Question: Who produced the first consumer RTA design and published it?
name, publication, date.
THx-RNMarsh
SY may know
http://www.sandv.com/downloads/0701deer.pdf
George
The point about the PC speakers, and now just using a laptop, relying on internal speakers, is understanding the common factors, the core of what needs to be optimised in every situation - there is a continuum in what can be achieved from the highest to the lowest, in nominal capabilities.
Key factors in what made the original, "real" setup work - which I have already described many times - were:
Simplicity: there was only a high end CD player, the best Yamaha you could get in the mid '80s, feeding a nominally muscular Perreaux power amp, and B&W bookshelf speakers. No source switching, or extras.
Integrity of the chain: there was no analogue volume pot - the Yamaha did proper digital volume control, all the components were hardwired together, every connection that relied on a pressure contact, metal to metal, was modified to be airtight by soldering - from the power lead in to the terminations on the speaker drivers
Stabilising of the speakers: this were set up to be as rigidly locked to the floor structure as I could, effectively the carcase vibrations were heavily damped
Long term conditioning of the electronics: this meant leaving everything on 24/7, the CD player especially was sensitive to this - from cold it took ages to develop the best quality
Strenuous conditioning of the speakers: feeding them highly energetic material so that crossovers and driver suspensions were at their best.
I didn't decide to do this from day one - each step occurred because I had a thought, experimented, or just noticed a behaviour pattern; the SQ kept improving with each iteration.
The amplifier was actually the weakest link, its smoothing caps were way not good enough, and I spent long periods trying to wring more from them as is - and much later did major surgery "fixing" this.
Note that no substituting with fancy electronic parts was done, no altering of the circuitry as delivered from the factory was done - I was simply identifying what looked to me as weaknesses, and "beefed" those areas up.
This gave me short bursts of the sound that floored me the first time I heard it - and everything since has been refining my understanding of what needs to be looked at.
Unfortunately Frank, few of us can be that purist to eliminate a local source "switchboard", in form of a preamp. For sources, I have my TT, my CD player, my tuner and my cassette deck. I tend to use them all, some more, some less, but having to change the wiring every time I want to change a source is not really practical.
I agree that bypassing an entire device like the preamp should yield better audio results, but I also find that the deterioration of the sound through it is tryuly minimal, while the practical benefits are signidficant. Until you come to the TT, which will not work without an eg/amp.
Richard,
It is just a statistical number with no real value. Average room size will be different in California than in NY, different again in some Northern states. My living room is about 15' x 30' foot with sloping ceiling and a brick fireplace 16' high and 20' foot wide, there is no real average room. Then you have to look at the direction people will place the speakers, down the long distance or across the narrow distance. My last house had 20' flat ceiling and a staircase to the second floor but smaller in length. It is useless information in my opinion.
Ooooh - you can make indoor shish kebab. You lucky man! 😀
You could pack my son's entire apartment into your living room 15' x 30' and have a bit to spare. So, room sizes indeed do vary around the world.
Fortunately, so do the speakers. A friend neck deep into loudspeakers recently completed a small box using Morel drivers. As expected, it was very clean and detailed, but what floored me was the bass extension - I have never heard a small speaker manage that so well. I estimate it goes down to just under 50 Hz, a first for such a small box. He explained that he used a usual trade-off, he sacrificed efficiency for extension, trading off the drivers' reasonably high efficiency for low roll off. Still, he managed to get effciency to some 90 dB/2.83V/1m, which is still reasonable. He reckons it worked out to about €600, but this includes shipping, ciustoms duties at 9% and VAT at 18%.
Nice to see you are exploring.
How about some details on measurement conditions, and a posting of IR_before.wav and IR_after.wav?
Barleywater, I haven't got round to doing measurements with a test signal going through the convolver. Your instruction were clear, but I already got lost taking another route: VSTHost with virtual cables. Will come back to it later.
In the meanwhile, I found the following on the audibility of different filter types set off against different filter slopes. http://lib.tkk.fi/Dipl/2008/urn011933.pdf
My summary brain has condensed it to the following bits of knowledge I may be able to retain :
- LR filters of 8th order are audible @ 3 KHz, but at lower xover frequencies, 8th and even larger filter orders may be used.
- FIR filters can lead to audible ringing off axis at filter slopes > 600th order.
