John Curl's Blowtorch preamplifier part III

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Mark, just get over to Richard's and listen. As Heyser said: "If any 2 people can hear a difference, then it is real!" In fact, I am inclined just to believe Richard, when he says that he can hear a difference in this case.
This is how improvements in audio quality are made, everybody! One step at a time, trying something novel. I have been trying to put that fact out here for the last dozen years or more. That's where improvements in amp slew rate, caps, diodes, etc have come from. One at a time.
 
I have no idea of how to do so, please tell me how to do this ?.
No, I've no idea either, I thought you might since you can tell a 50hz recording from a 60hz recording?

So everyone is to revert to the toole version of good enough ?

Is this a audio dictatorship of which I'm unaware?

No, where did you get that idea? It's just that he is qualified in the relevant subjects, studied and done tests and published results in a well received book to be tried and verified by others.
 
Your apology is accepted. I realised that we think in quite different ways because I found that almost anything I said seemed to annoy you, so I tried to avoid commenting on your posts.

DF96,

That you accept my apology is much appreciated - thank you.

I didn’t quite understand at first where you were coming from, but considering the level of wazzak-bizarro-magical thinking to be found here, I can appreciate that you have a sharp tongue on occasion, which over time has become quite refreshing.

So I have decided that when you talk, I listen, and if you want to comment or pull me up on anything what I might say, then go ahead, I am good with that.

Like yourself, I am my own man, and don’t take sides. I prefer the overview, and although my intellect functions in a way that enables me to make connections between the wildest snippets of facts and information, I am most definitely rooted in a tangible consensus of reality.

Game on DF96 - the odds are with you. :nod: ToS
 
The speaker and the room being by far the most variable and influential part of said system.
Nope for most rooms we "hear through the room" - again it's a bit of knowledge about auditory perception & how it works that shows this - our internal model adjusts to the reverb & reflections in the room as long as they are reasonable & fixed i.e they don't keep changing - much like we hear through the hiss of analog - again, as long as it is steady - start fluctuating. In fact we categorise the audio character of the room within a short time of first hearing sounds in it & moving around it or moving our heads

Speaker distortion is different in nature to distortion from electronics
 
... No. By definition the original data was bandlimited (to half the original sampling frequency) so can fully be described by any new faster sampling frequency. Going from 16 to 24 bits provides plenty of room for rounding errors in the interpolation, so for all practical purposes the upsampled stream contains exactly the same information as the original stream. ...
I certainly am not up to speed in audio but current software technology offers a variety of algorithms to generate different sets of interpolated data. My foobar installation has a choice of PPHS, SoX, SSRC X and SSRC DSP plugins to resample an audio stream, each produce slight but audible difference for unlucky old me. Not a simple case of rounding error I don't think. Compared to the original 16/44k all of them produce better overall sounding upsampled 24/96k stream, enough to justify me using them. It is possible that all of them are crap per your definition and I don't mind using any crap to enjoy better entertainment quality.
... Any audible differences must therefore come from the subsequent DAC process and any filtering there.
I find the statement is probably incorrect.
 
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No, where did you get that idea? It's just that he is qualified in the relevant subjects, studied and done tests and published results in a well received book to be tried and verified by others.

It just gets tiring being told what’s ‘good enough’ , or ‘it measures lower than perceptible to most’ , or ‘it must be broken’, or ‘ the great and powerful fubar has spoken; pay no attention to the man behind the curtains’, or..........🙄
 
Don't read his book then 🙂

Nope for most rooms we "hear through the room" - again it's a bit of knowledge about auditory perception & how it works that shows this - our internal model adjusts to the reverb & reflections in the room as long as they are reasonable & fixed i.e they don't keep changing - much like we hear through the hiss of analog - again, as long as it is steady - start fluctuating. In fact we categorise the audio character of the room within a short time of first hearing sounds in it & moving around it or moving our heads

Speaker distortion is different in nature to distortion from electronics
I know what you mean, it doesn't mean the statement is wrong though, I have read Linkwitz
 
Look at Evenharmonic still asking me if I am Merrill of Merrill Audio - the depth of their belief is to the core.
I asked if your real name is Merrill Wettasinghe (read post #23882 again). Is it?
We can see it by their attitude to new information in the perceptual area - all of it was & still is scoffed at, despite the scientific backing it has.

