Posted Yesterday at 03:15 AM byrjm (RJM Audio Blog)
Updated Today at 08:41 AM byrjm
A preamplifier is more than a volume control. It is the command and control (C2) center for your audio system, so it is important that it have all the features you are ever likely to want or need. The core line amplifier electronics is straightforward, it's implementing all the "uncore" stuff properly that's the real problem. Each feature comes at a cost of space and complexity. Put everything in there and the job gets truly massive.
Brainstorming session in progress.
Volume Control [goldpoint V24 50k]
Voltage Gain [12 dB?] op amp
** main board is a Sapphire3 headphone amp de-rated to lower output current and higher input impedance.
2. Selected features to include
Input Select [include - 2, (two inputs can be handled by a simple toggle switch, otherwise a rotary switch is needed)]
Mute Switch [include? (simple toggle switch on output)]
Posted 24th July 2016 at 01:11 AM byrjm (RJM Audio Blog)
Updated 26th July 2016 at 11:45 PM byrjm
Although the original Sapphire headphone amp can be configured as a line stage, or use as-is as a line stage, I've gone ahead and made a new circuit variant with a new set of boards.
The Sapphire Line (in development) combines the shunt-series regulator, bboard 2.0 buffer and an op amp voltage gain stage. Same basic idea as the Sapphire of course, but with a much less beefy output stage so the low noise regulator can be added and everything still fits on the board.
rev 10e - now with support for 2520 op amp modules
Posted 18th July 2016 at 03:58 AM byrjm (RJM Audio Blog)
Updated 22nd July 2016 at 10:41 PM byrjm
Consumer audio standard line level output is -10 dB, 0.316 V rms [dB = 20 * log (V/1V)]. Some devices like computer sound cards can boost that at the max volume settings, my Asus Xonar can do 6 dB or 2 V rms. Quite a lot of digital audio produces 2 V rms output, DACs and CD players and not just computer sound cards.
The amount of output current required by the line driver is the signal level divided by the load impedance, so to estimate the worst case scenario we have to consider the smallest practical load and the largest likely signal. The input impedance of consumer audio is typically 10k to 100k. 10k is the lowest design point, but sometimes people do strange things like drive two components at once which halves the value, or headphones, or pro audio gear with 600 ohm inputs.
The long and short of it, though, is that consumer audio inputs are never normally going to draw more than 1 mA. For pro audio the maximum is meanwhile 3 mA. 5 mA bias current through...
Posted 16th July 2016 at 02:04 AM byrjm (RJM Audio Blog)
Updated 20th July 2016 at 09:57 PM byrjm(corrected attenuator output impedance in attached diagram)
A [just my opinion, bro] post...
I actually had occasion to try this the other week. I had a box with a volume control followed by the bboard unity gain buffer and in preparation for replacing it with a similar buffer with voltage gain (a power-derated Sapphire 3) I removed the buffer and briefly used the box as passive preamp, i.e. just the 47k stepped attuator, with 1 m interconnects to the amp and 2 m interconnects back to the phono stage. Sure enough the system noise increased, depending on the position of the volume control, with some nasty low level buzzing interference.
Why does this happen? It's pretty simple really. Noise is usually induced as a current, and the larger the resistance (impedance) this noise current is forced to flow through to reach circuit common, the larger the noise voltage since by Ohm's Law, V=IR. Noise induced between the volume control and the amp is faced with the high impedance of the amp (47k) or the output impedance of the...
Posted 16th July 2016 at 12:54 AM byrjm (RJM Audio Blog)
Updated 16th July 2016 at 01:10 AM byrjm
When I need to pick the right capacitor for a coupling capacitor, rather than working out the time constant or 3dB cutoff I just remember the mnemonic "0.1-220" (meaning 0.1 uF and 220 kohms) and adjust the ratio up/down for the resistance I happen to be looking at: 0.22-100, 1-22, 0.47-47.
This amounts to a time constant (t=RC) of 20 ms, and 3 dB cutoff of 7 Hz. The bass attenuation at 20 Hz is half a dB.
If there are several stages the attenuation of all these filters add up, so it can be a good idea to make the capacitance about twice as large. There is rarely any advantage making it much larger still.
Excel worksheet attached. It spits out all the numbers so you don't have to guess.
* calculating the attenuation involves complex numbers. Zr=R, Zc=-i/(2 pi f RC), attenuation (high pass) = | Zr / (Zr+Zc) |. In excel you can use IMSUM, IMDIV, and IMABS to do the complex math.
To confirm the calibration of the sound card input and output gain. Also, to determine the relationship between the signal voltage, the recorded signal amplitude displayed in Audacity, and the signal peak and noise baseline levels in the FFT spectra.
* Setting the volume slider of the device output to 100 gives 1 V rms output for an amplitude 0.5 sine wave.
* Setting the volume slider of the device recording line input to 100 gives records a 1 V rms tone as an amplitude 0.5 sine wave, which is displayed in the frequency spectrum (FFT) as peak of magnitude 0 dB in Audacity when both channels are averaged.
* volume setting 100 needed for unity gain loopback.
* 0.5 amplitude sine wave = 0 dB FFT = 1 V rms.
* noise baseline in averaged stereo FFT is 3 dB lower than single channel measurement....
Posted 17th June 2016 at 01:44 PM byrjm (RJM Audio Blog)
Updated 20th June 2016 at 08:37 AM byrjm
I'm not totally sure this would work as advertised, but I can't see any obvious reason why it would not...
It's pretty much the same circuit as I used in the CrystalFET, which started out in a previous blog post in the Voltage Regulators for Line Level Audio series, but here I've replaced the MOSFETs with bipolars. It is shown configured to deliver 20 mA @ 12 V, split supply. Enough to power an op amp phono stage for example, or a preamp, or the voltage gain stage of a headphone amplifier.
The main innovation re. the sapphire circuit is to replace the bias set resistors with diodes made out of the Vbe of transistors Q9 and Q10. This generates more voltage than is ideal, but can be handled by using largish values for the emitter resistors R13 and R14. Since this is a line stage buffer and not a headphone amplifier the output impedance of about 30 ohms and the limited output current swing are not critical flaws. It will drive 600 ohms at 0 dB with 0.001% THD. The whole circuit draws just 150 mW. The input impedance is a very high ~15 Mohms...