Hey Tim,
They were talking about rca being the worst kind of connector so i thought maybe straight wiring the whole setup (no connectors)
You’d still have wire just soldered connections.....shouldn’t be too hard if it was an all stationary/permanent system.
Bob
They were talking about rca being the worst kind of connector so i thought maybe straight wiring the whole setup (no connectors)
You’d still have wire just soldered connections.....shouldn’t be too hard if it was an all stationary/permanent system.
Bob
What I am wondering is what the pf/ft of that ‘amp killer’ Polk wire is....does anyone know?
Wondering for reference
I didn't know Polk makes wires. I hope it's not as bad as their speakers.
i thought maybe straight wiring the whole setup (no connectors)
Gotcha Bob, I think that would give me a sort of claustrophobia.
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200 to 300 Pf per foot.What I am wondering is what the pf/ft of that ‘amp killer’ Polk wire is....does anyone know?
Wondering for reference
The issue is the RF impedance of the cable. If the RF impedance is low, as the speaker unloads at high frequency, the energy storage in the cable becomes capacitive. If that occurs before the amp reaches unity gain, the amp will oscillate.
Jn
must be one of those SS amps with unstable 25 db sorta feedback through bootstrapping.
I would not use any of these. .... I can use my tube amp to drive a purely capacitative load without any issues, the OT is massive and can take full 50 watts loads without melting any insulation, talk about a SS transistor which is already at 40 - 50 C , if it takes another 20 watts it will run into destroy mode, unless it has some compensation , even then, it will go into oscillation with the feedback or something to self-destroy, crap amps.
and amp that 'breaks' (kapput) because of 'inductive wires' (LOL) is good for garbage.
To sum up the lesson on wires, lets take a break with this:
YouTube
I would not use any of these. .... I can use my tube amp to drive a purely capacitative load without any issues, the OT is massive and can take full 50 watts loads without melting any insulation, talk about a SS transistor which is already at 40 - 50 C , if it takes another 20 watts it will run into destroy mode, unless it has some compensation , even then, it will go into oscillation with the feedback or something to self-destroy, crap amps.
and amp that 'breaks' (kapput) because of 'inductive wires' (LOL) is good for garbage.
To sum up the lesson on wires, lets take a break with this:
YouTube
200 to 300 Pf per foot.
The issue is the RF impedance of the cable. If the RF impedance is low, as the speaker unloads at high frequency, the energy storage in the cable becomes capacitive. If that occurs before the amp reaches unity gain, the amp will oscillate.
Jn
Thanks Jn,
Seems like measuring RF impedance requires some sort of antenna Rf meter?
Suppose the easiest way too avoid issue would be to keep speaker wire capacitance low.
So guys, does it improve the sound by keeping the wire as short as possible?
1 ft vs 20 ft, I don't think it matters, unless you are driving an antenna, which I doubt, because you have a low resistance load at the end of the loop.
you can drive antennas with 100 meters of wires before without major issues with 1000 watts, so your speakers with 2 watts and 20 foots are just like bacon and eggs.
I guess you'll frown upon my 12 gauge AC cable I bought from Home Depot to use it as speaker cable?
Definitely not, my speaker cables are 240V solid copper twin core mains wiring approx 18ga. 99c/m at Bunnings when I bought it. Having worked as a repair and calibration tech until I retired I am aware of the placebo effect of wires until you get to RF frequencies which is whole different ball of wax.
I was asking in the context of audio frequency such as speaker cables and interconnects.
IMHO, no as the room will have the biggest influence on the sound you hear.
Connectors are important, in that they need to make good contact, forget exotic materials good old copper is fine. My speaker cables have no connectors they are stripped long and bent in a hook that wraps around the post. My posts are copper banana terminals from the old parts bin.
I cannot measure the difference in the frequency response from the amplifier input to the speaker terminals using squarewave.
....I remember a transition era (think the 70´s) when subjective tests were still relied on, but also many Hi Fi magazines sent equipment to be tested at "mmmmm" Labs, don´t remember name by heart (d*mn Alzheimer🙁) but they were ubiquitous, obviously well equipped and offered their services to Magazines.
I think a couple greybeards around here will remember their name.
There were several. But an early and prolific "Lab" was Hirsch-Houck Laboratories.
I suspect it was a way for underemployed free-lance writers/hobbyists to fund better test gear in a garage or den "lab". Hirsch did most of the reports, over about 37 years. Mostly they were captive to Z-D magazines (but that was a lot of titles).
AES obit
cynical remarks about Hirsch
1961 HiFi/Stereo Review issues
I also learned that the next decade will be dull for music, see attached:
And yes, my beard is grey.
Attachments
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I cannot measure the difference in the frequency response from the amplifier input to the speaker terminals using squarewave.
It does not mean that it could not be measured though and I assume besides freq. response, there are other factors such as RLC and other time dependent parameters?
Ditto."Measurements don't do it", "trained listener" - you are a good S-O supporter, Dave. Sadly.
There were several. But an early and prolific "Lab" was Hirsch-Houck Laboratories.
I suspect it was a way for underemployed free-lance writers/hobbyists to fund better test gear in a garage or den "lab". Hirsch did most of the reports, over about 37 years. Mostly they were captive to Z-D magazines (but that was a lot of titles).
AES obit
cynical remarks about Hirsch
1961 HiFi/Stereo Review issues
I also learned that the next decade will be dull for music, see attached:
And yes, my beard is grey.
Somewhat surprised at the bitter , pissed off tone of Audiophile Review magazine, but of course objective testing stepped on a lot of people´s toes, so that might be expected.
In fact most of the answers to that article actually praise Hirsch and demean the writer.
As of "dull Music", they hit the nail in the head.
Add to that the de-evolution caused by downgrading from real amplifier and speaker listening to digital thingies powered by 3.7V batteries and listened through 1/4" equivalent (or smaller) phone transducers or $20 earbuds.
As of the greybeard, it´s a given for anybody remembering that from own experience 😀
This discussion comes round every few years.
Andy
If you know what the music should sound like then you have a better idea of which cable gives the closest reproduction of the original. There are people who have a good memory of sounds.hearing acuity plays a huge role in people’s opinions on cable. If not trained it is easy for listeners to miss differences that others clearly hear.
If the system is all analogue then it is a trade-off between interconnect and speaker cables. Digital active system allows the analogue portion (speaker cable) to be short, and the digital cable to be the long one.So guys, does it improve the sound by keeping the wire as short as possible?
Andy
He preaches, through repetition, to the already converted usually, still, it doesn't mean it's not a good idea to repeatedly challenge him.Ditto.
This discussion comes round every few years.
If you know what the music should sound like then you have a better idea of which cable gives the closest reproduction of the original. There are people who have a good memory of sounds.
Andy
Xactly.
How much difference do you think the cable makes to, oh, I don't know...the speaker, for example?If you know what the music should sound like then you have a better idea of which cable gives the closest reproduction of the original. There are people who have a good memory of sounds.
I'm guess that when you say "know what the music should sound like" you mean "know what the instruments should sound like", there are many variables to consider as regards what they "should" sound like. But, regardless, "knowing what they/it should sound like" would actually make it harder for you to tell the difference between cables for psychoacoustic reasons
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The Feelies mentioned in the attachment don't sound at all dull to me!I also learned that the next decade will be dull for music, see attached:
[FONT=Verdana, Arial, Helvetica, sans-serif]
[/FONT][FONT=Verdana, Arial, Helvetica, sans-serif]"Take hold of these knobs on the arms of your chair," whispered Lenina. "Otherwise, you won't get any of the feely effects." (Brave New World, Aldous Huxley)
[/FONT]
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