Unfortunately, the same people don't apply this same scepticism to their own areas - look at how any pointing out of the flaws in Foobar ABX is rejected out of hand, no examination allowed, icht verboten

They are not the curious or even scientifically minded ones who will advance audio - why would they - all is perfect in the electronics, just the room & speakers are worth investigating - the usual mantra. And again, if they even thought about room acoustics for a moment they would see the weaknesses in the approach
In your opinion, of course.
- patently obvious marketing spiel? He uses exactly what I am talking about - simplistic thinking & simplistic testing to fool the people who swallow the scam that I am talking about - a big supporter of blind ABX testing. Quick question did he ever do a blind test of his room treatments??
What's wrong with audio ABX?
BTW, he's the one I was referring when I said, ironically, all audio electronics have been sorted since 1950 - something he stated before.
Quote or link of that anywhere?
You may remember you queried this post of mine before - well it comes from him - a buffoon, par excellence
You must be his competitor. :scratch2:

Mark, just get over to Richard's and listen.
With peeking or without peeking?
 
You first need to distinguish between an audio circuit stage approaching RF oscillation, and one suffering from incoming RF interference. These are two quite different scenarios.
An audio circuit stage approaching RF oscillation will almost certainly not show any problems, because it is not oscillating. One suffering from incoming RF interference may work fine, or may have a bias shift which will affect distortion. My point is that any problem will probably not be mediated via the PSU, which is what he appeared to claim.
I'm talking about an audio circuit that has RF noise riding along with the signal which will cause distortion & is not benign. Maybe his explanation about PS power being used by various chips processing RF signal is not on the button? Let's see if his mods work in practice & then see what the theory behind it is.


I was not attempting to explain that a music signal consists of sine waves. I was stating this as a fact, which can be believed or not but it remains a fact.
It's not a fact - it's a model for signal analysis. Sound is a pressure wave so let's get that straight for a start
The question then becomes to what extent does a circuit behave differently when fed two or more sine waves rather than just one sine wave? Much of the circuit behaves in exactly the same way, which is why sine wave testing is useful.
Sinewave testing is useful for rudimentary checking/analysis of circuit behavior but I would hope that this good enough is not 'good enough' for real audio systems that deliver what people superior sound.
One difference arises when the frequency difference between two sines becomes small; any difference frequency (i.e. intermodulation) produced by even-order nonlinearity could then be below the usual audio range. This may or may not be a problem, but it is a problem which is within the scope of engineering. The idea that music is somehow fundamentally different is persistent but it has no basis in reality.
Well then show us the measurements that fully characterise a system, not a device in the system when handling sine wave & handling music signal & show us the same set of measurements for the same system handling music signal. You can then show us "Much of the circuit behaves in exactly the same way" That would be interesting. Otherwise you expect us to just believe your claim without backing it up


I was not seeking sympathy or points. I was trying to get you to think. Where do you think these measurements came from?

Why do you often play the alchemist, ignorant (or perhaps even dismissive) of chemistry?

So a small change can be so huge that it can easily be spotted when you believe it is present, but so small that it can't be detected when you don't know if it is there?
You are another one that isn't interested in learning anything about auditory perception & so, in ignorance, you make statements like this
This is supposed to be superior to electrical measurements? I note that these huge changes can sometimes be heard when they are not present simply because the listener has been told (perhaps implicitly) that they are present.
You can live with your ignorance if you like - I can't make you learn but it is symptomatic of a core group
 
Just listen folks! Keep track of what you are listening to, or rely on your previous memory of what it was before this change. In any case, you can trust yourself. That's all that counts, anyway.
Now, there are some 'scams' out there, but I find them relatively rare. One 'scam' is an outrageous markup for the dealers on certain brands of quality audio cable. I have heard up to 90%. This is so the dealer can make a big profit on the cables, and even be in a position to 'discount' them to make a final sale. I do not approve of this, never have. The usual mark-up for dealers is 40% for normal products, and perhaps somewhat more for accessories, like cable. More is just a scam.
 
That is incorrect, you cannot choose the hearing endpoint to your convenience. One could argue that sound is the basilar membrane motion causing depolarization of the hair cells.
No, you are mixing up the reality of what sound is in physics, compression & rarefaction pressure waves with the mechanisms involved in the perception of sound.

Does a speaker output sinewaves? Does any auditory objects? What impinges on the eardrum is not a sinewave. Confusing a useful model with reality, as DF96 did & calling it a fact is blatantly incorrect
 
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