John Curl's Blowtorch preamplifier part II

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Considering the low level signals they are playing with, they have spread everything out rather a lot! it always puzzles me why go to all the effort of adding boutique components then spread everything out, exposing the low level signals to both PCB parasitics and EMI interference due to the large loop areas and monopole structures formed by the excessively long traces...

I am getting a sense of deja vu regarding the cap discussion, I am sure JC has shown his 30+ year old findings before...
 
Getting back to caps, I think that vibration sensitivity and long term reliability is where we should look, beyond using the best materials available as well.
Listen to Richard Marsh. He has experience in these matters. I am still puzzled as how I might best test relative vibration sensitivity of different quality caps.
 
Put 'em in a circuit at the position you want to use them and tap with a pencil while listening to the output. That doesn't make a great story, but it works.

With mass-produced polypropylene caps (like Wima or Panasonic), you'll see very little to no effect. PTFE are worse. "Hand made" "limited production" can be quite variable.
 
You should .... 🙂

How to capture the hipster cache? This is related more to the "vinyl revolution" than the latest $100k statement table (IMHO of course). One local alternative record lable sells Regas with the USB dongles as well as their records. It's a hip thing to have a table and some LP's around the pad.

I hear the latest problem is that the hipster's (they used that word) are stealing the custom glassware that the bars are using for their signature fancy cocktails. Someone has to tell me why the wine prices continue to rise while goofy cocktails are the drink of choice for a large part of the single and lots of disposable income crowd. I mean we never stole the Riedels
 
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You need to see how flimsy some caps are by taking them apart. They are very loosly wound. The bipolars may be the worse and they are used a lot in speaker cross-overs.
electrolytics should have no air gaps, are fluid (gel) filled, the electrolyte must have intimate contact right up to the Al/AlO2 dielectric
the "not tightly wound" comment doesn't seem to be relevant - the deeply etched Al foil simply can't be tightly wound, is irrelevant to its mechanical response

the trapped air affecting the self-healing/reliability of metallized film caps should also be by itself irrelevant to audio apps - our films shouldn't be subject to repeated overvoltage that industrial motor caps see

but the measures taken to exclude the trapped air for reliability could be good for audio too - if you were so cheap as to use met-film instead of proper foil electrodes for audio
 
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