Not every application was reliable and good with DC. Radio consoles of the time were plagued with the little cherrybombs in coupling and PS bypass positions. I learned to despise tantulums for their shorting failure mode after the 4th or 5th overnight call-in.
Hey anatech, can you eleborate on the better old prod electros? Just two nights ago I swapped out the original PS caps in a 25 year old Yamaha CT-1010 for Panasonic FCs, more out of due diligence than anything else, and was amazed by the improvement. The tuner had been under power for a couple weeks prior so the old electros were fully reformed.
Hey anatech, can you eleborate on the better old prod electros? Just two nights ago I swapped out the original PS caps in a 25 year old Yamaha CT-1010 for Panasonic FCs, more out of due diligence than anything else, and was amazed by the improvement. The tuner had been under power for a couple weeks prior so the old electros were fully reformed.
Hi rdf,
I was talking about the signal caps mostly. I don't change main supply caps unless I can see "pips" on the leading edge of the ripple. The better products had local bypass caps the often needed changing.
I'm guessing that technicians will never trust those tantalum capacitors again. That's why I asked about Oscon types. I don't trust them.
-Chris
I was talking about the signal caps mostly. I don't change main supply caps unless I can see "pips" on the leading edge of the ripple. The better products had local bypass caps the often needed changing.
Oh yeah! I hate the little beggars for the same reasons. Some even shorted in signal applications where they created weird and wonderful faults.
I'm guessing that technicians will never trust those tantalum capacitors again. That's why I asked about Oscon types. I don't trust them.
-Chris
Yes, Nelson, I am known to 'pontificate'
I can't place the B&K seminar exactly in that time period, BUT I was really impressed with what Tektronix had showed me, and I tend to share with everyone else. Gets me into trouble. I should just keep my mouth shut and covertly laugh at the mistakes and misunderstandings that many designers sometimes have.
I modified my 577 to do the same thing, as soon as I could. Later, I realized that harmonic and IM measurements were possible too, but I had overlooked this problem before 1974, as do many designers today.
Thanks again for the computer, I have no display yet. Hope to get one in a few weeks.
I can't place the B&K seminar exactly in that time period, BUT I was really impressed with what Tektronix had showed me, and I tend to share with everyone else. Gets me into trouble. I should just keep my mouth shut and covertly laugh at the mistakes and misunderstandings that many designers sometimes have. I modified my 577 to do the same thing, as soon as I could. Later, I realized that harmonic and IM measurements were possible too, but I had overlooked this problem before 1974, as do many designers today.
Thanks again for the computer, I have no display yet. Hope to get one in a few weeks.
UK-made
Tantalums banned from my desings
Ditto for polypropylenes. Ditto ceramics.... Ditto silver-mica......
Only allowed fore stuffing in Russian Teflons K72P-6
Friendly guys on Ebay and quite affordable prices.
I suspected it was UK-made and after checking the link I was informed being right.tvi said:
Tantalums banned from my desings
Ditto for polypropylenes. Ditto ceramics.... Ditto silver-mica......
Only allowed fore stuffing in Russian Teflons K72P-6
Friendly guys on Ebay and quite affordable prices.
I didn't know about capacitor distortion in 1973. I did know from working with Mark Levinson, that some caps sounded better than others. I still used ceramics then for bypassing and compensation. I can't remember the B&K rep, but I did show someone from B&K how to lower the noise of their mikes by 10dB. They used my idea, charged me for the upgrade, and gave no further attribution to me. They did the same thing with the cap distortion thing about 1 year later. I moved to Switzerland in 1974, and they came to visit me there, and that's when they learned about the ceramics. No attribution in this case either. Finally, when the guy from Ortofon took my patented JC-1 circuit as his own, I gave up on sharing with a certain group of individuals. It cost too much!
I remember the B&K meeting, somewhat. We were using their 1/2 inch mikes for far-field differential cancelation, and we had one of their big real time analyzers that we took to concerts.
My friend Geoff Cook was really big on polycarbonate caps at the time, so was Mark Levinson. Still, I can't remember ever measuring any distortion in the caps, directly, at the time. This was when I was still working with the Grateful Dead, I suppose.
My friend Geoff Cook was really big on polycarbonate caps at the time, so was Mark Levinson. Still, I can't remember ever measuring any distortion in the caps, directly, at the time. This was when I was still working with the Grateful Dead, I suppose.
jacco vermeulen said:You think Madrigal fancied the colour, "Quantico" ?
Maybe the favorable footprint, MKC or MKP made no real difference prise wise.
Polycarbonate is very compact but I think they liked the sound of it.
It went on for years till they turned the IC-route.
See also www.marklev.com
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