Double Chamber Reflex (Silver Flute W17RC + Seas 17TDFC)

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You're welcomed. Hope it helps in a deeper understanding of this type of loading.

Output wise, the DCR is more like a normal BR than a bandpass.

Think of a DCR as a BR but with another resonance that is about 2x higher up. For example, if you tune your DCR for say 50Hz (-3dB), you will get another resonance at 100Hz.

It is this 2nd resonance that the DCR has an advantage. Since the resonance adds 3dB, you will get a 3dB bass boost at 100Hz if the response was initially flat at 0dB. This gives the upper bass more "punch". Instead of using a graphic eq to boost bass at 100Hz, the DCR does it acoustically.
 
well i built the crossovers and installed the drivers in the old Parts Express BR-1 cabinets......

the xovers were kinda big so i built them externally.....

the sound is wonderful, i do use a subwoofer but i expected that with the smallish cabinets.

thanks much Michael Chua for this fine xover design.
 

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Hi mdynac

Glad you like the sound. With the right driver and an optimized crossover, there would not be any "harshness" or excessive sibilance. You should be able to make out good and bad recordings.

How are you running your new BR1 with your sub? Does your sub have a plate amp and adjustable crossover?
 
the br-1 is powered by an Adcom GFA-535 and i use the speaker level inputs on the plate amp.....

probably not the best way to do it, but it was the quickest....and i have yet to come up with a way to add an output to my preamp for the sub....without screwing up the sound.
 
In the event if your tube pre has difficulty driving the Adcom and Plate amp, you can use a Buffer before the Plate amp. This can easily be constructed with an opamp on a perf board. If it poses no problems, omit the buffer and connect the pre out to the Adcom and Line in of the Plate. Simply use a "Y" connector.

To integrate the BR1 to your Decware Sub, install a High Pass for the Silver Flute. A 2nd order Butterworth at 125Hz should do. Components 100uF + 12.5mH (use iron core, much cheaper).

Set Plate amp crossover to 125Hz. To check for correct polarity, flip the polarity switch on your plate amp. If there is no "polarity switch", you will need to connect the + wire to the woofer "minus" terminal and - wire to "plus". This will reverse the phase by 180 degrees. The difference is audible. You should get distinct upper bass or missing upper bass.

With these changes, your sub should integrate properly. Whether your sub has definition is a separate matter. Some are loud but boomy while others have definition. I have never owned a Decware sub before, so can't really comment. In case if there's boominess, its not the room. It is the woofer itself. Woofers with very good control are the ones that has define bass.
 
thanks for the info.....

i am only using the plate amp cause it was cheap......

its a TDA7294 build by Dayton.


i'm still not sure i like the single sub approach, and i especially don't like the current setup....thuis was just my first incarnation into the world of subwoofers....

the decware sub box was just a cool project to build while i was at my dad's wood shop one summer.....

i am still researching for a better sub setup....preferably one for each channel....

i will whip up a circuit this week to split the output of the preamp.....
 
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T/S measurements done with LMS (20g Delta Mass). As can be seen, they are quite different from the manufacturer's specs.

In the box modeling, the black plot is how the response looks like when tuned to 37Hz in a BR of 40L. In a DCR, there will be a bass boost at F1 (37Hz) and F3 (80Hz). F3 is the port of the smaller chamber. F1 is in the bigger chamber where the woofer and tweeter are located.

There is another port, F2 (42Hz), that connects the 2 chamber within.

More information on Double Chamber Reflex can be found at:
Claudio Negro's home page

Would the woofers I have be more likely to be closer to your specs or manufactured specs?
 
Yeah they are really cool - don't know it they will ever be a sub, but getting really nice mid bass punch out of them.



The Silver Flute W17RC is a nice woofer. Very reasonably priced and generally good performance. Flat response until some cone breakup which is not too drastic. I don't think there are any other 6-1/2 that has similar response at this kind of price.
 

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My SF W17 is the shielded version. It seems they don't sell them anymore. Only the unshielded version is available. If yours is unshielded, I'm not sure whether my T/S are similar.

However, if you're planning to use the shielded W17 for this DCR, the T/S don't matter. The measurements have already been made unless you want to redesign the enclosure.
 
hi,

first off, kewl project....

i too have a set of the silver flute 6.5" 8 ohm

i have them in a set of Parts Express BR-1S (99 bucks, could not pass it up!!!) i took the shielded woofer out and put in the SF with a new crossover 3500 hz 1st order. the cabinet is like 15 liters, i plugged the port with a sock....

sounds wonderful, at least the woofer does, and yes it needs a sub.


how did you decide on the tweeter?? and what are you planning for a crossover? i am tweeter hunting right now and your input would be appreciated.


i think the silver flutes have potential.


Hello I think I can help you with the tweeter on your silver flutes. I built a two 10 years ago using the same woofer anda Seas tweeter with a 6 DB crossover on the woofers and a 12 DB crossover on the tweeters. The tweeter I used is no longer made but, Madisound gave me the replacment model number. I used the Seas 27TDFC (H1189) tweeter very nice with Audiocaps out thru the crossovers. Hopes this helps and sorry for being so late on this subject posting. Mr. Daniel
 
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