Why Let an Amplifier Sound Good when You can Force it to?

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Intuition can be a reliable guide, but only when it is well educated by facts and appropriate principles. If not it is a most unreliable guide however sincerely someone believes in it.

I would like to comment on post 260 by kokoriantz, but I cannot make enough sense of it. It appears to suggest that feedback makes things worse when the speaker generates back emf; if so, this is another 'true believer' myth being trotted out. Perhaps that is not what he meant.
 
Intuition can be a reliable guide, but only when it is well educated by facts and appropriate principles.

When I was seven years old a kid at the end of the block told me he knew how a periscope works. Your eyesight reflects off the mirrors bounces off the object and comes back to your eyes. There are times that I feel nothing has changed.

The point, never had a single science class yet but simple observation of magnifying glasses, etc. and I knew this was nonsense.
 
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I would like to comment on post 260 by kokoriantz, but I cannot make enough sense of it. It appears to suggest that feedback makes things worse when the speaker generates back emf; if so, this is another 'true believer' myth being trotted out. Perhaps that is not what he meant.

With a high enough damping factor, this is not an issue. No back emf can be introduced into the feedback loop if the output impedance of the amplifier is low enough.

In other words, it is another feedback bugaboo that is cured by - get ready for it - more feedback.

A two stage amplifier can partially address anyway. It's been done - Nakamichi Stasis topology. But the output stage still has voltage gain, and it still has a feedback loop around two transistors.

Furthermore, modern speakers with magnetic circuit shorting rings greatly reduce back emf and distortion. Try a set!
 
To change the tone of this, since I don't know what feedback is, or anything else, I am ready to bet that if everyone here had the 'free' money they would get a no feedback amplifier or as less as possible, like the Pass, high power transmission tubes and so on.

“The formula is simple: More hardware for more power with few stages and lower distortion with less feedback.. {...} — bigger hardware biased more deeply into the Class A operating region.” (quote from N.Pass)
 
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To change the tone of this, since I don't know what feedback is, or anything else, I am ready to bet that if everyone here had the 'free' money they would get a no feedback amplifier or as less as possible,

You are not very smart are you? Being surrounded by lots of people that advocate high feedback, and then say 'I bet you all want a zero fb amp' doesn't strike me as a good career move :cool:

Jan
 
You may be served the specialty of a 3 star chef , by the chef himself , he will provide you also salt and pepper. The 2A3 SE amplifier-user enjoys 5% distortion at 2.5W . The Black Ortophone provides on its vertical mouvments, a generous 3.5% distortion to enjoy the innocent vinyl-lover. The low distorting AR3 did satisfy the most demanding ears of H. V. Karayan with only 2% distorted sound . A golden ear submariner cannot discern down to 0.1% distortion. Since Matusalem, Williamson is delivering with 20db NFB, 0.1% F-3 100khz.
An amplifier is a voltage source . It has a voltage generator and an internal impedance . A loudspeaker is a giant microphone with a series resistance . The resistance linearizes the currents both of the amplifier who's impedance is much lower and the speaker's ,while damping . Although the speaker is a voltage generator ,I don't know how ,somtimes it behaves as a current generator . The amplifier than answers the current by a voltage in accordance to its open loop tranconductance transfer function . The Williamson will provide not 0.1% but with 1% distortion with resistive component up to 10khz . If an amplifier lambda with identical performance but with 40db NFB had been used ,it would be 10% with 1khz.
Kokoriantz
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Lebanees adage : "Amel kheir ou zettou al baher". Act in goodness and throw it into the sea.

Seems plausible. But what is an amplifier lambda? Please explain.

Did you mean the schoolyard bullies cannot discern a resistor from a transducer?
 
If I have this right, all EE’s here should be:

A. Using the same amplifier since ~1985
B. Or maybe built a class D or T amp along the way to save on their electricity bill.
C. Focusing 100% of their energy on loudspeakers and DSP, where there seems to be universally agreed upon room to improve.

If this isn’t the case, there’s something for me that I either don’t understand or that doesn’t add up.

Why are people still publishing on preamps and dacs and amps?

