Collaborative Tapped horn project

I wonder how this has all evolved, if there has been any significant gain over older designs from back in the day.

For anyone building.

some feedback.. (of the good kind?) and thanks!

Im happy with what I built. so for anyone who would build what I did; Im sure they would be content. for home use. good resonance, well defined tones, good fundemental tuning, good roll off at higher bass frequencys. good volume.

still firing
:yes: :wiz:
 
Last edited:
Lab12 Snyder horn with Alpine 12's

Dear all,
Am new to the horn business and hoping for some guidance please.


I have modeled the Alpine SWS-1241....


attachment.php



attachment.php


and Alpine SWR-1242D....


attachment.php




attachment.php






I used this as the basic model.....


attachment.php




To me these Alpine look AWAZING - I mean over 100DB @ 1 watt right?


Please tell me I'm wrong? I so want to build a pair of these!


Any help appreciated.
 

Attachments

  • Slide1.JPG
    Slide1.JPG
    77 KB · Views: 355
  • Slide2.JPG
    Slide2.JPG
    64.6 KB · Views: 361
  • Slide3.JPG
    Slide3.JPG
    73.6 KB · Views: 358
  • Slide4.JPG
    Slide4.JPG
    65.3 KB · Views: 355
  • Lab12 Horn.gif
    Lab12 Horn.gif
    31 KB · Views: 364
You simulated in 0,5 Space, which means this response is what you get when you put the Sub in a corner. Try double clicking on the "ang" input section to see the differences. Subwoofers usualy are simluated in half space (=2), which corresponds to them standing on the ground. Of course, If you are to put it in a corner, this is right - but watch for the SPL and lower frequencies - how they change while altering ANG.

You get quite a lot of SPL and low end out of a tapped horn compared to a ported Box much smaller comparing the same drivers.
 
A few things:

1. Segments in a TH folded into a rectangular box (like your example) should be modelled as Parabolic (Par) not Conical (Con) segments.

2. For those two drivers you mentioned, you should definitely use the "semi-inductance" option to model them, as their varying inductance is definitely going to have an impact on the response (for more on this, see the "semi-inductance" page on my website). Unfortunately this means that you'll need the extra parameters required for modelling the impact of semi-inductance, and those are not usually quoted. Using the "lossy Le" option is an alternative, but it won't be as accurate.

3. Use Vtc and Atc to include the volume of air in front of the driver's cone in your simulations.
 
Hi Brian,
Many thanks for this help. :D

I went back and changed the model from Con to Par. I didn't seem to see any change, but I admit I did not overlay the graphs.

Your semi-inductance write up is very interesting and well constructed. I'd be using the SWR Alpine which has shorting rings and therefore has low and well controlled Le, as I understand it. Therefore, as you've noted in your very helpful write up, should I expect that for the SWR it will have a minimal impact on the modelled response?

I didn't have time to add in the volume of air in front of the driver's cone to the model yet, but happily Alpine includes this in its spec sheets so I'll also do this tonight and look at the change this makes.
 
Last edited:
Nope, the Alpine driver's semi-inductance parameters definitely need to be considered, based on my experience with the type R 12D2. Sealed alignment, or maybe a re-tuned 4th order BP might work best with them. I'd stay away from higher-order alignments using those drivers.

Thanks again Brian.

May I assume that the numbers in the thumbnail image are the semi-inductance for the SWR-1242D please? If so, thanks for sharing. I'll plug these in and see how this affects the modelled response.

For some context I guess what led me here was that I wanted some Danley DTS10's but they cost over $10k in Australia. The DTS10 uses LAB12's as I understand it.

This gentleman replaced his dead DTS10 drivers with the Alpine SWR's and reported great results. Theres some great shots in this post too, I do love a pic or two....

Again I assume, the DTS10 is a higher order alignment? Please, don't feel I'm trying to be contrary, really I'm just keen for knowledge. Would you mind helping me understand your recomendation to stay away from the Alpine in this alignment.

Thanks again.
 
Last edited:
Again I assume, the DTS10 is a higher order alignment? Please, don't feel I'm trying to be contrary, really I'm just keen for knowledge. Would you mind helping me understand your recomendation to stay away from the Alpine in this alignment.

Thanks again.

Yes, it's basically a 6th order alignment with a 1/4 WL stub to fill in its 3rd harmonic dip for a bit of extra BW and those guys were switching first to the LMR, then the SWR because they were shredding Lab12s with high SPL down to its ~11 Hz tuning, so a proven 'upgrade'.

Note it needs some EQ, TD, due to being a TH, which is listed on that thread IIRC, then dialed into the system. Anyway, a helpful bunch.

GM
 
Semi Inductance

The design should be modelled as a tapped horn, not as a back-load horn. See the Hornresp Help file for details.


Thank you David. Amazing to get your help here, thanks! I'll read up and re-model.



Regarding the semi-inductance model information, here is what I get....


attachment.php



Looks smoother in the pass band, yes? :)
 

Attachments

  • Lab12 Alpine Semi Inductance.jpg
    Lab12 Alpine Semi Inductance.jpg
    69 KB · Views: 480
The design should be modelled as a tapped horn, not as a back-load horn. See the Hornresp Help file for details.




I changed the driver arrangement drop down to tapped horn, hoping I did this correctly?....


attachment.php



Seems smoother again....


attachment.php
 

Attachments

  • Driver arrangement.jpg
    Driver arrangement.jpg
    36.8 KB · Views: 487
  • tapped horn setting applied.jpg
    tapped horn setting applied.jpg
    61.8 KB · Views: 328
Last edited: