How better is a Turntable compared to a CD?

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ts a fact that people hear different sounds when presented with the same audio stimulus, depending on what visual stimulus they receive. Its not the person's opinion as to whether they hear one or another sound.

Your making my point. So if they think they hear a fire flare up when its actually a lion roar, its a fact that the sound is a fire? No its their opinion that its a fire, the fact is its a roar.Your logic dosnt add up.
 
vinyl playback systems as well as the software have improved considerably over what they were in the...

Amusingly enough, for a large part thanks to 'digital'.
Back when, i had parts for a DIY Verdier turntable made at a specialist machine shop, use of megabuck CNC machinery at inter-corporate rate, fifty bucks for cigs and beer.
Nowadays, high accuracy sensors and CNC have become so affordable that top notch turntables can be manufactured at much reduced cost.
Not to mention the calculating wonders a $500 desktop can do, compared to 15-20 years ago and a thousand or so more (even an idiot can write in visual-b).
 
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Your making my point. So if they think they hear a fire flare up when its actually a lion roar, its a fact that the sound is a fire? No its their opinion that its a fire, the fact is its a roar.Your logic dosnt add up.

What doesn't add up to me is your continued mis-use of language. You haven't understood so I have no more to say on this particular topic 🙂 I take it you didn't seek out the vid.
 
What doesn't add up to me is your continued mis-use of language.

This is a arguement? Running out of intelligent things to say? If your the only one who dosnt understand me thats your problem, if anyone else would like moer detail or clarification, I will be happy to give it.

I take it you didn't seek out the vid.

Yes. I saw it. Ive been designing and editing sound effects for video for almost 20 years, its one of the first things you learn. The fire example. Very little to do with this discussion. Its mumbo jumbo introduced to side track, and then you leave? Thanks for adding nothing to this discussion. And again your opinion like mine is irelavant, thats why I try to stay away from opinions.
 
Be careful about using the term "reality". Have a look at this article on the brain & it's perception of reality - it seems to be time-delayed!

"In the early days of television, Eagleman told me, broadcasters noticed a similar phenomenon. Their engineers went to a great deal of trouble to synchronize sound and image, but it soon became clear that perfectionism was pointless. As long as the delay was less than a hundred milliseconds, no one noticed it"

Because of differences in the speed of signals reaching the brain from various senses & the different processing paths that the signals must undergo, The brain seems to do a holding type operation (& editorialising) before presenting it or as he says "Reality is a tape-delayed broadcast, carefully censored before it reaches us."

"“Living in the past may seem like a disadvantage, but it’s a cost that the brain is willing to pay,” Eagleman said. “It’s trying to put together the best possible story about what’s going on in the world, and that takes time.”
 
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if anyone else would like moer detail or clarification, I will be happy to give it.

OK, I'm willing to give it another go. Why do you continue to say 'if they think they hear' when I'm talking about what people hear, not what people think they hear?


And again your opinion like mine is irelavant, thats why I try to stay away from opinions.

There is no try - either do, or do not. You've been doing the latter 😀 If I've introduced an opinion somewhere I agree it would be irrelevant. Now why did you introduce an imaginary opinion of mine in an earlier post?
 
Thats what Ive been trying to say. But thats very hard to test so what you get is opinions that its more real: "the soundstage is wider on the LP so its more real" but they have no idea how wide the real soundstage was.

Of course you object to it because you see its 'just opinion'. But that perception of yours that its 'just opinion' is a mis-perception. Hence why I mentioned the McGurk effect.
 
In the early days of television, Eagleman told me, broadcasters noticed a similar phenomenon. Their engineers went to a great deal of trouble to synchronize sound and image, but it soon became clear that perfectionism was pointless. As long as the delay was less than a hundred milliseconds, no one noticed it"

Dont know if I agree with that one. People are used to a delay in real life ( 1ms per foot) but 100ms is about 3 frames and thats getting up there. People are very in tune to dialogue and that much delay gets noticeable (we hear "somethings funny" with the sync from even green TV show producers). And if the sound is slightly before the picture (a frame or two) the brain gets confused, we use this sometimes to increase tension. Maybe in the early days people weren't as intune to this as now. Most trained people can tell when dialogue or hard effects are out 1 frame (24 to 30 ms) and we move sounds a frame or two all the time. Try it yourself sometimes. And as far as the perception delay, the brain must time align sight and hearing so they seem together, but it must be a constant delay so stuff that comes in out of sync stays out of sync when hits the brain.
 
when I'm talking about what people hear, not what people think they hear?

Can you tell me how you know what they hear, you can only know what they think they hear. (again if they tell you they heard dad when the person was saying bad the real sound was bad, what they heard isnt real, even if they think its real. Some people think they hear Jesus talking to them, so then its real?)

And again your opinion like mine is irelavant, thats why I try to stay away from opinions.
There is no try - either do, or do not. You've been doing the latter

Sorry I'm not trying to single any one out. The "Then so is your opinion that LPs "sound better". was supposed to be generic response.
Show me one opinion that Ive had.
 
Can you tell me how you know what they hear, you can only know what they think they hear.

Well of course I don't know at the start - that's the process of science, to reach knowledge. So its reasonable as a working hypothesis that they do indeed hear what they say they hear. The alternative would be that they're lying and we'd need strong evidence to go with that.

Sorry I can't see how 'you can only know what they think they hear' - please explain that claim and what you're basing it on.

(again if they tell you they heard dad when the person was saying bad the real sound was bad, what they heard isnt real, even if they think its real.

If they don't offer a description for the sound they hear then its opinion yes. So saying 'this sounds bad' is most certainly opinion and I would agree with you.

Some people think they hear Jesus talking to them, so then its real?)

To them, yes. So then if you're a therapist you accept it as real in the first instance and see where it leads. I take it you've not done any therapeutic training yourself?

Sorry I'm not trying to single any one out.

You replied to something I wrote - you quoted my words. You claimed to rebut it based on your opinion that my opinion is that LPs sound better. How is that generic?
 
And if your like me and believe the repro chain should not add or take away anything, so you can hear as close as possible what the recording engineer/producers/musicians heard in the mix, including the distortions they add (processing) (this is what they want too). If you were to look at a reproduction of a Picasso wouldnt you want the colors as close as possible to the original or heavy on the red because you prefer reds? . IMHO Accurate is more important than a subjective "GOOD". Pano, dont you want people to hear your recordings the way you intended? I am starting to think I am the exception among audiophiles, not the norm.

If on the other hand, you want it to sound the way you want it to sound, knock yourself out and add all the distortions you want, just dont try to tell others that it is better.
That is the best post in this thread for a while. 😀 Yes, you are among the minority. In general, the current definition of an audiophile is someone who wants the luxury of self indulgence that goes with the freedom to interchange components at home and genuinely believe that their listening impressions from such uncontrolled tests are caused by (and form a reasonable judgement of) the sound waves reaching their ears. :usd:

However, the following observation should be made in this context: better measurements sometimes correlate 1 to 1 with more pleasing sound. This has been demonstrated for distortion above a certain threshold and frequency response, just to mention two. But not for some other parameters, such as phase shift for example. A 24dB/octave crossover can sound very well, in spite of a 360 degree phase shift in the crossover region.

So, in order to make something sound more pleasing, it is sometimes warrented to optimize a number well defined technical parameters, making the contraption 'better' in an objective sense. And some technical parameters, such as phase shift, can be safely kept below what would be possible to achieve, in a trade off for things that make it sound better. For example, in order to stay away from driver break up, I gladly have some less phase linearity by using steeper filters to prevent that.

Now, it is my honest opinion that LP does not give anything in return for the technical deficiencies it has as compared to CD, but in a well implemented set-up the can both sound great. So, it is in the end probably all below the perception threshold, and other factors come into play.
Very nice, agree totally. I always say it is a miracle of engineering that good LP sounds as great as it does, given that it is based on dragging a rock along a plastic gutter. Its failings are instantly audible and do detract from the musical enjoyment, but not nearly as much as problems in the studio. LP plus good studio work far surpasses CD plus ordinary studio work.

Some people seem to think that digital has some ultra-realism & leading edge attack, sometimes lapsing into digital edginess. They assume this to be a characteristic of the extra detail that digital has. This is missing to a large extent in vinyl replay & there is a smoothness to the sound. In fact, I'm convinced for a number of reasons, that this ultra-realism is in fact the distortion of jitter & when jitter is reduced the sound becomes much smoother & more analogue-like without any loss of detail but with no ultra-realism or edginess....
If there was the slightest evidence that people in controlled tests can distinguish a digital copy from an analogue master, this would be worth pursuing. But there isn't, so it isn't. 🙂

It's the opposite argument that I find most fun to read: that LP is adding magic goo to the sound that makes it sound better than digital, better than analog or digital masters, possibly even better than live music (although most LP fanatics stop short of this final claim unless they get particularly excited).

Most digital systems seem to have near 'blameless' specs for noise and distortion. Can jitter be a problem if the specs are so good? Is there something especially offensive about jitter noise/distortion that makes it a problem even at extremely low levels?
Thoroughly tested. Answer is no.

In a way that cuts to the heart of this thread - how can something sound bad if it measures well. Two options: we're measuring the wrong things or it doesn't sound bad, it's an illusion.

The opposite is also stated - how can something sound good & measure bad. Again - wrong measurements or illusion.

A possible approach to answering this might well be pyshoacoustics. Make our measurements more focussed on what's important to the known model of the ear - that way we might actually be able to correlate what could sound good from a set of measurements! Let's face it, measurements of linearity haven't really gotten us very far as to what something might sound like?

Primarily illusion. The arguments about measuring the wrong things these days are mainly focused on loudspeakers, not electronica.
 
Let's see then - the list is ticked off
- digital is "blameless" & is indistinguishable from the master - check
- electronics are pretty much perfect - only speakers left to investigate - check
- everything else is just an illusion - check
- analogue's failings are instantly recognisable & therefore must be distinguishable from the master - check

Can I come over to your house for some of that perfect sound - I would love to experience it or else I could get some of that absolute surety potion that you have drunk of deeply?
 
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