I don't think so. His years of exposure to 130db SPL's came as a sound engineer for the Grateful Dead, which I believe would have been back in the late 60's - early 70's. Not a fan of that type of music, so I could be wrong.John must be a youngster.
Oh, I may have seen him then🙂 Which reminds me, I thought Pete Townsend was pretty much deaf, but I didn't notice any hearing aids in the Super Bowl performance. Boy the 60's and 70's when so many bands played live AND out of tune.I don't think so. His years of exposure to 130db SPL's came as a sound engineer for the Grateful Dead, which I believe would have been back in the late 60's - early 70's. Not a fan of that type of music, so I could be wrong.
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The Levinson JC-1 released in 1972 was:
1) named after Jim Cuddy of Blue Rodeo
2) designed by the most gifted 3-year old on the planet
3) a complete unknown to some here pretending otherwise
You really have to be kidding me.
1) named after Jim Cuddy of Blue Rodeo
2) designed by the most gifted 3-year old on the planet
3) a complete unknown to some here pretending otherwise
You really have to be kidding me.
He's still alive? Wow.I thought Pete Townsend was pretty much deaf, but I didn't notice any hearing aids in the Super Bowl performance.
Didn't watch the half time show. Hopefully they can have Rod Stewart play next year (or maybe just roll an actual museum fossil out on stage to the sound of music).

Well, my $25,000 cables have such incredible pace, rhythm and timing, they can correct that.Boy the 60's and 70's when so many bands played live AND out of tune.
4) 38 years ago, but doesn't explain "gated" isolate-the-amp-sound-at-CES hearing one iota.The Levinson JC-1 released in 1972 was:
1) named after Jim Cuddy of Blue Rodeo
2) designed by the most gifted 3-year old on the planet
3) a complete unknown to some here pretending otherwise
The information is out there but you can't make peole read it. Believing is so much easier than cogitation.
Jakob, what "categorical conclusion" and data are you talking about?
I was referring to this statement:
"Sense of sight easily overrides our sense of hearing. Nothing new. That's why sighted listening tests are pretty useless: Audio Musings by Sean Olive: The Dishonesty of Sighted Listening Tests"
Wishes
I don't completely agree, but there is a point that I have often made: As the reproduction becomes better and better then taste/prefernce has to become a lessor and lessor factor, because, if the reproduction is perfect, then taste and prefence are irrelavent.
I think at that point we are in total agreement.
But, of course stereophonic reproduction is in no way capable to reproduce something in a perfect way, it only can provide an illusion of reality.
Therefore and due to inherent variables in the recording process (what microphone to choose that sound really "real" ? ) i just don´t see that personal taste or preference can be taken out of the game.
If we are listening to an event that remains to reality but is as imperfect as stereophonic reproduction is, it depends strongly on individual mechanisms which kind of error will be the best to trigger our brain-perception to recreate a suitable illusion.
Wishes
Excellent! So Jakob,
What positive control do we use for (TG54) wire tests?
Seriously i don´t know what controls _you_ are going to use in the SY/TG54 wire test. 🙂
I´ve made some proposals, but can´t remember of any from SY or AJinFLA.
How did you eliminate the switch box from contaminating your results?
Simply by not using a switch box.
How, as a (non-adversary) administrator, did you eliminate your subjectivist desperation for a positive result from adversely affecting the test results?
How did Sturm?
In a double blind test even the most desperated administrator can´t unintentionally favor a rejection of the null hypothesis.
One possibility is that the administrator is not present during the tests, another one is to train the participants of the test.
And of course the controls help also in this regard. .)
Sturm wasn´t present during the tests.
Wishes
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I was referring to this statement:
"Sense of sight easily overrides our sense of hearing. Nothing new. That's why sighted listening tests are pretty useless: Audio Musings by Sean Olive: The Dishonesty of Sighted Listening Tests"
Wishes
This data shows that sighted listening introduced huge errors. You have to conclude that sighted tests are seriously flawed.
If we are listening to an event that remains to reality but is as imperfect as stereophonic reproduction is, it depends strongly on individual mechanisms which kind of error will be the best to trigger our brain-perception to recreate a suitable illusion.
Is "error" a typo? You mean "cue"? If yes, this is a claim that has never been sufficiently verified. The working hypothesis still is that we all respond the same way to the same cues.
For example, we did tests of compression drivers on plane wave tubes where the driver was in and out of the loop, just as one might test a DAC for example. This was quite telling, because it was very hard to hear the driver itself.
Hi Earl. Still waiting for more info on this. Maybe you missed my earlier question about it. As I don't really understand this loop test, maybe you have more info?
Hi Earl. Still waiting for more info on this. Maybe you missed my earlier question about it. As I don't really understand this loop test, maybe you have more info?
I did miss it.
The article was published in the AES Journal a couple of years ago (Geddes, Lee and Magalotti) and I think that it is posted on my web site.
Good post Panicos. Heaven forbid that we would choose components that were not 'perfect' for the job at hand, and ordinary cables are perfect for the job at hand. If you want something fancy, expensive cables are excellent....just not necessary.That is the reality when we have an audio system in a room.This is the real point where many have to understand that forbiden words like synergy,personal taste,hearing ability status......are not only part of the game but mandatory elements of it.Who needs a "perfect system" that he cannot enjoy?
On the 'perfect' versus 'sounding good' systems, there is no problem as nothing is perfect. cheers
Good post Panicos. Heaven forbid that we would choose components that were not 'perfect' for the job at hand, and ordinary cables are perfect for the job at hand. If you want something fancy, expensive cables are excellent....just not necessary.
On the 'perfect' versus 'sounding good' systems, there is no problem as nothing is perfect. cheers
Hi Fredex,I wasn't speaking for cables only.Yes all in good measure though,including cables🙂 It is just a 20 sq.m room afterall.......
Hi Fredex,I wasn't speaking for cables only.Yes all in good measure though,including cables🙂 .......
I like, "all in good measure"... though some "good" folk don't like the word "measure" at all!
I realise you weren't just talking of cables here but it reminded me of a time when fancy guys used to get their favourite piece of gear gold plated, Linn Sondek turntables and Nakamichi cassette decks were plated at great expense, a bit like gold bath taps. No one claimed it made the gear sound better, they just did it for fun and er bragging rights. Expensive cables can do the same thing for the owner, but now days it is a bit un-cool to be too fancy so the "idea" that they actually make the system sound better has taken hold. It is all about being cool. Just Bling is a bit scary for some.
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