky power equation inked onto my hand...but I eventually had to wash...darn it..

John
 
Woofer is two units with the same signal. The midrange suffers little air absorption loss and is of very limited range. The "HF" comes in at 1,100 Hz. Woofer quits around 600.

With 16 ohms you have half the current but twice the voice coil windings! So the same level. (I'll help you through those pesky physics things...)
 
I also was uncomfortable with Clarabell, but I really liked Princess Summer-Fall-Winter-Spring! In 1965, I dated a former member of the 'Peanut Gallery', what an honor! '-)
Back in about 1972 my wife was teaching first year high-school German. She said in German 'Princess Summer-Fall-Winter-Spring' and the class just looked at her. So she repeated in English 'Princess Summer-Fall-Winter-Spring' still nothing. So she said 'Howdy Doody' but none of the kids ever saw the show.
 
Woofer is two units with the same signal. The midrange suffers little air absorption loss and is of very limited range. The "HF" comes in at 1,100 Hz. Woofer quits around 600.

So you build in the smiley face eq layer by drivers..I usually use the eq to do that.
With 16 ohms you have half the current but twice the voice coil windings! So the same level.

I guess one could assume that twice the windings is the same mass, and that the 8 ohm version has a gap twice the width of the coil requirements, and that a vendor would use the same gap for two different thickness coil packs.

In my work, I could never make such blatant non-engineered choices. I would require specific gap field strength, specific coil masses...and, I would never assume that doubling the number of turns produces double the vc inductance. It quadruples. Who is your vendor?

(I'll help you through those pesky physics things...)
Hey, thanks, that would take a load off my grandkids....

John
 
So you build in the smiley face eq layer by drivers..I usually use the eq to do that.


I guess one could assume that twice the windings is the same mass, and that the 8 ohm version has a gap twice the width of the coil requirements, and that a vendor would use the same gap for two different thickness coil packs.

In my work, I could never make such blatant non-engineered choices. I would require specific gap field strength, specific coil masses...and, I would never assume that doubling the number of turns produces double the vc inductance. It quadruples. Who is your vendor?

John


JBL & ferrofluid! Expecting loudspeaker drivers to be within 2 ish dB is reasonable. 1% flat out rolling on the floor laughing. 5% humor. 10% doable but requires a bit of extra effort.

As to inductance it does go up but then there are shorting rings to reduce it, all of which matters little when the air loss limits you to 8,000 cycles per second HF response. (300-600 watt power handling!)

As to smiley face HF eq can exceed +20 dB, midrange -10 dB and woofies flat.
 
JBL & ferrofluid! Expecting loudspeaker drivers to be within 2 ish dB is reasonable. 1% flat out rolling on the floor laughing. 5% humor. 10% doable but requires a bit of extra effort.

As to inductance it does go up but then there are shorting rings to reduce it, all of which matters little when the air loss limits you to 8,000 cycles per second HF response. (300-600 watt power handling!)
So, change about 12 things, then claim that halving the power to the driver gives the exact same response..

As I said, ask JBL what vc impedance can we expect over unity? Hey, if 16 needs half the power, then 32 needs 1/4, then 64 needs 1/8th...

All they gotta do is figure out how to give neo magnets permeability over 1...

As to smiley face HF eq can exceed +20 dB, midrange -10 dB and woofies flat.
I love it when you speak hi-fidelity...

When I used to do gigs, smiley was best for listener fatigue prevention..

John
 
ES,
Your not seeing any of the problems of the past Ferro Fluid of viscosity rise with age and heating that was locking up so many tweeters in the past? One of the reasons I've stayed away from that solution and also just the cost of having to use 8cc of fluid to fill the gap in my long gap magnet structure, not a cheap endeavor.
 
JN

Have done this with the 16 ohm vs 8 Ohm for years. Yet to see a difference where I use them. Of course there are exceptions. But would have expected you to catch on to the scale of my systems.

Kindy,

Have used ferrofluid for decades. In my applications don't see the lockup as do low powered users.

ES
 
With 16 ohms you have half the current but twice the voice coil windings! So the same level. (I'll help you through those pesky physics things...)

IIRC it was at the same voltage. So you are implying here that a 16 Ohm speaker has twice the efficiency as the same driver in it's 8 Ohm variety. If you were correct, I would want 16000 Ohm drivers.
 
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As to ferrofluid, it is good for bad tweeters only. Mechanical friction in speakers is highly non-linear and should be avoided as much as possible. In other words, keep that mechanical Q as high as you can, and use Qes and enclosure parameters to get to the target system Q.
 
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