I don't believe cables make a difference, any input?

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terry j said:


Andys account resonates with me, the fact that the guy didn't know he was under test was a major 'strength' of Andys little test. Of course that does not mean just yet we run out and re-write the textbooks, but interesting.

From both Alans and Andys test, I end up with the same conclusion regarding cables, it's not worth the expense and bother for the (at best) limited and subtle 'gains' that may be gotten.

I guess that after the first couple of times we both knew we were under test. It was sort of a game where neither of us knew if or when the other had changed the cables.

Gees we must have been geeks !!!!

But he was always able to tell which cables were being used. I could only do it on certain tracks.

Certainly I agree with your second statement. iirc, only one of the cables was "expensive", and it wasn't the one either of us preferred.
 
AJinFLA said:

Ok, back to the thread topic.
Andy
Andre
Rabbitz
Analog SA
etc, etc.
You claim to be able to "hear" differences in cables that measure the same.
Please post the measured L, C and R of any 2 cables you have compared against each other, in your systems, in your home.
Or post the excuse(s) why you can't/won't. That will also provide an answer.
We'll worry about output/input impedance, etc. later.
Gentlemen?

cheers,

AJ

Firstly, I did not mention hearing differences in cables that measure the same..... where did that come from? My comments referred to the differences in the sound of speaker cables in general.

All these are for a 1m length.

Cable 1: 0R015, 43pF, 0.51uH
Cable 2: 0R007, 53pF, 0.4uH
Cable 3: 0R012, 1500pF, 0.03uH
Cable 4: 0R041, 312pF, 0.65uH
 
rabbitz said:
When someone alters the colour balance on the TV, do I need an instrument to tell me?
If a seafood meal is off and tastes like crap, do I need and instrument to tell me?
If the meal is too hot, do I need an instrument to tell me?
If the dog farts in the room, do I need an instrument to tell me?

The five senses you have been "blessed" with are not infinite, they all have limits as to what they can tell you. And they can be fooled, so you can't always trust them especially when they are reaching their limits.
Your examples above are takings things too far. You can trust your imperfect eyes to drive a car fly a plane etc etc. But in low light critical situations accidents happen. Likewise you can also trust your imperfect ears for normal hearing, but listening for cable differences is not normal hearing, you are in the zone where mistakes are made.
A wise man will rely on his Instruments when landing in the fog.
cheers
 
terry j said:
The business about hearing subtle transient clues on certain types of music, well if you only listen to close miked simple acoustic jazz or something, well OK maybe.

But it seems equally logical to me that one cable that might show a difference on light acoustic folk music could be equally 'flawed' and mask stuff on deathmetal for example.

So unless you have a range of cables each specified for a specific genre......

I sort of disagree with you, to me cables are usefull to "tune" a system, eg. some systems can sound more harsch, so you can use cables that make it sound better.

I've found that a good setup sound good with any music but I believe the effort is perhaps only worthwhile when you like to listen to acoustical music.
 
Andre Visser said:


I sort of disagree with you, to me cables are usefull to "tune" a system, eg. some systems can sound more harsch, so you can use cables that make it sound better.

I've found that a good setup sound good with any music but I believe the effort is perhaps only worthwhile when you like to listen to acoustical music.

hi andre, well I sorta disagree with that. However I do admit I haven't personally tried different cables, so yes from that viewpoint you're one up on me.

My point is that I really don't feel there is a lot of difference (given good enough cables), and Alan kinda found that out for himself.

Besides, this is a DIY loudspeaker forum, we are surely able to
get the system right so that we aren't forced to resort to such crude tuning techniques?

looking forward to the wallabies v the boks heh heh
 
terry j said:
Besides, this is a DIY loudspeaker forum, we are surely able to
get the system right so that we aren't forced to resort to such crude tuning techniques?

looking forward to the wallabies v the boks heh heh

Yes luckily we can tune everything but for the other, sometimes they have to rely on the crude ways. 😀

To me good cables are like using high quality capacitors in the crossovers, in the end all the little bits make a big difference.

Can't wait for that match, if only we can get to a point to get politics out of our sport. 😉

André
 
Andre Visser said:


Ravon, I mostly use well recorded acoustic guitar and drumset with cymbals and bells type of stuff.

I will leave the cables for you, see what you can get. Wish I could organise you something from Ecosse in Scotland.

