Resistor Sound Quality?

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Not everyone can hear well, or has enough experience or ability, to give a reliable opinion.

This is true, and is often made apparent when someone who claims to hear differences quite easily has to show their stuff without knowing what they are listening to by other means than listening. Random guessing becomes the rule.

What matters is whether a particular individual who DOES, can hear differences.

That is, hear the differences without non-audible cues.

Trust me, many people think they can hear amazingly small differences until they have to do so by "Just listening".

have you faced this challenge?
 
That seems to be a plausible conclusion and is a valid hypothesis.
If appropriate positive controls were used, it would have been possible to find some confirmation of this hypothesis.

Without positive controls (and usually negative controls) it is nearly impossible to show that your conclusion is justified.

Your error here is your assumption that there were no tests done with positive controls. You get to be wrong!
 
Not everyone can hear well, or has enough experience or ability, to give a reliable opinion.
What matters is whether a particular individual who DOES, can hear differences.

If you're sick, you don't take a survey of random people, you go to a good doctor
who specializes in your problem, knows what they are doing, and who is much more likely
to have a valid opinion than some yutz.

The conductor of our local symphony didn't notice that our then-new concert hall had poor,
weak bass until I pointed it out to him.
What does that have to do with audio DBT?
 
You said the people involved have to agree before having a test.
Claimants bring the audio components that they claim to make audible difference. The initial step is for others who are there to participate go through non-DBT auditioning (& viewing). If they agree with the claimants, then they proceed with DBT. Sometimes they proceed with DBT anyway due to stubborn claimants.

You've never done this, have you.
 
What does that have to do with audio DBT?

Good question.

Conductors are not necessarily good judges of concert hall sound quality because their listening position is acoustically vastly different from that of the listeners.

Nobody really knows what a concert hall sounds like until they have sat in a representative selection of seats which is always more than one or just a few seats.

Sound quality in just about any room including any reasonable concert hall varies with listener location.

That's one reason why recordists often move their mics around, until they obtain the sound quality that they desire. The sound quality is different at different places in the room.
 
You said the people involved have to agree before having a test.

I agree that agreement by the listeners is not an absolute necessity. For example, sometimes listeners are paid to listen, and the cash overcomes their lack of desire.

An initial agreement (or not) is not relevant to getting a valid result from a skilled individual.

Agreed. But having ab agreement sure helps with everybody's attitude!
 
A positive control shows that the test can work. That is not a given unless demonstrated.
Using a known reference weight to show that a scale can accurately measure weight.

The easiest positive control to obtain is that the listeners can still hear the difference they are used to hearing after the system has the switching gear incorporated into it, based on their sighted evaluations.

In reality the general unreliability of sighted evaluations makes this a bit of a sham from the viewpoint of the people who are experienced with this sort of thing and know that these people are perceiving illusions created by their biases.

Another approach that is often used is to add the general difference being evaluated to the program material in variable amounts ranging from very easy to hear to mission impossible.

This is particularly easy to do with things like phase shift, frequency response variations, harmonic distortion, IM noise, and jitter.
 
The choice of "positive control" is completely dependent on what specific question the experiment is supposed to answer.

IME always true.

Some people seem to want to forget what their hypothesis was when criticizing other people's tests.

Typically, the hypothesis that naive audiophiles have walking in the door is that audible differences among DACs and amps abound and if you don't hear them readily, you are either not trying or deaf.

It is, for all practical intents and purposes difficult or impossible hear difference among most DACs and amps unless they have some fairly grossly measurable defect.

BTW, a high percentage of SETs and NOS DACs have exactly those kinds of defects, but most reasonably good mid fi gear does not.

Falsifying the original naive audiophile hypothesis is pretty easy by its very nature. But, that's not the hypothesis that we hear about once people hear about those failures.
 
diyAudio Senior Member
Joined 2002
Hi,

Typically, the hypothesis that naive audiophiles have walking in the door is that audible differences among DACs and amps abound and if you don't hear them readily, you are either not trying or deaf.

Goes both ways really.
Anything anyone claims to hear that someone else seems not to is met with disbelief and a strong demand for proof.

Why not just accept that we all perceive sound differently instead of "thinking" that if you can't hear it whatever it is it can't possibly exist ?

