v-bro said:He also invented "The Mat" a round slice of very thin dampening rubber ...
Was that the burgundy one-side adhesive stuff? I found it useless for CDs but great as a damping layer between cartridge and headshell. 😉
I have an old Sargent Rayment tube amp I scored at a garage sale and I get the drift that the copper is used as a conductor plane since grounds of caps and power cords and other stuff is connected to the chassis. It has a 2-pronged power cord.
Klimon said:....., wood for sound! No eddy currents and other thingies giving a closed-up sound... I've realised I'm pretty alternative here as most people don't see any problems in metal as long as it's non-magnetic.
Simon
I totally agree. Heat can be a problem , tho...
Sorry to make the comment in the tubes section, but:"not in class D though". I can just hear you guys think "sacrilidge!"

pretty alternative? I know a guy who owns "art speak" a modding company, he puts cork mats in amps(pieces of cork floor tiles) against the metal plating.
Ofcourse a guy who puts tarmac in his breakfast cereal is more alternative but that's not the point here... To apply to the subject: if those amps were built from wood in the first place they would never need cork dampening (and lack the closed-up sound that no addition can cure once metal is envelloping signal circuitry).
Heat can be a problem , tho...
imo that's the main backdraw... Chamfering around the tube holes + mounting iron above the chassis should solve the worst of problems, I can imagine chassis heat dissipation can be more of an issue with certain high power tubes.
Simon

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- why is it that most tube projects uses copper sheetmetal?