- the use of the concept of 'group delay' obfuscates and the conclusions would have been even more useful if another metric had been used. But it is tradition.
I am breaking it down further........ the crossover can sum perfectly in sim for a flat FR and on the bench tests.... but not in the room IF a driver is near a surface (floor, back, side-wall or all three, as in a corner). Errors show up in the cross-over region and are thus heard. When freqs are boosted by 'room gain' then the filter slopes are altered.... that nice 12db/oct slope can be 10.5dB/oct instead --- as a typical example. When this happens the response is no longer flat.
THx-RNMarsh
Richard,
I haven't really thought about it in these terms, not have I come across it in measurements (but I haven't been looking for it either). If two drivers have the same radiation pattern at the crossover region, it appears that there cannot be a problem of this nature. Another good argument for controlled directivity.
What you describe is rather a boundary effect than room gain. Your listening room is large enough for room gain to only play a role in the case of minor nuclear explosions. Boundary effects are present in small and large rooms alike.
Nope. First one I ever used was an Ivie, but that was a buy, not build.
Dejan, just note what inspired that post - Bonsai wanted a "real set up" that gave me good results, and the first one is probably the best because it used better components, and required less internal fiddling. I have no hangups about any particular combination being able to get over the line - a well enough engineered preamp should be able to do it. But I will state a key requirement: I have yet to hear a system that uses a standard volume pot being able to sustain the quality needed - every system I've fiddled with, or others I've heard good things from, has bypassed using such a part.Unfortunately Frank, few of us can be that purist to eliminate a local source "switchboard", in form of a preamp. For sources, I have my TT, my CD player, my tuner and my cassette deck. I tend to use them all, some more, some less, but having to change the wiring every time I want to change a source is not really practical..
My design philosophy has resulted in opposite approach - preamp covers all the gain, it has high output voltage swing. Power amplifier has +1 gain, it is a power buffer. Link cable between preamp and power amp carries high signal level. Noise is greatly reduced.
I had an SD375. A friend at MIT built one of the first hardware FFT engines ever as his masters thesis circa 1970.
The cons is you need high voltages psu in your preamp, and, if you want to can drive a low impedance line, it will be... a power amp itself, right ?My design philosophy has resulted in opposite approach - preamp covers all the gain, it has high output voltage swing. Power amplifier has +1 gain, it is a power buffer. Link cable between preamp and power amp carries high signal level. Noise is greatly reduced.
So your solution still exists in a simple manner: A combo (preamp and amp in the same box) ;-)
Yes, everything in the one box is a pretty good solution - but that means you really have to engineer things well - can it be done? 🙂
Can't help with specifics, but I think swept heterodyne analysers arose from the war in the 40s ?Question: Who produced the first consumer RTA design and published it?
name, publication, date.
THx-RNMarsh
George;
Your results are disorienting and disoriented.
I am glad we share the same opinion.
I am testing your advice.
I’ll be back soon with screenshots and more questions
My design philosophy has
Very good approach Pavel. And you won’t have many competitors
A friend at MIT built one of the first hardware FFT engines ever as his masters thesis circa 1970.
More inside stories
http://www.dataphysics.com/30_Years_of_FFT_Analyzers_by_Sri_Welaratna.pdf
and a treasure found during my latest search for Rodney Potter’s work
https://ia800301.us.archive.org/29/items/ElectronicMeasurementsAndInstrumentation/OliverCage-ElectronicMeasurementsAndInstrumentation.pdf
George
1965 or so Altec Lansing was doing "Acousta Voicing" http://www.preservationsound.com/wp-content/uploads/2011/08/Altec_Worship_1966.pdf
Boner was hand building filters before that.
RTA's certainly preceded FFTs.
Now the first hobbyist to publish a circuit I don't know. But the circuitry was certainly in National's handbooks by the early 70's although not explicitly shown. Clay Barclay built his own which was later sold by Crown Audio.
I certainly had one in the early 70's and by around 76 had one based on the Reticon Fourier chip built into a Heathkit oscilloscope. Cost just under $2,000.00.
Shure did one that used window comparators to avoid a costly LED display. You kept decreasing the window size as you tuned.
The biggest issue was not the circuitry but the measurement microphone. Still is!