Oh, BTW, in my book audiophiles are not per definition naïve.
Maybe people ought to consult a dictionary before throwing insults for a lot of those so called "naive" audiophiles have been shown to be right on quite a number of occasions over at least 3 decades.

I'm actually a little jealous of all these people that can't hear these differences. Life for them is soooo much simpler.:D

Cheers, ;)
 
Anything anyone claims to hear that someone else seems not to is met with disbelief and a strong demand for proof.
That's called debate and it's allowed on this forum.

Why not just accept that we all perceive sound differently instead of "thinking" that if you can't hear it whatever it is it can't possibly exist ?
There are those who claimed to hear differences from certain components and went in to level matched DBT. That same person failed to distinguish the difference when visual cue wasn't given and volume levels were matched. How about just accepting that the difference perceived was due to volume level difference and not the price difference between electronic audio gear?
 
Is their a reason (like a technical one) why Asian audiophiles just love vintage parts and components, etc? They do like Allen Bradley's and distant relations might be expendable for anything branded Western Electric. Yes, they like the vintage sound and gestalt, but is their some real techinical advantage to some of the older resistors, like AB's or super precision "non-inductive" wire wound resistors?

AB CCs are both non-magnetic and non-inductive. They do drift higher in value over time, but there are applications where this doesn't matter much, like the input-stage RF filter or bias resistor for the input LTP, or the signal-ground lift resistor. Those are generally the locations where I tend to use ABs if I can't find anything better, like silver-palladium terminated thin-films or metal foils.

From a subjective point of view, there is a certain full-bodied presentation that ABs have, which is generally pleasant-sounding. There may be a lot of resistors that measure better at DC, but don't have the overall balance of an AB over the entire audio spectrum. I can't speak for all Asians, but where I come from, vocals and mids are an important part of the audio experience, and ABs do rather well there.
 
AX tech editor
Joined 2002
Paid Member
Maybe people ought to consult a dictionary before throwing insults for a lot of those so called "naive" audiophiles have been shown to be right on quite a number of occasions over at least 3 decades.

I believe that calling an audiophile 'naive' in the present context, if he/she shows little or no understanding of sound perception and/or denies the existence of the concept of sound perception, is correct.

Not sure why anyone would call that an insult? Or what that has to do with being right on a number of times?

Jan
 
Arny said:
Typically, the hypothesis that naive audiophiles have walking in the door is that audible differences among DACs and amps abound and if you don't hear them readily, you are either not trying or deaf.

Goes both ways really.

Of course, but IME, it goes the way I say a lot more often.

Read any audio forum anyplace, and you'll find 100's and even 1000's of posts that claim audible differences for some of the most ludicrous reasons, all based on sighted evaluations.

Anything anyone claims to hear that someone else seems not to is met with disbelief and a strong demand for proof.

Challenging "Can hear" claims is even forbidden on many forums.

Why not just accept that we all perceive sound differently instead of "thinking" that if you can't hear it whatever it is it can't possibly exist ?

Three reasons:

(1) Decades of seeing such claims fail any reasonable scientific theoretical scrutiny. IOW people claim to hear things that if you measure them, they are wayyyyy below the known thresholds of hearing.

(2) Decades of seeing such claims fail any reasonable scientific practical scrutiny. IOW people claim to hear things that if you test them, they end up randomly guessing.

(3) The reliability of the evidence that people present to support their beliefs. Mostly its casual, sighted, non-level matched, non-time-synched listening evaluations or something they read that was written by either someone as naive as them, or some so-called audio authority with a financial interest.

Oh, BTW, in my book audiophiles are not per definition naïve.

Of course not. You believe you are right, and that I am wrong. I'm not saying that all audiophiles are naive (after all, I'm an audiophile ;-) ), just that its very easy to find naive audiophiles and that I've done so many times in the past.

You obviously presume that you know this audio stuff far better than I.

Maybe people ought to consult a dictionary before throwing insults for a lot of those so called "naive" audiophiles have been shown to be right on quite a number of occasions over at least 3 decades.

I don't know what you are talking about. Present your evidence. At this point you appear to be basing your argument on your personal authority. What gives you more right to do that than I? And, that's pretty typical, IME.
 
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