Which TQWT model?

Hello.!


I have a small question about a TQWT cabinet.

There are roughly two types of TQWT cabinets.
Are there important, audible differences between these two examples?
In Hornresp I get (almost) the same outputs.

Thank you!
 

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They aren't different types -they're just different ways of folding, potentially with some vatiations for the driver & vent (where relevant) tap locations (offset) along the pipe / horn expansion. And there are plenty more than just that. Ideally, you design the pipe, then decide how to fold it, in such a way that it puts the driver & vent arrangements where you want them. There are or can be some other effects going on, but these are usually secondary to the basic pipe & tend to come in to more complex / advanced designs.
 
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Driver offset / tap location.

As noted, they are just different methods of folding. Unless you are deliberately trying to use secondary effects & account for them in the design, you design your pipe, then decide how to fold it up in such a way as to put the driver and vent where you want them. Or, if you want a rectilinear cabinet, check first to see whether a simple MLTL will do the job as well or better. 😉
 
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As noted, they are just different methods of folding. Unless you are deliberately trying to use secondary effects & account for them in the design, you design your pipe, then decide how to fold it up in such a way as to put the driver and vent where you want them.
yes, but that’s a bit unclear too me because I never used Hornresp befor, and build a TQWT 😉

Here i have two examples of folding the pipe like the example (left/right)
At one example (OD1. Driver between section 2-3) you see a better response around 100-200Hz.

You see a response in a 1.0 x Pi configuration. The peak around 50Hz is because I want less energy from 60-100Hz because of roommodes. I have peaks around 63/71/92Hz.
 

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Well, my first question would be: is the basic pipe geometry the same? By that, 'we' (well, I, anyway) mean, and ignoring folds etc., which are primarily a construction, not acoustic issue:
  • Is length equal?
  • Is the throat area (the pointy bit 😉 ) of equal cross section?
  • Is the terminus area (the wide bit?) of equal cross section?
  • Is any mass-loading vent (the exit area or pipe of resticted size compared to the terminus area) of equal area and length?
  • Is the driver offset (distance from the throat) equal?
  • If a mass-loading vent is present, is it offset from the terminus, and if so, is the offset equal?
  • Is the damping of identical type, and identically positioned?
The easiest way of checking these is simply to assume the pipe is not folded up, but just a tall triangular (more or less) box. That allows you to view the basics of the pipe geometry for what it is -when you're new to designing them, it tends to be easier this way. The above are the dominant acoustic features. When you fold a pipe up, usually, as I say, it's done for convenience, so 'whatever will put the driver and vent in the positions you want them to be in'. That's not to say that different folding schemes don't / can't affect things in themselves -they can. But except in extreme cases, or you introduce some other features in the process, it's usually a secondary effect that doesn't have a great deal of impact on tuning or the first couple of harmonics.

Hope that helps a bit!
 
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