Boner was hand building filters before that.
RTA's certainly preceded FFTs.
Now the first hobbyist to publish a circuit I don't know. But the circuitry was certainly in National's handbooks by the early 70's although not explicitly shown. Clay Barclay built his own which was later sold by Crown Audio.
I certainly had one in the early 70's and by around 76 had one based on the Reticon Fourier chip built into a Heathkit oscilloscope. Cost just under $2,000.00.
Shure did one that used window comparators to avoid a costly LED display. You kept decreasing the window size as you tuned.
The biggest issue was not the circuitry but the measurement microphone. Still is!
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Barleywater, I haven't got round to doing measurements with a test signal going through the convolver. Your instruction were clear, but I already got lost taking another route: VSTHost with virtual cables. Will come back to it later.
In the meanwhile, I found the following on the audibility of different filter types set off against different filter slopes. http://lib.tkk.fi/Dipl/2008/urn011933.pdf
My summary brain has condensed it to the following bits of knowledge I may be able to retain :
- LR filters of 8th order are audible @ 3 KHz, but at lower xover frequencies, 8th and even larger filter orders may be used.
- FIR filters can lead to audible ringing off axis at filter slopes > 600th order.
- the use of the concept of 'group delay' obfuscates and the conclusions would have been even more useful if another metric had been used. But it is tradition.
Thanks for link.
From above in 5.2.3:
The woofer was 78cm, and the tweeter was 92 cm above the floor.
This is typical example of bad driver layout. Driver center to center appears to be 14cm; For 3kHz crossover this is roughly one full wavelength; a 1/4 wavelength is much better target. Vertical lobes are horrendous with any crossover. None the less the paper shows that some really steep crossovers by FIR work quite well with their setup.
Low frequency audibility of phase in this study with high order IIR filters is worthless.
Here is 10Hz square wave response of Sennheiser HD-600 headphones:

It sounds nothing like 10Hz square wave. High pass filtering of system acts effectively as a differentiator circuit. The test signal functions as positive and negative Dirac pulses at 50ms intervals. I've set up cardioid sub-woofer that does 10Hz square wave. The entire room throbs even at low levels. Window glass flexes in and out. Once the phase is this messed up, a few thousand degrees of phase shift don't do much more damage. This accounts for paper's results for high order IIR crossover all pass filtering at LF sounding no different than with FIR, or just the speaker's native response.
As a test signal for 3kHz crossover it returns positive and negative going waveform of system's IR. A great test signal for 3kHz testing polar pattern of a speaker in terms of crossover behavior.
So happens I've tested Sennheiser HD-600 and results are comparable to results from Build A Graph | headphone.com. Their 50Hz and 500Hz square wave results are good indicator of how difficult it is to know when a real square wave in being produced acoustically.
Perhaps it was Marcel Wallace's 1932 French patent for 'Panadapter' ? First consumer commercialisation 1946, featured on front cover of Radio News March 1948, product PCA-2 T-200 ?Question: Who produced the first consumer RTA design and published it?
name, publication, date.
THx-RNMarsh
These are heterodyne sweep anaylsers by any other name.
The cons is you need high voltages psu in your preamp, and, if you want to can drive a low impedance line, it will be... a power amp itself, right ?
So your solution still exists in a simple manner: A combo (preamp and amp in the same box) ;-)
The difference is I do not need a huge power transformer in the high-output swing preamp (big transformer is a source of magnetic field interference). It has to drive only input impedance of the power buffer which is placed in a separate case. The improved S/N is the fact.
Ijust leafed through my copy of the November 1925 (yes) Popular Radio and there is no sign of anything looking like FFT.
Although they did praise a new use of photocells to sort cigars by color, and an ad for an 'A-C Dayton Radio - for the Man who believes his Own Ears'.
Not kidding. 😉
Jan
Although they did praise a new use of photocells to sort cigars by color, and an ad for an 'A-C Dayton Radio - for the Man who believes his Own Ears'.
Not kidding. 😉
Jan
Ijust leafed through my copy of the November 1925 (yes) Popular Radio and there is no sign of anything looking like FFT.
Cooley-Tukey was ca. 1965.
Cooley-Tukey was ca. 1965.
I think folks are not differentiating analog (swept spectrum, wave-analyser, etc.) from digital.
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