😆😆this is hifi thus no overload expected.
Not sure where you get this. Byrith has a good discussion on the 'balance' of the two configurations. Those who used the concertina, like early Dynaco, all switched to the LTP for their later stuff.In fact concertina is inherently balanced and independent on tube characteristic.
Some of those that switched to LTP actually made more dist and needs more complex circutry. Comfortina is inherently symmetric as same current is drawn across plate and cathode resistors.
Got some examples of this?Some of those that switched to LTP actually made more dist and needs more complex circutry.
Have you read Byrith's paper? I think it's on the Lundahl site as well as other places.Concertina is inherently symmetric as same current is drawn across plate and cathode resistors.
I can recommend Tubelab's SPP amp. I've built some el84 pp amplifiers before I built it, usually with ecc83 as input tube, but I was never completely satisfied with the sound, but Tubelab's with ecc81 input tube was absolutely great. Used Hammond "iron". Built it point to point, didn't use pcb. Easy amplifier to build...
So far, so true. But the source impedances of both outputs differ significantly, resulting in different high frequency rolloffs, hence harmonic distortions. In common with the rather limited signal swings and the non existing CMMR (= high hum susceptibility), I'd regard the Concertina a poor PI, just resulting from tube saving demands.Comfortina is inherently symmetric as same current is drawn across plate and cathode resistors.
Best regards!
The loading is limited to the grid resistors of the power tubes as long as not overdriving ( getting grid current). Thus for hifiSo far, so true. But the source impedances of both outputs differ significantly, resulting in different high frequency rolloffs, hence harmonic distortions. In common with the rather limited signal swings and the non existing CMMR (= high hum susceptibility), I'd regard the Concertina a poor PI, just resulting from tube saving demands.
Best regards!
this unequal impedances are not a problem.
Maybe the greatest advantage with concertina : no adjustment is needed, perfect where no advanced instruments are available. Tube changes does not affect balance.
Driving a overdriven guitar amp is where concertina will have sideeffects.
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Provided the power tubes are not overdriven, the source impedances will be identical (and very low) and the high frequency rolloffs will be identical. Distortion in the concertina is extremely low. It's a near-flawless PI provided it remains equally loaded.So far, so true. But the source impedances of both outputs differ significantly, resulting in different high frequency rolloffs, hence harmonic distortions.
Not sure how you conclude this ... especially at HF ?Provided the power tubes are not overdriven, the source impedances will be identical (and very low) and the high frequency rolloffs will be identical.
Since the anode and cathode resistors are in series, whatever electrical thing happens at one, happens at the other.
We're talking hifi, so we stay away from grid current.
Furthermore, this thread is about driving pentodes, which have low Miller. I wouldn't expect HF problems driving those.
For driving triodes you probably need a stronger driver.
We're talking hifi, so we stay away from grid current.
Furthermore, this thread is about driving pentodes, which have low Miller. I wouldn't expect HF problems driving those.
For driving triodes you probably need a stronger driver.
See section 12.2.4: https://valvewizard.co.uk/cathodyne.pdfNot sure how you conclude this ... especially at HF ?
But the source impedances of both outputs differ significantly, resulting in different high frequency rolloffs, hence harmonic distortions.
When load impedances of both outputs are equal, output impedances of both outputs are equal.
I suppose the main downside of EL500/PL500 types is the socket, B9D, which is not so commonplace.yes PL504 PP an interesting alternative
That was an interesting schematic with an ECF80!
This socket is called Magnoval and was common in Germany and many European countries from about 1965 on. Not so in Sweden? The PL500 was among the first tubes that featured it.
Thanks, MerlinB, for this very interesting read!
Best regards!
Thanks, MerlinB, for this very interesting read!
Best regards!
This is the quote from Byrith's document at ( https://www.lundahltransformers.com/wp-content/uploads/datasheets/amplifier_30wpp.pdf )
...so gain is unity and the output resistance from the anode is close to the anode load resistor, whereas output resistance from the cathode is low, usually about lkΩ.
As the stage has no gain, Miller capacitance is low and so is the loading of the previous stage.
The distortion is very low too, but when the outputs are loaded by the grid resistors and the
input capacitances of the next stage, the perfect balance is compromised because of the difference in output resistance, and imbalance will become more and more significant as frequency rises, because the input capacitances of the output valves halve their impedances when frequency doubles. So unless measures are taken, balance will be less perfect than we expect. In practice
this load-dependent unbalance is not often compensated, but in the appendix I have given an
example where at least the resistive unbalance can be compensated...
Merlin, I take it you are the Valve Wizard himself 😲See section 12.2.4: https://valvewizard.co.uk/cathodyne.pdf
I need to take a very close look at your spells ...
but in the meantime, do you think your analysis would hold for a Cathodyne used to bootstrap the load on the i/p valve?
http://www.r-type.org/articles/art-296.htm
I remember a load of correspondence in WW denigrating this circuit which is hinted at by Bailey
http://www.r-type.org/articles/art-097.htm
Yes. That is clear.Byrith was wrong
This same discussion about the cathodyne took place some 10 years ago.
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