Anybody try this phono preamp ?

The open-loop differential input impedance of an op-amp is basically irrelevant, as it is much increased by the feedback anyway. What does matter (to some extent) are the input noise voltage and current. An LT1115 is a poor choice for moving magnet while an OPA627 or OPA637 is fine because of the high noise current of an LT1115 and the high impedance of a moving magnet cartridge at high audio frequencies.
Very good reminder. Because the AD797 and L1115 are the top choice op-amp in high end moving coil phono stage, people erroneously assume they are also good for MM.
 
Dust might cause the output to hit the rails and the gain to fall , then input impedance fall and hard clipping might arise.Maybe that is not about normal listening to a clean record and this is irrelevant...I heard some njm4558-4559 toys and they perform very pleasing when saturated ...that is maybe why some guitar distortion box like them a lot.
 
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When the output hits the rails you by definition always have hard clipping, or am I missing something? Recovery from clipping may be different depending on the type of op-amp, but I don't see why that would have a direct relation with the small-signal open-loop differential input impedance.
 
Dust might cause the output to hit the rails and the gain to fall , then input impedance fall and hard clipping might arise.Maybe that is not about normal listening to a clean record and this is irrelevant...I heard some njm4558-4559 toys and they perform very pleasing when saturated ...that is maybe why some guitar distortion box like them a lot.
The NJM4558/4559 op-amp are very slow (1-2 V/us). Is it sacrificing the sound quality for softening the hard crippling? A better solution would be to design more headroom to avoid crippling all together.
 
More headroom means higher supply voltage and heat ...nobody likes it too much apparently.
It is true for the inexpensive commercial audio equipment for the mass market. It is not true for the high end audio market.

For us DIY, we want to get high end sound quality without breaking the bank. Higher supply rail and larger heat sink is one of the low investment, high return approach. Some mid-fi audio brand such as Parasound, NAD or Rotel, among others in their higher end series also like this approach.

But it works only if you get the higher quality, faster op-amp. A high slew rate op-amp can have fast settling time spec too if you choose carefully. The NJM4558 or similar will kill the sound quality no matter what you do. In general, avoid op-amp designed for equipment use. Good op-amp designed for audio use may be a little more expensive, but is worth it. Just don't buy fake part because it is cheap.
 
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