Discrete opamp RIAA preamps

Hi guys, (not sure it's the right forum)

i'm looking into building myself a new phono preamp, i'm in a recording studio environement and i'm looking for transformer balanced outputs circuits.

I often build mic preamps using discrete opamps like the Api 2520 and John Hardy's 990c, they are still very often used in studios for their sound and drive abilities.

The schematic are out there for phono preamps but i find very little info on people who have used or build them.

See attached pictures of a phono pre based around the Api 2520 and 990c opamps.


Has anybody has experience with them or what do you think of the topologies?

thanks,
John
 

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Thanks guys! i wasn't aware it was a Lipschitz, i will read more on it.


here's the spec on the api https://www.steampoweredradio.com/pdf/api/manuals/api 1972 schematics.pdf

It says gain greater than 110db dc, gain bandwidth product 55mhz. not sure how it applies here.

very interesting tho, i might try it.

Do you guys see any disadvantage on using this topology? Or i should look at other designs with passive riaa network instead and adding a transformer balanced output?
 
That's a neat discrete opamp, would be absolutely worth trying. The trafo output is worth the effort if you are wanting to integrate it into your recording chain.

Alternatively, for balanced output, you can look into the excellent THAT 1646 or TI DRV134 series of balanced line drivers.
 
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Have you tried a transient analysis? Is the op-amp just a controlled source with high gain?

I think it should blow up in a transient analysis, even if the op-amp is just an ideal controlled source. With an ideal controlled source and no reactive elements in the feedback (hence no poles to move into the right half plane), it might even work in a transient run.
 
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