Is single ended worth it?

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Sorry, not good enough.

What if the degree of bentness actually has less overall bearing on the utility of the stick for the purpose it is being used than has been ASSUMED ?

What if other properties of the stick have an equal or greater bearing?

Attempting to predict the performance of an amplifier when reproducing recorded music by measuring a few parameters under steady state conditions is like trying to predict the dynamic handling characteristics of a car by measuring the spring rate and compression and rebound damping characteristics of its shock absorbers. You have to drive the ruddy thing. Measure things like chassis flex under cornering.

The methodological approach to which you subscribe is full of assumptions which have not been fully justified. I'll leave it to you to identify them.

This is just a load of sophistry. Plausible sounding but essentially fallacious. Typical audio craziness, an argument to prove bent is straight.

Seriously, do you ever think about the implications of what you write?
 
J Lennon said:
Instant Karma's gonna get you
Gonna knock you right on the head
You better get yourself together
Pretty soon you're gonna be dead
What in the world you thinking of
Laughing in the face of love
What on earth you tryin' to do
It's up to you, yeah you

Instant Karma's gonna get you
Gonna look you right in the face
Better get yourself together darlin'
Join the human race
 
10/10 VladimirK. Go to top of the class.

I have no idea why Sy is feigning ignorance; this topic has been discussed many times before on the forum eg below by Tubelab:

http://www.diyaudio.com/forums/lounge/264298-blameless-standard-tube-amplifiers-5.html#post4114860

He seems to use this technique regularly to further his own agendas

one must be careful not to push analogies too far

Then why did you?

Your second paragraph is not even worthy of reply.

Re para 3: why did you mention single ended; I never alluded to this in my argument which was based purely on generic premises. Polarising to extremes to deflect from the validity of the central argument ?
 
Don't have objective data. Actually, I don't believe any data is purely objective. I believe the
What is your belief based on, some objective data by any chance? :scratch1:
only premises we have that are absolutely true are those which we define, such as 1inch=2.54cm and a biped has two legs. All other premises, except those derived from definitions, are based on imperfect measurements and observations of the outside world and are subject to some degree of doubt.
Once again, strawman argument in an attempt to bolster your preexisting belief (which stems probably from magazine reviews, subjective listening experience, marketing hype, sales pitch, online testimony, audiophile claims) and discredit the established industry standards because they don't pamper your own notion.

I was just saying doubt has to be fairly applied. We have to examine the test method to determine the likelihood of it being flawed. I did mention that it was a double-blind test. Same amp, speakers and CD player. Same level. Same room etc. Only the patch cord between the amp and CD player was swapped, several times.
No instantaneous switching between the cords? There it is, the flawed method I mentioned. You didn't account for the aural memory span which is very short.
Come on man. You gotta give me more than that. I'm not asking for a research project here. Just a few words that will help me to find the link you're referring to.
It seems that you are the type that prefers to be spoon fed. I already provided the link for you. Put some effort in helping yourself, it's good for you.
 
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Attempting to predict the performance of an amplifier when reproducing recorded music by measuring a few parameters under steady state conditions is like trying to predict the dynamic handling characteristics of a car by measuring the spring rate and compression and rebound damping characteristics of its shock absorbers. You have to drive the ruddy thing. Measure things like chassis flex under cornering.

The methodological approach to which you subscribe is full of assumptions which have not been fully justified.
Did you get that from Robert Harley's article or from the ones written by the likes of him?
 
[The ignorance is not feigned- I don't know what you mean by the term "steady state conditions." I'm beginning to wonder if you do. Could you set my mind at peace by simply telling me what you mean by that phrase?/QUOTE]

Sy, you are becoming very tedious, Tubelab defined it quite succinctly in the link I provided. If you still fail to grasp the concept I suggest you use the search function on this forum.

i
 
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A simple example of the "steady state" issue: if feeding the DUT a test signal the PS stabilises into a particular waveform pattern. But when fed music the PS is continuously "destabilising" - the voltage is sagging and rebuilding in a very erratic, and if you look at it on a virtual scope, rather terrifying way. Many would say that PSRR solves everything, but closer examination in simulations, with real world parasitics in all the key places, demonstrates that the electronics are having a very unpleasant time dealing with it all ...
 
