• WARNING: Tube/Valve amplifiers use potentially LETHAL HIGH VOLTAGES.
    Building, troubleshooting and testing of these amplifiers should only be
    performed by someone who is thoroughly familiar with
    the safety precautions around high voltages.

Cathode Follower, again

Plan a Mono or Stereo System, that is put together by connecting many individual components . . .

In order to get an idea of how well a complete system might perform, it is very helpful to find full specifications, or measure the specifications of inputs and outputs (measuring is more easily said than done).

Electronics:
Phono preamps, preamps, power amps.
Inputs: Voltage drive that is needed, input impedance (at least know the DC resistance, it is also helpful to know the input capacitance too). Gain.
Outputs: Output Voltage, output impedance; Gain; Output Power, Output tap ratings (nominal tap rating like 4, 8; damping factor).

Phono cartridges: Voltage out; required load impedance (minimum / maximum)
CD players, Tuners, TV audio out, etc.: Voltage out, load impedance minimum

RCA phono cables: capacitance

Loudspeakers: Nominal and minimum impedance; Efficiency dB at 1 Watt at 1 Meter.

Room Size and treatment: Will it swallow up most of the sound or not?

Without proper planning, the system may not perform to your liking.
With proper planning, the system may, or may not, perform to your liking.
Or, just put lots of products together, they might be synergistic, and to your liking (if so, go and gamble, your luck is on the rise).

We are at Post # 42, and have not arrived at a planned system.
 
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aria,

I read through all the posts again.
Looking at Post # 1, questions I forgot to ask are:

What were the loudspeakers that were used on that amplifier in post #1?

That might be part of why you were so impressed with the sound of that system.

It most likely was not a loudspeaker with only 82dB/1Watt/Meter sensitivity.
And the loudspeaker minimum impedance was probably not as low as 2 Ohms.

You said 'the preamp was roughly" the right schematic.

Was the complete amp including power amp the left schematic, roughly the amplifier that was used?
Or is that schematic a composite amp or another amp design?

System is the key word.
 
Last edited:
aria,

I read through all the posts again.
Looking at Post # 1, questions I forgot to ask are:

What were the loudspeakers that were used on that amplifier in post #1?

That might be part of why you were so impressed with the sound of that system.

It most likely was not a loudspeaker with only 82dB/1Watt/Meter sensitivity.
And the loudspeaker minimum impedance was probably not as low as 2 Ohms.

You said 'the preamp was roughly" the right schematic.

Was the complete amp including power amp the left schematic, roughly the amplifier that was used?
Or is that schematic a composite amp or another amp design?

System is the key word.

There is a lot of confusion on this post, my fault...
On post 1 there is a sketch of an amplifier with CF that never took off + the schematics of a preamp that I listened to some time ago and which is also present on the net with schematics and legendary explanation (in Italian):

T-Project 1: Preamplificatore a Valvole "Meeting"

After some time I used the same post to question a completely different project that had the use of CF as the only glue. The desire was to think of a very low cost system that sounded good (not high-end necessarily)...
the posistive features of that project which make it accessible to all budgets while maintaining a decent quality are:

1) Using a sub by splitting the signal means being able to have double the power and being able to use a usual medium sensibilty loudspeakers only for the mid-high freq...
2) Using it means being able to use a couple of good old OT found in old radios ... the only discriminating factor is the presence of a 6 ohm secondary winding in order to have an adequate Z Ratio to use EL84s (or any other 5k load tube that has a good response even at 7k) with a pair of usual 8 ohm loudspekers (Philips and other old brands made them)...
3) Using it you can employ few tubes, even inexpensive ones.
4) Using it you don't need a lot of space to build it.
 
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Something similar...
 

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  • Nuovo progetto sub 3.jpg
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aria,

I read through all the posts again.
Looking at Post # 1, questions I forgot to ask are:

What were the loudspeakers that were used on that amplifier in post #1?

That might be part of why you were so impressed with the sound of that system.

It most likely was not a loudspeaker with only 82dB/1Watt/Meter sensitivity.
And the loudspeaker minimum impedance was probably not as low as 2 Ohms.

You said 'the preamp was roughly" the right schematic.

Was the complete amp including power amp the left schematic, roughly the amplifier that was used?
Or is that schematic a composite amp or another amp design?

System is the key word.

They were components that I knew well, some I had even had at home ... we also tested it with both solid state and tubes ...
 
poor 12ax7, poor 12au7 we talking for the 85% of the preampl. out there. the audio
tube industry are laughing with these coments

To get to 85% you have to add ECC88 ... I have been wondering for a while if this is more due to the lack of imagination of the designers or the interests of the tube industries in pushing only a few tubes ... purchase prices and the proliferation of late bad quality tubes sold at higher prices than excellent NOS tubes that have only the defect of being less known...not to mention their NOS counterparts which thus also reached 2 zeros!... this was one of the reasons that prompted me to try to understand something more about them and their use...
 
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After several vicissitudes, this project was completed... the sound that comes out is really high quality... soon I will post a video... here the final schematics:
 

Attachments

  • EL84 + pre 6FD7 CF + sub - doppia alimentazione.png
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EL84 plate impedance is around 40,000 ohms wired as a pentode (at the book operating point at least). To get useful output for HiFi, you can use a 120,000 ohm output transformer (impossible) or throw some feedback around the circuit. A more reasonable option would be to just triode strap the EL84.

You will get more power when triode strapping because the distortion will drop so substantially.

There is also no reason (once you have tamed the gain/THD/damping issues) that you can't take your subwoofer output off the speaker taps.
 
For those who have a single ended Ultra Linear output stage, they do not want to reverse the connections of B+ and Plate connections of the primary.

Well . . . Why not try it?
Example:
A 43 % UL Tap will become a 57 % UL tap (changing it closer toward triode mode).
26% changing to 74%, anybody?

Have fun modifying and listening!

Just Saying