Actually I have been using the same DIY power amplifier since 1994.

In the early 1990's, my first DIY audio power amplifier design was a variant on the Blomley amp that I never got to work well. When one day the emitter resistors of the output transistors spontaneously caught fire after turn on, I abandoned it. In the meantime I had also learned about the Tol/Huijsing class-AB bias loop technique and decided I liked it more than the Blomley concept anyway. I then made a second amplifier with a class-AB bias loop which I still use today.

I have experimented more with preamplifiers, because I was never completely satisfied with them. For example, I experimented with simple stereo crosstalk cancellation/generation circuits that never worked well. The chassis in post #198 still has holes in it from features that I added and later removed again.

Besides, I have designed and built many circuits for a local radio station here, such as microphone amplifiers, filters to equalize the line between studio and transmitter, a downward expander that automatically turns itself off when not in use, a DIY digital field recorder and various converters from balanced to unbalanced and back.
 
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Long time ago ,the living room was heavily smelly .Feedback was invented to clean it up . Nowadays amplifiers are so clean that the floor is lickable, but there is still some slight smell still perceptible . To my exotic opinion ,because Zout is not remaininig resistive for the whole range . Conclusion ,to use non-millard amplifiers ,one or two stages ,like my bi-circletron which is resistive up to 100khz . But the millard ones are not doomed . I show one who's millard is so active that it has no resistive range at all ,100% inductive as the phase angle shows .To get rid of the smell from such amplifier, my exotic opinion ,is to clean also the toilet. By applying a negative current feedback ,the one that reduces the damping factor to 16 , when it kisses the frog ,it transforms it into a charming resistor. The one which had non, now is resistive up to 700khz and as bonus ,instead of becoming inductive ,it becomes capacitive , no more resonance with capacitve loads.
This is just an exotic opinion and nothing else . you like it? adopt it ,you don't, forget it.
Kokoriantz
 
 
 
 
 
 
 
 
This thread could be titled "from technical to folklore".
There are many factors involved in waveform perception, not just the waveform. Neurons require many substances to be accurate. Neuronal networks have topological requirements to be accurate. Increasing perception resolution involves using neurons at higher gain. Every unsolved deception is a "double-zero at the origin" in frequency response of neuronal networks (a "blind spot" in perception, it does "motorboating" as soon as enough gain is attempted, failing any convergence criteria).
When these factors are not under control, you never know if the subject being discussed is loss-less waveform amplification, or the factors involved in waveform perception.

When a neuronal network is pushed into higher resolution, the first cycle of motorboating can be already interpreted as reaching its limit of precision.
 
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Self Oscillating Class D integrator

modulator type: self-oscillating post-filter single-integrator

Hi Eva
You mention that you are using a single integrator in your Class D amplifier.
I suppose you are using a Miller integrator.
Have you tried to use a chebyshev integrator instead?

Cheers
 
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Hi Jan . If you feedback an amplifier of more than 2 stages it becomes an oscillator. To make it back a stable amplifier,you must add a capacitor to one of the stages to make it the dominant phase shifter ,smashing the open loop frequency response . This capacitor is called miller capacitor. Example, if you end up with an amplifier who's fr is 20khz after applying 40db nfb to have low distortion, than the miller capacitor has smashed the open loop frequency response to 200hz. The output impedance is now resistive only for the subwoofer.

miller,millerred, millard
 
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Billshurve : please ,permit me share my knowledge of loudspeakers with you. I fully agree with you that the voice coil can generate current only by its inductance .However ,it transformes the acoustic and mechanical impedances into electrical ones . How these inductive components are generating current, I cannot explain . If you have a look to phase measurements, example Harbeth Monitor 30.2 40th Anniversary Edition loudspeaker Measurements | Stereophile.com
You can see, it is rarely resistive nearly half of it is inductive . All these inductors are spitting current into the mouth of the amplifier . For triodes to swallow currents is in their nature but current elements need to be controlled . If the amplifier becomes inductive also than, instead of damping it is jut shifting the frequency . The measurement shown as example than,includes the impedance of the measuring lambda amplifier.
 
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