Possibly the worst assumption in audio electronics

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still no need to invoke quantum mechanics.

Ahhah. :D
Just delegate to something miraculous functions and relax. :D

Let's stop, otherwise I will start demanding the explanation of gravitation, in details. I don't mean explanations that Sir Isaac Newton long time ago gave; I mean explanations of what he admitted can't be explained by physics built upon his model.

So, what do we know about time delays, frequencies, and and sound pressures human beings can perceive?
 
Q: So with typical background noise levels and the hearing acuity of a 57 year old...should I be able to hear a piece of dropped chalk at 16 or 16,000 meters? Inquiring minds demand to know!!!

A: My wife would attest that my chances of hearing it at 16 meters are vanishing, since I have been known to not respond to her voice from 1 meter away.

I'm highly confident I could catch it at 16 meters but I wouldn't bet a beer on 160! I know for damn sure that whether I heard it or not, the known principles of Physics, Thermodynamics, Chemistry, Biology and any other Science (caps distinguishing these from social science, management science, etc.) would be adhered to and preserved. For those of you who debated whether reality exists many posts ago - test it by stepping in front of the next car that whizzes by you - the mess will confirm that reailty is indeed...real.
 
Ahhah. :D
Just delegate to something miraculous functions and relax. :D

Let's stop, otherwise I will start demanding the explanation of gravitation, in details. I don't mean explanations that Sir Isaac Newton long time ago gave; I mean explanations of what he admitted can't be explained by physics built upon his model.

So, what do we know about time delays, frequencies, and and sound pressures human beings can perceive?
Possibly some answers here
 
Just delegate to something miraculous functions and relax.

No, you invoke miraculous functions - qm.

Why is it necessary to invoke quantum level mechanism to explain macro level physical and and chemical processes? Only should those explanatory models fail, then yes - lets go one step deeper.


otherwise I will start demanding the explanation of gravitation, in details

The necessity to explain gravitation in "fine structure" came only when there was an attempt to unify the forces in light of the expansion of the universe and the subsequent separation of a hypothetical unified force into a multitude.
Maybe unification is not possible. So far Einsteins geometric model works well as far as I can understand.
 
If you don't respond it does not mean you don't hear her voice, right?

Speaking of sciences... Does quantum physics prove that quantum effects happen only and only in special laboratory conditions? Never. So, it is normal to accept them by default, since they had been discovered and experimentally proved. They do exist, why we have to deny them speaking of live cells? Use Okkam's razor and cut off heavy complex mechanistic explanations, that's it.

Now, experiments with emotional reactions on sound and pictures that yet have to be randomly chosen by computer prove that reactions do not follow after direct mechanical impact, so they are not necessary caused by vibrating molecules that kick something inside of the ear. So, we may accept experimental data about hearing phenomena and adjust our requirements to audio equipment according to what we know, even if we can't tell for sure how it works.
 
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It could mean: I didn't hear her; I didn't choose to respond; or this thread was so damn interesting that I was oblivious to all but its latest post.

Quantum Physics is as real and proven as traditional statics and dynamics, but my sense is that it is dominant at the sub-angstrom scale (dare we raise that metric again) and statistically washed away here in the world of solids, liquids and gases.

I will remain wedded to the macro universe where cause preceeds effect and the noise from a dropped piece of chalk is not heard until it hits the ground!!
 
back to the beginning:
How sensitive is hearing?

Extraordinarily so. The ear can detect a sound wave so small it moves the eardrum just one angstrom, 100 times less than the diameter of a hydrogen molecule. Murray Sachs, director of biomedical engineering, likes to say that if there were nothing between you and the airport, 10 miles away, and if there were no other sounds, nothing for sound to reflect from--then theoretically, you could hear a piece of chalk drop at the airport.

and here what they really said:

Based on data from thousands of experiments in which they wiggled the bundle back and forth, the researchers calculated that hair cells are so sensitive that deflecting the tip of a bundle by the width of an atom is enough to make the cell respond. This infinitesimal movement, which might be caused by a very low, quiet sound at the threshold of hearing, is equivalent to displacing the top of the Eiffel Tower by only half an inch.
The Goal: Extreme Sensitivity and Speed
http://www.hhmi.org/senses/c110.html

Where does it say that this movement is translated into hearing? Nothing but bad science reporting.

