John Curl's Blowtorch preamplifier part II

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We have found from experience that precision metal film resistors, notably bulk metal and some others, are as good and even subjectively better sonically than wirewound resistors, in general. For serious work, we sometimes use wirewound for power applications. For preamps, notably the CTC Blowtorch, we found that the original Roderstein 1/2W metal film resistors worked very, very, well, and they cost us $0.1 dollars each. Tube equipment might more usefully use fixed wirewound resistors, but not solid state, in general.
 
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Thanks John, I got that. And by the way, thanks for being patient with a beginner. If you guys feel that I'm wasting your time and no longer want to do a little teaching, just say so.

Vishay application note an0003 is being cited in the "Sound of silence" by Burkhard Vogel.

http://www.rironic.com/docs/49414/vse-an00.pdf

They list the following figures:

Bulk metal foil -40 dB
Wirewound -38 dB
Metal film -32 dB to -16 dB
Thick film -18 dB to -10 dB
Carbon composition -12 dB to +6 dB

They refer to this as the "noise index" and is calculated from the current noise according to

dB = 20 log (noise voltage / DC voltage)

where noise voltage is the current noise and is in uV/V.

The Sound of silence book defines the noise index as

NI = 1uV/1V/1decade

and

NI_e = 20 log NI

It can be a bit confusing that others call "current noise" the ratio of excess noise intensity to thermal noise intensity.
 
We have found from experience that precision metal film resistors, notably bulk metal and some others, are as good and even subjectively better sonically than wirewound resistors, in general. For serious work, we sometimes use wirewound for power applications. For preamps, notably the CTC Blowtorch, we found that the original Roderstein 1/2W metal film resistors worked very, very, well, and they cost us $0.1 dollars each. Tube equipment might more usefully use fixed wirewound resistors, but not solid state, in general.

John,

Everyone knows that there is no way a cheap Resita resistor can be as good as an audio grade wirewound. That is just the way it is.

Of course the measurements may be a bit of an eye opener.

I should be able to post them Tuesday, consider it a St Pats day present.
 
There can actually be overlap between the BEST metal film resistors and the WORST wirewound resistors. Crimped connections can be noisy. However, the BEST wirewound resistors will be generally quieter than most metal film resistors, if this is important.
 
John,

Attached are the results from a Mills 5 watt wire-wound resistor, a Holco H4 and a vintage Resista. As the Mills is a 5 watt I would have expected it to have almost 20 db less distortion that the 1/2 watt models.

The Resista results were a bit surprising!

As usual anyone who wish to re-post this image to this thread as a PDF has my permission.
 

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I know you're talking to John, but may ask something? Can you please say what the dB reference level isdBr is?

From these images the best I can infer is that the Holco fundamental is at -85 and H3 is 80 dB lower at -165 dB, the Resista fundamental appears at -94 dB and H3 also about 80 dB lower at 0-174 dB, while the Mills wire-wound fundamental at -120 dB and it's H3 only 33 dB lower, at 153 dB.

So it's no problem to compare with the fundamental at such different values?
 
John,

Attached are the results from a Mills 5 watt wire-wound resistor, a Holco H4 and a vintage Resista. As the Mills is a 5 watt I would have expected it to have almost 20 db less distortion that the 1/2 watt models.

The Resista results were a bit surprising!

As usual anyone who wish to re-post this image to this thread as a PDF has my permission.



Is there a chance to see the test results for other resistors
for example Caddock MK132 ; Vishay102 , or PPR ?
 
The fundamental is at 0db which is 15.81 volts. The spike at 1k is the residual after trimming for the lowest value with a 10 turn 20 ohm equivalent trim pot at the base of the 4 1k resistors in the bridge. Trim balance has some effect on the even order distortions but almost none on the odd orders. The residual changes during the hour or so it takes to get the readings.



if you didn't see this before has my baseline tests are shown a bit before here,

http://www.diyaudio.com/forums/atta...er-part-ii-reference-20resistor-20test-1-.pdf

As to the other resistors, when it all is done it will probably be published.
 
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