This is just a load of sophistry. Plausible sounding but essentially fallacious. Typical audio craziness, an argument to prove bent is straight.

Seriously, do you ever think about the implications of what you write?

Your flippant attitude barely masks your ignorance. Refutation by labelling is a rather puerile and primitive excercise more suited to the schoolyard.

Bent is bent. By stating that I was alluding otherwise you have clearly demonstrated an inabilty or deliberate unwillingness to grasp the basic fundamentals of what I was stating.
 
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Sy, you are becoming very tedious, Tubelab defined it quite succinctly in the link I provided. If you still fail to grasp the concept I suggest you use the search function on this forum.

No, he didn't, and that's not his fault, he wasn't trying to define terms for you, nor did he use the term "steady state." What exactly do you mean by the term "steady state"? Or is it just a mantra and actually has no specific meaning to you? That's OK, too, you just need to be clear about this.
 
No, he didn't, and that's not his fault, he wasn't trying to define terms for you, nor did he use the term "steady state." What exactly do you mean by the term "steady state"? Or is it just a mantra and actually has no specific meaning to you? That's OK, too, you just need to be clear about this.

Tedium ad nauseam. Steady state = static as used by Tubelab. You knew that. Goodbye; I'm going back to my popcorn
 
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sine waves happen to have derivatives of all orders - how "dynamic" do you want?

even the supposition that power interactions are somehow too difficult for "conventional engineering" has a logical problem in that if the load current/test signal sine is relatively prime to the AC mains supply frequency you get plenty complex beats between charging pulses and load

and some want to lump in 2-tone IMD as "too simple" too - now you can get signal envelopes from peak to null of as many seconds, minutes, hours as you can control the 2-tones relative frequencies to
 
A good solution is time domain analysis, but in the real world of expensive test gear they are struggling to be good enough, and to be set up in such a way for a designer to really appreciate what's going on. As an example, I'm playing with an ambitious class AB power amplifier design, which delivers remarkably impressive FFT figures even when highly "stressed" - yet, it is easy to see that crossover distortion is still the Achilles Heel, buried in the noise of those nice FFT displays: a nasty glitch is injected into the output, well within hearing sensitivity range. So what does one take notice of - "quality" FFT results, or a clearly visible artifact in the waveform shape ...?
 
even the supposition that power interactions are somehow too difficult for "conventional engineering" has a logical problem in that if the load current/test signal sine is relatively prime to the AC mains supply frequency you get plenty complex beats between charging pulses and load many seconds, minutes, hours as you can control the 2-tones relative frequencies to
Nothing is "too difficult", but it does have to be taken into account ... if I was asked to really test an amplifier, using conventional techniques, I would stress the power supply while at the same taking "delicate" measurements. As an example, for a unit with single supply and 2 channels, I would increasingly stress one channel, while monitoring the THD, say, of the other channel being fed only a relatively low level signal. The measurement of the latter should not vary one iota doing this, but who would put money on that happening, 😉? My guess is that "good sounding" amps will be those which show least variation doing such a test ...
 
As an example, I'm playing with an ambitious class AB power amplifier design, which delivers remarkably impressive FFT figures even when highly "stressed" - yet...
since discrete time series and the fft are mathematical duals - have exactly the same information content your claim is strictly speaking false

the point of using both views is that human eyeballs on the data in either form can clearly see different features - not that the information isn't there, could be extracted by the right algorithm

and you're supposing a crap ADC/fft system/setup if you can't see "a nasty glitch is injected into the output, well within hearing sensitivity range" in the fft data
 
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Strictly speaking, yes, false ... but who has the ability to translate the FFT "grass" into a time domain behaviour, at a glance?

Both views provide information, but my personal take is that what is very clear in the time domain is the more important, subjectively.

The nasty glitch is not visible by eyeballing the raw waveform, but by subtracting it from the pure input signal: differences everywhere else are in single mV's, but jump to over 100mV at the two crossovers ...
 
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