Bass chest kick science

Again, you are conflating disparate unequal concepts.
I don't think so Art.

Hey, i don't mean to / want to, get into a semantic, or a which first -- chicken-egg, debate.
So I'm just going to let my views expire without much further comment.

I strongly believe there is an absolute linkage between the time domain impulse and frequency domain mag and phase.
So I prefer to see them as an identity, seen from different viewpoints..
 
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Isn't it more the other way around - most of the time domain properties display is derived from/by the frequency domain - most REV (etc) users see an impulse trace that have been FFTed from a slow FR sweep...

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It can seem that way, hearing the sweep, huh?
The question though, is the sweep a time domain signal, or a frequency domain signal.
My understanding is that the sweep is a time domain signal that generates an impulse response...from which a FFT provides the frequency response.
 
The concept of transient response is not tied to speakers and has been around for a long time serving physics in the wider range. It's often used in electronics and you'll see it describing things as simple as settling time and the term is often used to describe level vs time for a filter taken at one frequency.
You do realize I hope, that the sine bursts I posted are an example of the 'long serving physics in the wider range'.
And very applicable in electronics. I often analyze electrical xovers with them.
 
Hey, i don't mean to / want to, get into a semantic, or a which first -- chicken-egg, debate.
You brought it on, and the meaning of words are required to be agreed upon for any meaningful debate.
I strongly believe there is an absolute linkage between the time domain impulse and frequency domain mag and phase.
There is a linkage, but the frequency response measurement comes first, long before the FFT "egg" that can parse the time domain from a frequency response.
The question though, is the sweep a time domain signal, or a frequency domain signal.
Frequency is the number of occurrences of a repeating event per unit of time.
A frequency sweep is a change of frequency over a period of time.
The sweep typically progresses in either a linear or logarithmic progression.

A mechanical chart recorder as used to measure some of the first loudspeakers ~100 years ago can store that progressive information as frequency response, still as valid and accurate today as it was in 1979:
Fiberglass Cruncher.png

That chart is an accurate recording of the frequency response of that horn bass speaker, which had "excellent transient response" (it could "kick like a mule"), but you would have to take my word for it, since no FFT was available in 1979 for under $48,000 (in today's equivalant $$) to transform it's logarithmically swept sine wave into an impulse response.
My understanding is that the sweep is a time domain signal that generates an impulse response...from which a FFT provides the frequency response.
Back to your chicken and egg- understand the frequency response is measured first, REW does not use an impulsive signal to measure an impulse response, it uses FFT (fast as your computer allows..) to create an "impulse response", without the requirement of using a difficult to measure impulsive signal.

If it were not for fast (and cheap) computer computation, we wouldn't be having the debate between the very distinct difference between impulse and frequency response 😉 .

Art
 
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This is better on my system
You pulled the guns out lol, I'll never say anything bad about Ac/Dc 😁

I know that FR is a huge part of having the best sounding kick because I had to teach myself, being that one of my goals as sound engineer, was to have the kick contain the lf that I wanted, but also have the snap. A balanced signal is apart of the recipe.

My perspective is, this "kick" thing is just a matter accuracy. We aren't Adding anything we are simply allowing whats already there, to be as its meant.

FR, GD, Compression, Thd, all need to be optimal. The room/listener situation needs to comply as well. The GD/Decay of the rooms response can be very high, and does not serve to improving accuracy.
 
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Also.... Do not underestimate the comments about Voicing... A nice smooth FR from about 300hz and down will give you all the kick you want as long as it is compression free.
I do believe the compression aspect is critical to achieving a visceral performance. Not scientific, but the times that I have experienced "kick" has consistently been via pro speakers. I expect that certain autosound systems do it, too, as they often go over the top in terms of system power.
 
Thanks for the interesting discussion so far.
I suppose realisation of "chest kick" effect, besides being system dependent, is also source dependent. Specifically, source material/media: there will be recordings that contain "kick" material to greater or lesser extent. As an aside to the topic - but still related - what tracks are representative of music with good kick content? Recommendations?
I don't mean to derail the discussion, but I do think that having common reference tracks for the purpose of experimentation would be useful.
My 30h+ playlist has quite a few chest kick/punch tracks. You can port it to your fav streaming service using tunemymusic etc.
Although the feel requires wider freq range fidelity, 60hz-80hz is where the meaty part resides. Just play with eq as you play some nice track. You will realise, any nulls in there is a absolute no no.
 
Interesting topic
I recently make a Diy sealed sub with the Scan-Speak Revelator 32W4878T00 and Hypex FA501 amp tuned@22hz-6db.
The Peerless stw-350 was around the same price, but for music the Revelator looks better for my use.
For myself i think indeed the Revelator can start and stop faster with more detail then a bigger heavy cone and voice coil.
Happy with the Diy sub, for movies its also great in medium size rooms.
 
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Just for curiosity, the worst sub driver that I heard in regards of chest slam was a Scan-Speak 26W/4558T00. It's sound had an irritating soft attack with an almost non-existent slam/jump factor. At least in an 50 l vented box that was tuned to about driver Fs. No matter how it was EQ-ed.
The Sigberg 10D use 2 of these drivers the reviews of this sub are very good, look on audioholics website.
But the 10D is a sealed sub what fit the driver maybe better.
Use 4 of these 12 inch discovery drivers in 2 sealed dual opposed subs with Hypex FA502/FA252 amps tuned @22hz-6db and 15hz-10db
The midbase @50hz is 120db 2-meter Ground Plane for one subwoofer, they can slam extreme hard and 10hz flat inroom.
The sigberg 10D has 116db in midbase thats also amazing, a good 15 inch subwoofer has almost not that level of output.
 
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Anyone have some good tracks that concentrate sound in this area? Trying to grow an appreciation for all of this stuff by listening to it with and without resonator issues
 

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@MrKlinky the whole spectrum between 15 and 100hz on more or less the same time is good for me.
I doubt a big heavy cone driver can do that, the peerless and scanspeak are compleet diferent drivers.
The front subwoofer in the beolab90 speaker is this scan speak revelator driver.
There are also 10 inch discovery subwoofers on the sides, 18 scan speak drivers total.
I hope for a speaker at this price point they use good drivers
 
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