Yes, I agree with you that Vogel was wrong with noise correlations in a DC-compensated OpAmp inputs. I never use neither dc-compensated nor chopper OpAmps. but only eTrimed OPA192 [ https://www.patreon.com/posts/skhema-gerbery-i-86997687 ] , with jfe2140 input it is 0,25 uV IEC-A wtd input noise [ https://c10.patreonusercontent.com/...=w22-qmuifexGJRw0g_yfwQcRtlRUl11DLsqH8xp4xrg= ]
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Mark, thanks for an interesting anaylsis, especially around excess loop gain and noise contributions. The synthesised input resistance is a nice feature too.
A thought I had, looking at the second stage pole/zero pair: whilst the overall gain rises (with falling frequency) from unity above 500Hz to x10/20dB below 50Hz, the transimpedance gain around U7 rises from 31.8k above 500Hz, all the way up to 10M (at about 1.6Hz), with the impedance of the R9/C5 series input pair rising linearly below 50Hz too (to maintain the LF gain of x10). What's the issue? I'm not exactly sure, but could you imagine the high impedance below 50Hz at the virtual earth input of U7 leading to a noise susceptibililty? Any current noise of U7 would see this high transimpedance gain, but as you've specified a FET-input opamp, and we're already downstream of ~32dB of gain, I can't imagine this is an issue.
How does this compare to creating the 3180us pole by shunting C3 with an appropriate resistor? C5 is then removed if acumulated DC offset is not an issue, otherwise it can of course be increased in value for DC blocking.
Interested in your thoughts on both of these.
I'd been having similar ponderings on an opamp MM phono preamp (here). It looks to me in your architecture that you too could convert the gain stage around U4 into a 2nd-order state variable HP filter to implement 2 poles of the rumble filter "for free" (excluding the cost of 2 dditional opamps rather than 1 in a Sallen-Key architecture of course). The low-pass roofing filter could still be maintained around such a stage.
Best regards!
Rich
A thought I had, looking at the second stage pole/zero pair: whilst the overall gain rises (with falling frequency) from unity above 500Hz to x10/20dB below 50Hz, the transimpedance gain around U7 rises from 31.8k above 500Hz, all the way up to 10M (at about 1.6Hz), with the impedance of the R9/C5 series input pair rising linearly below 50Hz too (to maintain the LF gain of x10). What's the issue? I'm not exactly sure, but could you imagine the high impedance below 50Hz at the virtual earth input of U7 leading to a noise susceptibililty? Any current noise of U7 would see this high transimpedance gain, but as you've specified a FET-input opamp, and we're already downstream of ~32dB of gain, I can't imagine this is an issue.
How does this compare to creating the 3180us pole by shunting C3 with an appropriate resistor? C5 is then removed if acumulated DC offset is not an issue, otherwise it can of course be increased in value for DC blocking.
Interested in your thoughts on both of these.
I'd been having similar ponderings on an opamp MM phono preamp (here). It looks to me in your architecture that you too could convert the gain stage around U4 into a 2nd-order state variable HP filter to implement 2 poles of the rumble filter "for free" (excluding the cost of 2 dditional opamps rather than 1 in a Sallen-Key architecture of course). The low-pass roofing filter could still be maintained around such a stage.
Best regards!
Rich
Hilarious.your arguments regarding your design make sense to me; so I think the designation would be fine.
but i'm biased; i'm perfectly ok with well-done op amp based phono preamps.
i'm sure the anti-op amp brigade will arrive soon to attempt to throttle you into submission.
hopefully, you have the music turned up loud enough to drown them out!
🤣
I would use TLE2074 and TLE2072 op amps.
Sorry I've not got round to answering till now, been indesposed for a week. I hope to go into this in more detail soon - for now I should credit the writings of Doug Self for learning of the synthesized input resistance - you can view this as anti-bootstrapping, reducing the apparent impedance of the physical resistor used. Yet another case of more active stages allowing higher performance rather than less as some seem to think.Mark, thanks for an interesting anaylsis, especially around excess loop gain and noise contributions. The synthesised input resistance is a nice feature too.
A thought I had, looking at the second stage pole/zero pair: whilst the overall gain rises (with falling frequency) from unity above 500Hz to x10/20dB below 50Hz, the transimpedance gain around U7 rises from 31.8k above 500Hz, all the way up to 10M (at about 1.6Hz), with the impedance of the R9/C5 series input pair rising linearly below 50Hz too (to maintain the LF gain of x10). What's the issue? I'm not exactly sure, but could you imagine the high impedance below 50Hz at the virtual earth input of U7 leading to a noise susceptibililty? Any current noise of U7 would see this high transimpedance gain, but as you've specified a FET-input opamp, and we're already downstream of ~32dB of gain, I can't imagine this is an issue.
How does this compare to creating the 3180us pole by shunting C3 with an appropriate resistor? C5 is then removed if acumulated DC offset is not an issue, otherwise it can of course be increased in value for DC blocking.
Interested in your thoughts on both of these.
I'd been having similar ponderings on an opamp MM phono preamp (here). It looks to me in your architecture that you too could convert the gain stage around U4 into a 2nd-order state variable HP filter to implement 2 poles of the rumble filter "for free" (excluding the cost of 2 dditional opamps rather than 1 in a Sallen-Key architecture of course). The low-pass roofing filter could still be maintained around such a stage.
Best regards!
Rich
It's a bit silly I didn't see this before, but I think you can minimize the noise contribution of U6 by adding one resistor. When you replace R2 with, for example, a 600 ohm resistor to U6 and a 300 ohm resistor to ground and triple R12, the contribution of U6 to the equivalent input noise voltage is reduced by a factor of three, while the equivalent input noise current only gets a bit worse. I haven't thought about the effect on the input DC offset yet.I was reading Electronics for Vinyl (Douglas Self), and revisiting his favorite NE5534A single stage RIAA MM preamp. He mentions that the NE5534A shows a rise in distortion at low frequency due to the high closed-loop gain (meaning there's not enough open-loop gain left to keep distortion down at the device floor).
This made me revisit my RIAA design that uses separate active poles and zeros, realizing each stage only sees a max gain of 32dB or so, whereas a single stage would have about 54dB of gain at low frequency.
What's more there's no limitation on the headroom as each stage has unity gain or higher across the audio spectrum, so no stage can clip without the output clipping anyway.
The extra stage needed for correct output phase I augmented to act as a low-pass roofing filter and gain-setting stage.
A 5 pole rumble filter is available on the output if desired (why wouldn't it be?)
So why do I want to label this "blamefree"?
1) The capacitor values for each filter stage are 1nF, 10nF or 100nF, nothing awkward.
2) The nominal RIAA component values are exact - a 10nF and 31.8k make the nominal 318µs time constant for example - 31.8k can be made from two standard values in series, 30k + 1k8, and the 7.5k is already standard.
3) The input stage can benefit from the low voltage and current noise of the NE5534A without compromising on distortion by asking for too much gain
4) The 47k load resistor is synthesized to reduce its current-noise contribution - this technique is no doubt well known here, giving very good noise performance for typical MM cartridges. The aim is that no hiss is audible after a disc ends and the stylus leaves the groove - even if you've been listening at high volume (its not too difficult to be inaudible against surface noise, but once that ends I still appreciate quiet!)
5) Effective filtering of sub-20Hz noise is provided. A 5-pole Butterworth filter is not overkill here I suggest.
Here's the circuit with annotations about noise levels (in theory!).
View attachment 1197101
Thoughts?