Hi,
I have been looking at the Accuphase amplifier design, and reading chapter 9 of http://focus.ti.com/lit/an/slod006b/slod006b.pdf
CFA's disadvantages:-
-poor precision
-poor common mode rejection (due to mismatched input impedances)
-poor powersupply rejection
-difficult to apply (stray capacitance..)
CFA's advantages:-
-high slew rate
-wide bandwidth
Has anyone listened to an amplifier that uses current feedback in the design?
Do the advantages of increased slew rate, and bandwidth outweigh the disadvantages ?
I have been looking at the Accuphase amplifier design, and reading chapter 9 of http://focus.ti.com/lit/an/slod006b/slod006b.pdf
CFA's disadvantages:-
-poor precision
-poor common mode rejection (due to mismatched input impedances)
-poor powersupply rejection
-difficult to apply (stray capacitance..)
CFA's advantages:-
-high slew rate
-wide bandwidth
Has anyone listened to an amplifier that uses current feedback in the design?
Do the advantages of increased slew rate, and bandwidth outweigh the disadvantages ?
a few people seem to like the JLH amp
also TI's own TPA6120 datasheet appears to show superior audio performance #
also TI's own TPA6120 datasheet appears to show superior audio performance #
You can answer your own question. What slew rate and bandwidth do you require? Then make two designs that meet this, look at the other critical aspects and choose the better one.Do the advantages of increased slew rate, and bandwidth outweigh the disadvantages ?
The topology doesn't really define anything...it just creates a different set of problems to solve. You might ask which feedback method is "easiest" to achieve necessary performance. But again the answer depends on the skill of the designer. Same with FETs, valves, bipolars and so on.
DartZeel's core voltage magnification is CFB, and it's the component of the year 😀 Confusing, me too.....
There already were some discussions at DiyAudio about the so called "current feedback" . You may have a look to them. You'll learn that it's an inadequatly named technique and that nothing can make the mathematical difference between between a voltage and a current.
Dartzeel : component of the year ? Ever seen the schematics ?
Probably the worst I ever saw. Overwhelming.
Dartzeel : component of the year ? Ever seen the schematics ?
Probably the worst I ever saw. Overwhelming.
Excellent preamp or power amp can be designed based on current feedback topology. The only necessary condition is a competent designer.
forr said:There already were some discussions at DiyAudio about the so called "current feedback" . You may have a look to them. You'll learn that it's an inadequatly named technique and that nothing can make the mathematical difference between between a voltage and a current.
I would respectfully disagree. Don't look at DIY discussions
(like here: http://www.diyaudio.com/forums/showthread.php?s=&threadid=36563&highlight= ),
but better at Kester's, Jung's and Mancini's papers, articles and books.
ash_dac said:
CFA's disadvantages:-
-poor precision
What do you mean? Offset? Distortion? I don't think (mis-called) cfb has any inborn limitation to distortion figures. It can be higher or lower than typical vfb. Offset can be higher though.
It does not very much matter in typical audio applications.-poor common mode rejection (due to mismatched input impedances)
-poor powersupply rejection
I don't think so. It rather depends.
-difficult to apply (stray capacitance..)
I don't understand. Can you say something more?
-high slew rate
-wide bandwidth
Chose of differential stage being 'voltage' or 'current' type does not limit slew and bandwidth of audio circuits. You can get more than enough using both. For video, measurements, yes, cfb op-amps can have better slew rate (several kV/us) and ultra low settling times.
I use a version of current feedback of low feedback factor and am satisfied with results, both from engineer and listener point of view.
best regards
Adam
Nelson Pass's Aleph (and XA) designs use current feedback.
People rant and complain about current feedback. It can be done and done well. It can also be done poorly...like most everything.
Grey
People rant and complain about current feedback. It can be done and done well. It can also be done poorly...like most everything.
Grey
ash_dac said:Do the advantages of increased slew rate, and bandwidth outweigh the disadvantages ?
No.
PMA said:
I would respectfully disagree. Don't look at DIY discussions
(like here: http://www.diyaudio.com/forums/showthread.php?s=&threadid=36563&highlight= ),
but better at Kester's, Jung's and Mancini's papers, articles and books.
I would respectfully disagree.
poobah said:Current feedback is often the only available means when very high speeds are concerned.
🙄
No.
People rant and complain about current feedback. It can be done and done well. It can also be done poorly...like most everything.
Agree.

Current-feedback amp:
Look at the ADI (formerly PMI formerly SSM) ap-note by Mark Alexander on a current-feedback amp. There are two versions, one with Toshiba IGBTs for output transistors and one with power MOSFETS. Otherwise, they are essentially identical. Skip the idea of IGBTs -- the particular devices are history and IGBTS are eminently UNsuitable for audio.
The Alexander design solves the "precision" problem with a very novel servo. Specs are pretty first rate. I don't know about "sound" as I've never heard it, but it's on my list of topologies to play with when I get the time.
Try it. You might like it. Or then, you might not. But be careful about drawing any conclusions about goodness based on topology or a particular implementation of a topology. I've heard a number of people who are very happy with the B-B INA103 as a phone preamp or mic preamp -- it has a CFB input stage.
As this thread demonstrates, the audio world is full of many people with opinions.
Look at the ADI (formerly PMI formerly SSM) ap-note by Mark Alexander on a current-feedback amp. There are two versions, one with Toshiba IGBTs for output transistors and one with power MOSFETS. Otherwise, they are essentially identical. Skip the idea of IGBTs -- the particular devices are history and IGBTS are eminently UNsuitable for audio.
The Alexander design solves the "precision" problem with a very novel servo. Specs are pretty first rate. I don't know about "sound" as I've never heard it, but it's on my list of topologies to play with when I get the time.
Try it. You might like it. Or then, you might not. But be careful about drawing any conclusions about goodness based on topology or a particular implementation of a topology. I've heard a number of people who are very happy with the B-B INA103 as a phone preamp or mic preamp -- it has a CFB input stage.
As this thread demonstrates, the audio world is full of many people with opinions.
mikeks said:
I would respectfully disagree.
How many of them have you built, measured and worked with?
Mikeks, if you are going to post purely negatively, with absolutely no contribution to a debate, then please don't bother posting at all.
Re: Re: Current feedback - not suitable for audio ?
http://www.intersil.com/data/wp/wp0588.pdf
http://focus.ti.com/lit/an/slod006b/slod006b.pdf
I read chapter 8, and 9 of op-amps for everyone.
Ok so a dc servo is added for precision in power amplifier designs. I guess precision can be taken off the list. 🙂
This only leaves the layout issue to overcome in a current feedback power amplifier. As others have stated this requires a competent engineer.
How does your CFB amplifier sound ? (I would expect fantastic high frequency performance 🙂 )
Is soundstage related to precision ?
darkfenriz said:
-difficult to apply (stray capacitance..)
I don't understand. Can you say something more?
I use a version of current feedback of low feedback factor and am satisfied with results, both from engineer and listener point of view.
best regards
Adam
http://www.intersil.com/data/wp/wp0588.pdf
http://focus.ti.com/lit/an/slod006b/slod006b.pdf
I read chapter 8, and 9 of op-amps for everyone.
Ok so a dc servo is added for precision in power amplifier designs. I guess precision can be taken off the list. 🙂
This only leaves the layout issue to overcome in a current feedback power amplifier. As others have stated this requires a competent engineer.
How does your CFB amplifier sound ? (I would expect fantastic high frequency performance 🙂 )
Is soundstage related to precision ?
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