DIY Front End 2022

Going back to Nelson's description on Page 1. and looking at the distortion versus output voltage curve..

How does the gain chosen change the curve shape?
For example, does the shape remain the same and the curve move `down and to the left' at lower gain and is there anything you can do to stave off the dramatic rise in distortion with higher voltage output aside from paralleling multiple devices?

and

My understanding is that the devices that form the differential amplifier have to be matched, but a pair of devices within an individual `dual' like the LSK389 are intrinsically matched (or at least similar enough). My question is; if you parallel two (or more) dual devices in a LTP, so that `one half' of each critter is on either side of the LTP, then do you need do you need to match all the devices together or is it enough that there is a match left to right across both legs of the differential amplifier? i.e. can you parallel up multiple duals to reduce distortion without matching?

I appreciate I am asking to be spoon fed and there will be those whose kneejerk reaction might be to say `go build it and come back and let us know', but I am hoping someone feels the urge to partake in a teaching moment for their own joy and knowing that it is appreciated. I will further say that I miss the earlier descriptive essays that Nelson posted with every new gift of inspiration and ideas. I am limited to `cutting and pasting' and `slinging solder' and although there is a joy to be had in listening to something you have built, there is greater fascination (for me), in the conceptual arguments that underscore each new topology. But baby steps...
 
Yep, you'll have to match 'em if paralleling. The testing I did on my LSK389 showed good match between the dual sides. None of the 6 I have mated well device to device though.

As expensive as the K389's are, you might look at paralleling 2SK2145 (like Zen Mod famously does). You can get qty 100 for $46.

Lots of work testing those little buggers, but kind of fun too. You have to watch the each side of the dual match too, they don't always match.

Too bad the store doesn't sell octets of LSK170s. That way a builder could buy a set for each channel and just solder in... that would lower distortion!
 
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BeardyWan- I tried to fix the scaling on the article to better see the difference side by side in distortion between a gain of 10 and unity gain. There you more easily see the effect of increasing the negative feedback.
 

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I've never paid any attention to the tin/lead or lead/free packaging of resistors when ordering redidtors.
So, I've probably got a mix of both on my previous Pass builds. Now I'm concerned about this as I use
lead based solder. Just what might happen to my previous builds?
 
Danged Greedy B-words snapping up all the DIY FE 2022 Kits from the store in under 12 hours. 😳

So I went ahead and laid out a version for myself so as to use some LSK389's I already have on-hand. Gives me more practice using KiCAD.
I just used Pa's PCB component arrangement, plopped the LSK389 in the middle and routed to my liking.

I may be a Copy Cat, but at least I'm not a Greedy B-word. :rofl:

I guess I won't be getting a Holiday card from Cinco this year...🙁
 
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The best result at any gain level will be a quad of tightly matched K170's. I did that in my example at post #451. But that shouldn't stop anyone from building the FE '22 as it comes from the DiyAudio store (with the J113's), in my opinion. It will still sound great.
 
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Here is my preliminary board layout. (Lots of checks yet to do!) This adds a MOSFET follower and has other mods to keep parts within their ratings. (This is to increase output to be able to drive a SIT OS, or other such options.) Alternately, a few jumpers and tack soldering a KSA992 onto this Q2 SMD footprint should allow the standard NP circuit to be built on same layout. No alternate footprints deemed necessary.

4-layer board stack:
1. Top (red traces)
2. GND plane (green)
3. Various pours including a thermal pad for Q2 as overkill (brown)
4. Bottom (blue or light traces)

TO-220 heat sinks are shown by the large rectangular outlines. One may be blocking a mounting hole access. Thinking that one over. The heatsinks maybe are not needed anyway.

Two interesting design options:
A. When testing my buffer, I realized it might be interesting to leave it outside the feedback loop. Zero ohm jumpers leave that option open.
B. Around the same time, I wondered what the effect of having a second J113 in the follower circuit might be, where the signal path mirrors the cascade current source. (See dwg here.) I tested and found it increased THD by almost 10x, from <0.01% to something approaching 0.1%. However, it was almost purely 2nd harmonic. I decided to leave that selectable via zero ohm jumper. (@Mark Johnson, I kept the 1 ohm set resistor, if for no other reason than easy current monitoring.)
IMG_2570.png


Comments, especially on using an extra JFET in the follower stage, would be most welcome.
 

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Nelson has tried both and there are 6dB difference in between, as he posted earlier.
What you can or cannot hear I cannot judge.
There are people with golden ears.

And yes, we can tell the difference between a UDNeSS with J13 from one with dual 2SK209's.

But if distortion is unimportant, wouldn't the early ZEN versions be your favourite amp ?


Cheers,
Patrick