The noise level of the receiving environment is likely much higher than the minimal threshold, so for all practical purposes such a small signal has no bearing on anything.


http://rsta.royalsocietypublishing.org/content/360/1794/833.abstract

Sounds enter the ear canal both directly and after reflections from the pinna. This results in complex spectral patterns, which vary systematically with the direction of incidence of the sound source relative to the head. Evidence is described indicating that these spectral patterns are used in the localization of sounds in space.

The localization of sound had probably a higher survival value than actual frequency range and sensitivity, although they helped likely to identify very quietly approaching predators
or helped to detect prey from a greater distance.
When I hunt my hearing in the first stages are much more important than my eyes - considering the terrain I hunt in, dense bush.
 
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go from facts rather from explanations, right?

yes, but it seems "facts" have different interpretations according to who is reporting.

See my posting at 188. Measurements alone tell not the whole picture - as in cables.....(waiting for bullets)... The question is: can you translate those measurements into an audible signal.
The cilia might trigger a signal - but the processing following in the brain likely will filter out those signals that from experience (learning) or even inheritance (genetic) qualifies as noise.
 
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Sure, but designing audio systems we may consider that all our models are limited, and go from facts rather from explanations, right?

Certainly that's the way I'm proceeding in my own designs. To me, an audio 'fact' is a well described result of a listening experiment - doesn't need to be blind or anything particularly controlled but the conditions do need to be in the report. I then work to correlate theory with fact by developing new methods of measuring, and update theory accordingly to contribute to the evolution of my design.
 
Recent psychoacoustic studies of nonlinear distortion have yielded some new insights into what audible problems in loudspeaker might be related to. This paper will show the results of recent subjective tests which extend the work of various previous works to show that sound level significantly affects the perception of linear distortion in audio systems. This means that the hearing system itself is nonlinear and what has been thought of as being nonlinear distortion in the audio system may actually be a nonlinear perception directly in the receiver itself.

Authors: Geddes, Earl R.; Lee, Lidia W.
AES E-Library: Audibility of Linear Distortion with Variations in Sound Pressure Level and Group Delay
that name is familiar.....

just to remind that the receiver itself is likely to distort the signal.
The question then is: how much source distortion is actually audible?
 
yes, but it seems "facts" have different interpretations according to who is reporting.

I don't mean interpretation. I mean consideration. However, it is my right to have some variants of interpretations that silence down my curiosity, but when I hear that for example THD does not correlate with perception of distortions I chose perception over THD and try to minimize errors that add unnatural colorations.

The question then is: how much source distortion is actually audible?

I'm more interested in, "How close is distortion profile to what the receiver can't recognize as distortions". ;)


And how about the rumor that jitter is being deliberately added to digital recordings to "soften' their audible character, to acceptable human standards?

And how about blurring of electronic picture so rough sharp edged pixels are unrecognizable? ;)
 
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I'm more interested in, "How close is distortion profile to what the receiver can't recognize as distortions"

A practical approach that gets away from the pure numbers game.
It requires however research on when the distortion profile becomes unrecognizable.

What is important for reproducing audio to me: come to a point where a suite of non amplified instruments heard live is indistinguishable from the electronic reproduction.
Remembering hearing my last concert by the Vancouver Symphony in a not very good venue - a gym - and then listening at home to not too shabby system - kef speakers, bryston amps - hammered this point home again.

We are far from reproducing sound of an orchestra at home, and because of room restriction might never be able to. Even the reproduction of smaller musical groupings - quartets and sextets - are not very close to the life sound.

To me however it is not so much the electronics - it is the sound transducers that have seen very little real progress, and that progress actually might never come, when one observes the mostly non hifi listening habits at present.
 
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