Posted 16th February 2016 at 09:21 AM byrjm (RJM Audio Blog)
Updated 17th February 2016 at 12:47 AM byrjm
This Excel (2013) worksheet will help you fine tune the values of the resistors and capacitors used in the passive RIAA network found in any number of two stage tube, op amp, and FET phono stage circuits.
Excel handles complex numbers well enough now that this job isn't particularly difficult, though for simplicity the DC blocking cap (Cc) is left out of the calculation.
Posted 15th February 2016 at 07:45 AM byrjm (RJM Audio Blog)
Updated 19th February 2016 at 11:59 PM byrjm
There are lots of phono stage circuits floating around based on two jFET amplifier stages and a passive RIAA network. I'm not sure who did what first, but there's the Boozehound, LePacific, and of course Salas versions.
Setting aside concerns about the ripple rejection**, today I'd just like to focus on the distortion and noise of the circuit itself. The passive RIAA stage is a large obstacle. It attenuates the signal substantially at all but treble frequencies, and it generally presents a large series impedance - both of which tends to increase circuit noise.
The jFET themselves meanwhile are a fine balance between low current, low noise operation with high distortion, or running at high current, high noise, with low distortion. Circuit gain must be paid for meanwhile with added distortion since the two stage design struggles to manage 40 dB.
After spending some time in LTSpice with this, I realized it was the proverbial rock and hard place...
Posted 2nd February 2016 at 08:11 AM byrjm (RJM Audio Blog)
Updated 24th February 2016 at 02:02 AM byrjm
The discussion thread at the headphone forum is here, but I wanted to throw out the problem to the general blog-reading community here at diyaudio to see if anyone can nail this.
The earthed chassis (light blue) must connect to the circuit common i.e. "ground" (pale green). I do not know where the best place on the circuit ground is to tie that connection.
(COM and GND are completely equivalent pads on the circuit board, while IN- and OUT- also pads on the board but physically further away on the ground plane.)
Answer: as long as it connects at one point only, or the same point of both channels, it doesn't seem to matter at all. I have it connected at the ground tab of the headphone jack and that seems to be as good as anywhere.
The noise was in fact magnetic interference emanating from the transformers. Grounding layout changes / electrostatic...
I'm not sure whether its possible to build a passive, permanent device that dissipates/neutralizes electrical charge. But the scientist part of me finds the claims that you can interesting.
Static electricity will eventually dissipate by attracting counter ions from the air. This happens more quickly if the humidity is high.
So seriously, if you just stuck a wire into a bucket of dirt, how much "earthing" would that actually provide? Is there any way to amplify that effect by using special materials or even passive electrical components?
I've been meaning to get around to updating this by folding in the improvements to the diamond buffer stage made during development of the Sapphire 3 headphone amplifier. Here is the first look of the bboard v2 under LTSpice.
I've gone back to simple emitter resistors on the input, running under much lower current to keep the input impedance high. The output is simplified to a basic Sziklai compound transistor pair with the bulk of the bias current running in the second transistor.
In terms of distortion, for line level output level, CCS loaded input has no advantage. I'll have to double-check PSRR and a few other things before signing off on this version though.
I admit I did not give ASUS the benefit of the doubt and seriously consider their Essence STX soundcard as a replacement for my Onkyo SE200-PCI. ASUS make nice motherboards, but unlike Onkyo have no previous expertise in high end audio.
I am happy to report - a bit late in the game, the card came out in 2009 - that they've done a really good job with it and the drivers for Windows 10, technically still in beta, work just fine.
Asus updated the design recently to the STX II. The PCB has been redone, but the only visible change is the PCM1792A DAC has been moved towards the top of the card closer to the IV conversion op amps. An second LDO regulator IC, U34, empty on the STX, is now populated. A "TXCO" clock source is added next to the ASUS audio controller IC. The four film caps next to the output IC are replaced with WIMA brand. It's basically identical, so it...
Current version is 5.60C, last update was 2012 to be compatible with Windows 8. Driver package 5.60C installs without issues on Windows 10 64 bit. The AudioDeck utility installs as well.
However, all is not well:
On installation, Immezio 3D effects are enabled. This locks the sample rate at 48 kHz. 44, 96, and 192 kHz cannot be selected. Deselecting the Immezio 3D effects prompts a reboot, but the Immezio 3D effects remain enabled after rebooting. The card is stuck at 48 kHz. 3D effects (which enables the DSP processing such as Qsounds, EAX, A3D) cannot be shut off.
I see three possible workarounds:
1. Find a command line switch, or edit the installation batch file to disable Immezio 3D on installation...
Posted 2nd October 2015 at 06:07 AM byrjm (RJM Audio Blog)
Updated 9th November 2015 at 02:44 AM byrjm
This is a headphone amplifier with digital inputs, not a DAC with a headphone jack. Though technically given equal board space, the headphone amp, with hot-running single-ended class-A output stage, is surely the centerpiece of the design. (The Asahi Kasei DAC, with MUSES01 for the I-V, is no slouch mind you.)
First impressions. It is large, solid, and very nicely made, but - after seeing the inside - rather simple, spartan even. From the DAC output to the headphone jack is just two op amps and two transistors, the op amps being shared between channels. A third op amp most likely just buffers the analog line output. Apart from the headliner MUSES01 op amp none of the parts are especially expensive, though many were clearly carefully chosen for sound quality - the 2SC5196 for example. The TE7022 USB receiver is a disappointment, as is, to be honest, the single set of power rails and the use of dual op amps shared between channels.
Posted 26th September 2015 at 12:49 PM byrjm (RJM Audio Blog)
Updated 9th October 2015 at 05:24 AM byrjm
My Onkyo soundcard drivers stopped working when I upgraded to Windows 10. Onkyo says they have no plans to release a patch, so I'm left with no high quality audio solution for my computer. Since I already have a good headphone amplifier, what I'm mainly looking for is a high quality line level analog output.
One options is another soundcard, the ASUS Xonar STX being the obvious choice. I dunno, it doesn't grab me.
I was thinking with going with an external box this time, connected via USB. As this opens up about a zillion options, I'm going to limit things to,
Respected audio brands with a solid reputation for digital audio.
Small enough to be placed on top of my computer case.
Posted 26th June 2015 at 03:59 AM byrjm (RJM Audio Blog)
Updated 1st October 2015 at 08:04 AM byrjm
I'm often asked "which op amp sounds better".
The reply is usually a scowl and muttered "does it look like I care!?" Which is something of a lie... I do care about getting op amps to sound good. It's the phrasing of the question I dislike.
Op amps do not come in "good, better, best" flavors. All it is - and this is pretty obvious I would have thought but apparently not - all this is about is matching an op amp to the job it's going to do; the circuit it's going to be sitting in.
The op amp you'd choose to use as a DAC IV converter is different from the one you'd choose to back a 100k volume potentiometer in a preamp is different from the one you'd choose for an MC phono preamp input stage...
Why do you think there are like a thousands of different op amps to choose from in the first place? It's because there are thousands of combinations of op amp characteristics and properties ... not because companies...