I suggest something like two recordings (same track) from 3 different cables and see if I can match them. Make sure your you have a CORRECT record of which cables are used for each track. 😀 😀 😀

André

Let's start with proving the existence of audible differences by just listening to the recordings. An ABX test report with a repetitive significant score (something like 11 right out of 12 trials and that in a couple of test sessions) would prove that you're able to hear a difference. My experience is that once a difference is clearly identified it is easy to get a 100% score.

How long do you want each recordings to be?

And what source will you be using to play the 24/96 files with?
 
Alan Hope said:

...It was hard. I now identify with those who commented that what seemed clear differences are suddenly not under blinded conditions. I tried hard to relax into my normal listening mode, and focus alternatively on the overall sound, then on specific aspects.

My subjectivist views have taken a bit of a knock tonight!

Well done for going ahead with it, brave man to report, and especially kudos for reconsidering your prior views.

Personally I think I would have done the same as you -- filed the result away for mental musing. The odds of tossing a coin 20 times and getting 15 heads are not *that* bad (someone will fill in the facts). Doing it 1000 times and getting 750 heads would be *very* interesting. (Not suggesting that!)

Are you able to provide L, C, R measurements for the 2 cable pairs (L & R) including end connectors?
 
ravon said:
Let's start with proving the existence of audible differences by just listening to the recordings. An ABX test report with a repetitive significant score (something like 11 right out of 12 trials and that in a couple of test sessions) would prove that you're able to hear a difference. My experience is that once a difference is clearly identified it is easy to get a 100% score.

How long do you want each recordings to be?

And what source will you be using to play the 24/96 files with?

I should be able to organise an EMMLabs CD player for the test, mine can only play 16/44, unless you want to try both.

If you just want to give it a try first, perhaps you can choose one track that sound good and record it with a couple of different cables. Let's see if I can hear it first.

André
 
rabbitz said:


Firstly, I did not mention hearing differences in cables that measure the same..... where did that come from? My comments referred to the differences in the sound of speaker cables in general.

All these are for a 1m length.

Cable 1: 0R015, 43pF, 0.51uH
Cable 2: 0R007, 53pF, 0.4uH
Cable 3: 0R012, 1500pF, 0.03uH
Cable 4: 0R041, 312pF, 0.65uH

There is something very wrong with the specs on cable 4, wires by themselves cannot do that.

Cable 3 is also a bit off.

Cheers, John
 
tnargs said:


Well done for going ahead with it, brave man to report, and especially kudos for reconsidering your prior views.

Personally I think I would have done the same as you -- filed the result away for mental musing. The odds of tossing a coin 20 times and getting 15 heads are not *that* bad (someone will fill in the facts). Doing it 1000 times and getting 750 heads would be *very* interesting. (Not suggesting that!)

Are you able to provide L, C, R measurements for the 2 cable pairs (L & R) including end connectors?

The result was statistically significant (p<0.05). It was NOT a null result. I did not expect the negative result - but perhaps having got the first cable wrong, the rest followed ... I don't want to milk the results.

I have a multimeter so will try measuring LCRs.
 
Alan Hope said:


The result was statistically significant (p<0.05). It was NOT a null result.

Are you sure? If I force PCABX into a result of 5 out of 20 trials it responds with a 100% chance of guessing. 100% seems strange. When I lookup the p value in the spreadsheet which can be downloaded here: http://www.kikeg.arrakis.es/winabx/bino_dist.zip, the chance that you were guessing appears to be 98,5%.

Am I overlooking something?
 
ravon said:


Are you sure? If I force PCABX into a result of 5 out of 20 trials it responds with a 100% chance of guessing. 100% seems strange. When I lookup the p value in the spreadsheet which can be downloaded here: http://www.kikeg.arrakis.es/winabx/bino_dist.zip, the chance that you were guessing appears to be 98,5%.

Am I overlooking something?

100% guessing, 98,5% guessing??
Bit of a software problem there methinks.
pcabx site is down.
Try here wikipedia p value entry
 
Its such an odd result.. its seems to indicate you might have been recognising a difference but the wrong way around.

that might indicate you were listening for the wrong cues, why is anybody's guess, but maybe when listening sighted you had an expectation of a particular difference, but they were actually the other way around. dunno !!!

anyway, bet its going to bug you for a while :devilr:
 
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